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Learning Chords Guitar Lesson

Home > Guitar Lessons > Beginners > Basic Guitar with David Anthony > Learning Chords
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David Anthony

Learning Chords

Learning to play chords properly is a major part of your development as a guitar player. David provides an overview of how a chord is formed. You will also learn how to read a chord chart. Then, David applies this information to the basic major chords.

Taught by David Anthony in Basic Guitar with David Anthony seriesLength: 28:12Difficulty: 1.5 of 5
Chapter 1: (1:22) Introduction In lesson four David will teach you some basic chords and how to read chord charts. Grab your guitar, get warmed up, and get ready to Jam!
Chapter 2: (3:43) Reading Chord Charts A chord chart is very similar to basic tablature. Instead of the “E” (low) (1st) string being on the bottom of the chart running horizontally, it will be at the far left of the chart running vertically. Your “E” (high) (6th) string will be on the far right of the chart running vertically as well. Subsequently, the A, D, G, and B strings are the middle four lines and run vertically from left to right.

A few other key components to a chord chart include:
  • ”O” / Open String: If an “O” is above the string, then that will be played as an open string. As you remember, you can play an open string by simply picking the string without fretting it.
  • ”X” / Dead sString: If an “X” is above the string, it should be treated as a dead string. For a dead string, you do not touch it at all (no picking, no fretting).
  • Fret Indicator: There will often be numbers to the left of the chord chart to indicate the frets. If no numbers are present, you can assume that the top fret is fret one. If you see a seven at the top and five frets are shown you will know that they are showing frets 7, 8, 9, 10, and 11.
  • Note Indicators / Finger Numbers: There will be dots on the strings where the notes are to be played. For challenging chords, you will sometimes have a circle with a number inside of it. The number indicates which finger you should use for that note.

    Sometimes you will see a bar laid across multiple strings on a certain fret. This means that you should “bar” the chord instead of holding the notes with individual fingers.
The last example shown is an “F” minor chord. For this chord you will have your first finger across the 4th, 5th, and 6th strings (G, B, E (high)) on the 1st fret. You can use your 2nd and 3rd fingers or 3rd and 4th fingers to fret the remaining two notes. The first note is played on the 3rd string (D) with the second note being played on the 2nd string (A). Both of these should be played on the 3rd fret. Together, these 5 notes (three on your barred finger and two on the second two fingers used) create the “F” minor chord.
Chapter 3: (4:11) Chords vs Notes / A Chord The basic difference between a note and a chord is that a note is a single sound (one string / fret). A chord is just multiple notes combined (three or more). You might ask yourself “What’s two notes then?” and as far as we know there isn’t a formal name for this. You are simply playing two notes together; it does not qualify as a chord.

The first chord we will cover is the “A” chord. There are many variations of this chord (“A” minor, “A” 7th, etc). If a type is not specified then you will be playing the major (“A” major in this case). In the “A” chord you will be playing six five notes and using three fingers.
  • 1st Finger: “D” (3rd) string, 2nd fret.
  • 2nd Finger: “G” (4th) string, 2nd fret.
  • 3rd Finger: “B” (5th) string, 2nd fret.
You will also be picking the 2nd (“A” string) and 6th (“E” (high) string) as open notes. Since there is no number on the 1st (“E” (low)) string, you will not be picking or fretting it.

All together these five notes create the “A” (major) chord. It is generally a good idea to pick each string individually to make sure you are getting a clean sound for each note.
Chapter 4: (3:13) "B" Major / "B" 7th Chord In this section David will teach you the "B" major chord, almost. He is actually going to be teaching you the "B" 7th chord because it is much easier to learn than the true "B" chord and the difference between the two is nearly undetectable. You can play a "B" 7th in place of a "B" in any song and it's very difficult to tell the difference (but much easier to learn).

