lesson summary
Lesson 1 of 80 in our Series: Introduction to Blues
Hawkeye Herman introduces the blues. He explains the 12 bar blues chords and the poetic format that blues lyrics typically follow.
Chapter 1: (02:09) Musical Introduction
Welcome to JamPlay's Phase 2 Blues series! Instructor Michael "Hawkeye" Herman lays down a smooth 12 bar blues in the key of E to get things started.
Chapter 2: (05:00) Series Introduction, History and Poetic Form
Hawkeye introduces himself in this scene. Hawkeye began playing the guitar in 1958. He grew up in the era when many of the blues guitarists that are now common household names were still alive. While living in San Francisco's Bay Area, he was fortunate enough to see these musicians perform, learn from them, and play with them as well. With roughly 50 years of experience, Hawkeye will provide you with the information necessary to playing the blues effectively.
For more information about Hawkeye Herman and his work, please visit hawkeyeherman.com. This website includes performance dates, mp3s, videos, and song lyrics among many other exciting features.
History of the Blues
The Blues is a combination of sacred spiritual music and work songs (sometimes referred to as "field songs"). Blues music sprung from the disenfranchisement of African Americans. It was away to release the anguish of slavery and oppression.
Many of the rhythms common to the blues genre can be traced back to Africa. However, the poetic form of the blues is wholly original. The poetic format of blues phrases is "aab". This includes a line that is sung, then repeated. Finally, a second rhyming line is sung. The two "a" lines create what is referred to as a "call and response." Call and response is an extremely important component of blues music. A very common example of call and response happens in a church service. The leader of the congregation sings "Amen," then the congregation responds. Hawkeye provides yet another great example. "They Call It Stormy Monday," is a blues classic. BB King sings a melodic phrase, then plays the same phrase on guitar. This often involves adding bends and slurs to imitate the voice.
Blues As a Watershed for Other Styles
The influence of blues is very widespread. Without blues, there would be no jazz, country, or rock music. Much of heavy metal music draws upon blues scales and other blues idioms as well.
Chapter 3: (01:42) Blues Formula
The most common form in the blues genre is the 12 bar blues. This is a chord progression consisting of 12 bars. This chord progression usually repeats for the entire duration of a song. The 12 bar blues is usually played in 4/4 or 12/8 time.
Chord Changes
The most basic form of the 12 bar blues progression consists of the I, IV, and V chords. If you are unfamiliar with Roman numeral analysis, don't worry! Hawkeye explains it in simple terms. These chords can also be labeled by the way in which they function. Respectively, the I, IV, and V chords are referred to as the tonic, subdominant, and dominant chords. In a major or minor key, each chord carries out a specific function. Tonic is often compared to home base. This chord is very stable. The subdominant chord or IV chord tends to lead back to tonic or to the dominant chord. The dominant chord wants to resolve back to tonic or home. Hawkeye applies these concepts to the key of E major. The tonic or home chord is E major. To find the subdominant chord, count up four letters in the musical alphabet including the note E. The subdominant chord is A major. The dominant chord is five letters up from E. Thus, the dominant chord in the key of E is B major.
Note: Often, dominant seventh chords are substituted for major chords in the 12 bar blues progression.
Chapter 4: (11:30) How Blues Works
The easiest way to internalize the 12 bar blues pattern is to vocalize it. Like Hawkeye mentions, the blues was a vocal style of music sung in the fields before it became an instrumental style. Slaves had their instruments taken away from them. Drumming was originally a form of communication developed in Africa. This prevented sedition from occurring on the plantation.
Hawkeye plays and sings a 12 bar blues to demonstrate its form. Notice how the first line is repeated. Then, a new, rhyming line completes the form.
Let’s take a look at all of the phrases in this verse:
Phrase 1: Good morning, Blues. Blues, how do you do?
Phrase 2: Good morning, Blues. Blues, how do you do?
Phrase 3: I’m doin' alright. Good morning, how are you?
Each line in the verse spans four measures for a total of 12 measures altogether.
Applying Chords to the Form
After demonstrating the vocal phrases, Hawkeye introduces the chords and where they each occur in the form. As he plays through the form, count how many times he strums each chord. Also, make a careful note of when the chords change. Count the measures in the way that Hawkeye recommends. Count "1, 2, 3, 4, 2, 2, 3, 4, etc." This method of counting will ensure that you will not lose your place in the form.
As you learned in the video, the chord changes for the complete 12 bar form are as follows:
Bars 1-4: Tonic (I)
Bars 5-6: Subdominant (IV)
Bars 7-8: Tonic (I)
Bar 9: Dominant (V)
Bar 10: Subdominant (IV)
Bars 11-12: Tonic (I)
Pay careful attention to how Hawkeye chooses to play an A major chord. He plays this chord by barring the D, G, and B strings with the middle finger.
As Hawkeye advances through this series, he will explain some additions and alterations that are frequently made to this basic form. For example, you can play the E chord in bar 4 as E7. This creates a stronger resolution to the IV chord, A.
about Hawkeye Herman
Legendary Blues Teacher and Performer
""One of America's finest acoustic guitarists and blues educators."
Cascade Blues Association
"Herman plays with a sensitive, reflective touch that continually draws
attention to his vocals, which are effectively understated and free of
affectation... Herman can rock with the best of them. A solid choice for fans of
traditional acoustic blues."
Living Blues Magazine
" ...plays haunting music on a mournful guitar."
Los Angeles Times
"The only thing better than hearing this live album is seeing Hawkeye Herman
in the flesh. Whether adding his own spin to blues classics or offering his
own songs, Herman is a one-man history of blues, noteworthy guitar player and
inimitable communicator. Miss him at your peril."
Blues Access
With over 40 years of performing experience, Michael "Hawkeye" Herman
personifies the range of possibilities in blues and folk music. His dynamic blues
guitar playing and vocal abilities have won him a faithful following and he leads
a very active touring schedule of performances at festivals, concerts, school
programs and educational workshops throughout the U.S., Canada, and Europe.
His original music has been included in video dramas and documentaries and in
four hit theatrical productions.
In 2000, Hawkeye was awarded Philadelphia's
Barrymore Award for Excellence in Theatre for best original music in a
theatrical production. "Everyday Living," Hawkeye's first nationally released album
from 1987, now reissued on CD, features the late blues giants Charles Brown and
"Cool Papa" Sadler, and established the demand for his now long-standing
festival and concert touring. His latest CDs and DVD, "Blues Alive!" (CD), "It's
All Blues To Me" (CD), and "Hawkeye Live In Concert" (DVD) have been greeted
with rave reviews. Hawkeye's journalistic efforts have been published in numerous
national and regional blues and music-related periodicals.
In 1998 he was the
recipient of the Blues Foundation's "Keeping The Blues Alive" award for
achievement in education. He served on the Board of Directors of the Blues
Foundation for six years. Hawkeye was inducted into the Iowa Blues Hall of fame in
2004. In September of 2005, Hawkeye composed, at the request of the British
Broadcasting Company (BBC), "Katrina, Oh Katrina (Hurricane Blues)," detailing the
hurricane disaster on the Gulf Coast. The song was aired to over 7 million
listeners on the popular "BBC Today" program. He is the cofounder of the Rogue
Valley Blues Festival, Ashland, OR.
This musician has definitely carved out a
spot for himself in the contemporary acoustic blues/folk field, and has earned a
reputation as one of the most accomplished artists in the genre, and
audiences throughout the US/Canada/Europe have come to know and appreciate Hawkeye's
talent, dedication, and captivating performances.
Hawkeye Herman on the Web
- http://www.HawkeyeHerman.com
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