
Extreme folk guitarist, Mark Kroos guides you step by step on the setup and technique aspect of playing in the style he deems "Extreme Folk." This style is also referred to by some as lap tapping.
Lesson 1
Mark Kroos introduces himself and the lesson series he is starting. In this lesson, Mark talks about what he'll be covering in the lessons to come.
Length: 7:47 Difficulty: 0.0 FREELesson 2
In the second lesson of his extreme folk guitar series, Mark explains the ideal guitar setup for this style of playing. He talks about, strings, accessories and some things to watch out for in your setup.
Length: 7:43 Difficulty: 0.0 Members OnlyLesson 3
In lesson three of his extreme folk guitar series, Mark talks about the advantages of using DADGAD tuning in this style. He also demonstrates how to get in to DADGAD from standard tuning using your ear.
Length: 13:12 Difficulty: 1.5 Members OnlyLesson 4
In lesson four of his extreme folk guitar series, Mark discusses basic fingerstyle technique. Although this isn't the main technique that will be utilized in this style, it does come in to play, so covering...
Length: 13:14 Difficulty: 2.0 Members OnlyLesson 5
Before jumping too far into the world of "extreme folk guitar," it's helpful to have a road map. In lesson five of his series, Mark Kroos covers some of the basic chords you'll utilize in this tuning.
Length: 7:51 Difficulty: 1.5 Members OnlyLesson 6
In the sixth lesson of his extreme folk guitar series, Mark Kroos discusses the left hand tapping techniques used in this style.
Length: 11:28 Difficulty: 2.0 Members OnlyLesson 7
Now that you've learned the basic approach to left hand tapping, Mark Kroos demonstrates the basic approach to right hand tapping.
Length: 11:42 Difficulty: 2.0 Members OnlyLesson 8
In his eighth lesson with JamPlay, Mark Kroos discusses the primary function of a capo - to change keys. He will discuss more creative and conceptual ideas for capo use in a future lesson.
Length: 6:24 Difficulty: 1.0 Members OnlyLesson 9
In this lesson, Mark Kroos discusses power chords and how they apply to DADGAD tuning. This tuning enables you to use one finger to make your power chords, allowing you to project the chords and stay out...
Length: 12:58 Difficulty: 1.5 Members OnlyLesson 10
Now that Mark has demonstrated tapping techniques for the left and right hands, it's time to combine them. In his ninth lesson, Mark provides a few exercises that help with this process.
Length: 9:41 Difficulty: 2.5 Members OnlyLesson 11
In his 11th extreme folk lesson, Mark Kroos discusses parallel fifths and how they can be used to create melody. DADGAD tuning is extremely conducive to this compositional technique.
Length: 12:14 Difficulty: 2.0 Members OnlyLesson 12
In this lesson, Mark Kroos demonstrates the movable chord shapes necessary to play in a major key within DADGAD tuning.
Length: 16:22 Difficulty: 2.0 Members OnlyLesson 13
Now that you understand the basics of playing in D major, Mark discusses playing in D minor.
Length: 11:34 Difficulty: 2.0 Members OnlyLesson 14
In his fourteenth lesson, Mark Kroos demonstrates how to turn your guitar into a drum kit.
Length: 19:37 Difficulty: 3.0 Members OnlyLesson 15
In lesson 15, Mark demonstrates some chord chord grips for the diatonic chords in D minor. He also discusses how relative minor keys relate to their major counterparts.
Length: 12:34 Difficulty: 2.5 Members OnlyLesson 16
In his sixteenth lesson in extreme folk guitar, Mark discusses a technique he calls "cascading." Cascading is a quick hammer-on and pull-off technique that allows notes within a melodic figure to run together...
Length: 12:47 Difficulty: 2.5 Members OnlyLesson 17
Now that you've got the basic cascading technique under your belt, Mark is back with a look at what else you can do with this technique. In this lesson, he adds chords as well as picking into the mix.
Length: 18:44 Difficulty: 3.0 Members OnlyLesson 18
In his 18th lesson with JamPlay, Mark Kroos discusses the advantages of working in Open D Tuning. Additionally, he teaches some fundamental chords in this tuning as well as how to get to it from DADGAD.
Length: 28:27 Difficulty: 2.0 Members OnlyLesson 19
Mark Kroos is back with a lesson on natural harmonics. You may be familiar with the concept, but Mark takes it to the next level and demonstrates how to include these harmonics in the songwriting process.
Length: 27:50 Difficulty: 3.0 Members OnlyLesson 20
In this lesson, Mark Kroos discusses why you may want to create your own altered tuning. He also provides some tuning tips and what to avoid.
Length: 20:55 Difficulty: 2.5 Members OnlyLesson 21
In this lesson, Mark Kroos takes a look at diatonic 6th intervals in both DADGAD and open D tuning.
Length: 33:51 Difficulty: 2.0 Members OnlyLesson 22
Mark is back with a lesson on slap harmonics. In this lesson, he covers when and how you might use this technique.
Length: 18:24 Difficulty: 2.5 Members OnlyLesson 23
Now that Mark has covered natural and slap harmonics, he provides a lesson on what are commonly referred to as "harp harmonics." This technique will allow you to add some flair to your playing and can...
Length: 16:31 Difficulty: 2.5 Members OnlyLesson 24
Mark Kroos covers a new tuning that you may want to try in your extreme folk playing. He covers the advantages of CGDGGD tuning, common chord shapes, and how to tune to it from DADGAD tuning.
Length: 25:28 Difficulty: 2.5 Members OnlyLesson 25
To conclude the first part of his Extreme Folk Guitar teachings, Mark Kroos provides a lesson on practice strategies. He discusses the differences between playing and practicing, time management and using...
Length: 16:49 Difficulty: 1.0 Members Only
About Mark Kroos
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Mark Kroos plays 2 guitar necks at the same time. Originally from Lansing, MI but currently based in Williamsburg, VA he is one of the only people in the world touring his trade.
Mark Kroos plays 2 guitar necks at the same time. Originally from Lansing, MI but currently based in Williamsburg, VA he is one of the only people in the world touring his trade. His primarily instrumental style is characterized by open harmonies, polyphonic textures, incredible tapping technique, and is as entertaining to watch as it is to listen to. Live performances burst with energy and magnetism not typical of solo guitar music. Drawing influence from folk, Celtic, indie, and even punk rock artists as well as other great guitarists such as Michael Hedges, Phil Keaggy, Tommy Emmanuel and Leo Kottke, Mark Kroos has developed his own edge to the acoustic guitar.
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