For this chord you are will be playing four notes using three fingers:
  • Finger 1: “D” (3rd) string, 1st fret.
  • Finger 2: “A” (2nd) string, 2nd fret.
  • Finger 3: “G” (4th) string, 2nd fret.
  • Open: You will also be picking the “B” (5th) string with an open note.
You now know the “A” and “B” chords. As you can see by David’s sample riff, these two alone can sound pretty good together. You can mix up your timing & rhythm with these two chords. You can also pick strings individually or out of order. Use these techniques to create your own unique sound.
Chapter 5: (2:23) C Major Chord Since we are not specifying beyond "C", you know that this is a major chord. The five notes will be played with three fingers. Explained from string one to six, here is how you play it
  • 1st String (“E” low): Dead string. Do not pick or fret this string.
  • 2nd String (“A”): 3rd finger, 3rd fret.
  • 3rd String (“D”): 2nd finger, 2nd fret.
  • 4th String (“G”): Open string (no finger, no fret).
  • 5th String (“B”): 1st finger, 1st fret.
  • 6th String (“E” high): Open string (no finger, no fret).
Chapter 6: (2:54) D Major Chord The D major chord uses four notes played with three fingers:
  • 1st String (“E” low): Dead note. Do not pick or fret this string.
  • 2nd String (“A”):
  • 3rd String (“D”): Open string (no finger, no fret).
  • 4th String (“G”): 1st finger, 2nd fret.
  • 5th String (“B”): 3rd finger, 3rd fret.
  • 6th String (“E” high): 2nd finger, 2nd fret.
Chapter 7: (2:23) E Major Chord The “E” major chord will utilize all six strings and three fingers.
  • 1st String (“E” low): Open string (no finger, no fret).
  • 2nd String (“A”): 2nd finger, 2nd fret.
  • 3rd String (“D”): 3rd finger, 2nd fret.
  • 4th String (“G”): 3rd finger, 1st fret.
  • 5th String (“B”): Open string (no finger, no fret).
  • 6th String (“E” high): Open string (no finger, no fret).
Chapter 9: (2:35) G Major Chord The “G” major chord utilizes all six strings and three fingers.
  • 1st String (“E” low): 2nd finger, 3rd fret.
  • 2nd String (“A”): 1st finger, 2nd fret.
  • 3rd String (“D”): Open string
  • 4th String (“G”): Open string
  • 5th String (“B”): Open string
  • 6th String (“E” high): 4th finger, 3rd fret.
Chapter 10: (2:46) Review & Final Thoughts Be sure to practice all of these chords as much as possible. You should pick each string individually from time to time to make sure you are getting a clean sound on all of the notes.

Once you have each chord down, feel free to make up your own progressions between them. Instead of going through them alphabetically, hop around randomly. Once you become a master at the slow transitions from chord to chord (in random orders), speed things up. See how fast you can transition while still keeping a clean sound.

It is very difficult to memorize these chords, let alone play them in a progression. If it takes you weeks to learn these and slowly transition between them, don’t worry about it! You should be enjoying the learning experience. Don’t get frustrated if you’re going slower than you had anticipated. If you can work your way through these chords, you will be further than most people. This is a time when a lot of folks get frustrated & give up.
  • Major Chords in Tablature
  •  
  • F Major Chord
  • Easy B / B 7th Chord
  • A Major Chord
  • B Major Chord
  • C Major Chord
  • D Major Chord
  • E Major Chord
  • G Major Chord
  •  
  • Reading Chord Charts
  • Reading Barre Chords
  •  



Supplemental Learning Material

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Member Comments about this Lesson

Discussions with our instructors are just one of the many benefits of becoming a member of JamPlay.


gregcombsgregcombs replied on October 9th, 2011

I may be kind of slow, but I don't believe B7 is the same as B Major?

neverquiteverneverquitever replied on January 22nd, 2012

Enter your comment here.

jusbpatientjusbpatient replied on August 29th, 2011

He has an annoying habit of making a "smacking" sound with his mouth after completing a sentance

ybsilon1ybsilon1 replied on March 19th, 2011

David, are you planning on more lessons here ? I could not find your profile under "staff" anymore. Are you still active ? Thanks anyways, I really like this set.

civetadeicivetadei replied on January 15th, 2011

I liked this, very cool. It would be great to have a full chord chart in the supplemental section but im sure i will come across it in the rest oif your lessons. THNX!

natalie528natalie528 replied on October 16th, 2010

I'm fairly intermediate level at guitar or so, but just going through these things to see if I'm lacking anywhere... I never play a lot of B maj though and from the picture is it saying the B 7th can be used instead of using the B maj? I get that insinuation since it says "B easy/B 7th" Or no? I play the B maj in barre style so I just let the bottom of my index hit it similar to how I play the F maj.

natalie528natalie528 replied on October 16th, 2010

Well he just answered my question in scene 4, disregard, lol

petermcgpetermcg replied on June 27th, 2010

The high E string is the #1 string. I don't know why he keeps calling it the # 6 string.

jazzmeisterjanjazzmeisterjan replied on January 23rd, 2012

I like this guy, but he speaks fast and doesn't speak loud enough and then he REVERSES the string numberings! as a beginner - this is really confusing! I like him but I think I have to abort his lessons! Might come back later after I've got the basics all down.

thomthomthomthom replied on July 10th, 2010

Agreed, but the lesson is pretty easy to follow for us beginners.

justinlowriejustinlowrie replied on April 12th, 2010

@David — I am learning on a electric but the style I want to play seems more open chord based (as opposed to power chords/ muting etc) Do you think your lessons are just as transferable to electric?

buffy136buffy136 replied on April 10th, 2009

is string # 6 the high e string # 5 the b string # 4 the g cause I think I am a little losted

onebobstirlingonebobstirling replied on February 10th, 2009

Is it possible to play a song from tab without knowing the song?

shiroshiro replied on March 3rd, 2009

usually, no. it would have to be a really simple song, or you would have to know both the time and the creator of the tab would have to spread out the numbers the proper distance corresponding to the rhythm. so yeah, u need to know the song usually.

lievenlieven replied on January 3rd, 2008

I believe the two drawings of the A major chord in the supplemental content section don't match (fingering) 3-2-1 / 3-1-2. Or did I miss something? How do you have to put your fingers correctly...? I find the way shown in the video more difficult to reach.

niconico replied on January 16th, 2008

I suppose the "classical" fingering is 3-2-1. You should choose the fingering you are comfortable with. One of the instructors even showed a bar over the 3 stings with his index finger.

daniel92527daniel92527 replied on December 16th, 2007

k

Basic Guitar with David Anthony

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David Anthony is an acoustic guitar aficionado. In this series you will learn basic concepts that are essential to playing any style of guitar music.



About David Anthony View Full Biography David Anthony was born David Anthony Volckmann, on November 9th, 1982, in the small town of Mount Hope, NY. As a child he absorbed the church flavored musical environment that his parents provided. With this influence he realized at a young age that music would not simply be a passive experience for him. It was not until the age of 15 that he decided to string up his first guitar. Relying solely on his father for his foundational chord knowledge, he quickly became enamored with the possibility of endless melodic structures, and the goal of becoming a fantastic player himself.

His early shredder influences came from Kirk Hammet of Metallica. During his first few years of guitar playing, he developed a very workable knowledge of pentatonic, major and minor scales. Over the years his musical interests swayed from rock to standards, from jazz to classical, and a strong love of the art of flamenco guitar; Spanish finger style. It was not until the age of 18 that he decided to surround himself entirely with the music of Steve Vai and Joe Satriani. This influential exclusivity enabled him to learn more about thinking outside of the musical box. In one year he had learned than in the prior 3 years. Picking up multiple ways to structure melodies, create chords and use different modes, his writing and improvisational abilities grew exponentially. In his senior year of high school, he was responsible for the development of the first Musical Appreciation class in the schools history, and had aided the instructor in the teaching of those classes.

After high school, his focus started to rest mainly in writing. With this he realized that he would need additional, abstract influences to develop a unique style of writing. After a couple more years of playing in a small band, and writing some decent material, he greeted 2004 with a move to Nashville, TN. There he found the exact influence that would change his opinion of the guitar forever. Attempting to weed out a strong foundation in shredding and solo techniques, he began learning finger style guitar, and quickly realized the options that his door would open for him.

As he picked up more complex chord structures and jazz scales, his style became a passion for him that continues to drive him and push him to learn more. He feels strongly about the connection between musical input and the music you write. He notes that his subconscious pool of influence, developed from the music he listens to, is almost directly responsible for the type of music that he writes. He adamantly believes that in order to create a unique, soulful style, the pool must remain unpolluted by substandard music. What's that mean? As David puts it, "If you don't want to play crap, don't listen to crap."

David currently teaches Jazz guitar in Fort Collins, Colorado, with plans to move back to Nashville in the spring to pursue a career in writing.

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