
A sub-genre of country music which blends improvising with folk-like melodies. Pioneered by Bill Monroe in the 1930s in the "bluegrass" state. Learning to flatpick properly is absolutely crucial to the Bluegrass style.
Lesson 1
Orville Johnson starts out his Bluegrass Flatpicking Series with a lesson on alternate picking, a technique that is absolutely essential to almost all guitar styles.
Length: 25:21 Difficulty: 1.0 Members OnlyLesson 2
Orville teaches a classic song called "John Hardy" in the style of Mother Maybelle Carter.
Length: 15:54 Difficulty: 2.5 Members OnlyLesson 3
Orville teaches the classic song "Bill Cheatum" in the bluegrass flatpicking style.
Length: 23:20 Difficulty: 2.5 Members OnlyLesson 4
Orville Johnson explains how to play the classic song "Blackberry Blossom" in the bluegrass flatpicking style.
Length: 26:00 Difficulty: 2.5 Members OnlyLesson 5
Orville Johnson shows how the classic bluegrass fiddle tune "Whiskey Before Breakfast" can be adapted to the guitar.
Length: 24:05 Difficulty: 2.5 Members OnlyLesson 6
Orville Johnson teaches how "Billy in the Lowground," a classic fiddle tune, can be adapted to bluegrass style guitar.
Length: 20:40 Difficulty: 2.5 Members OnlyLesson 7
Orville Johnson teaches the classic bluegrass song "Salt Creek."
Length: 19:56 Difficulty: 2.0 Members OnlyLesson 8
Orville Johnson teaches the classic buegrass song "Midnight on the Water."
Length: 39:42 Difficulty: 2.0 Members OnlyLesson 9
Orville Johnson teaches a solo guitar version of the classic song "The Wayfaring Stranger."
Length: 21:12 Difficulty: 2.5 Members OnlyLesson 10
Orville Johnson demonstrates the classic bluegrass song "The Eighth of January."
Length: 20:32 Difficulty: 3.0 Members OnlyLesson 11
Orville Johnson teaches "Over the Waterfall."
Length: 21:40 Difficulty: 2.5 Members OnlyLesson 12
Orville Johnson demonstrates one of the most widely used bluegrass licks. This lick is named after "Lester Flatt" and simply called the "Lester Flatt G Lick."
Length: 15:14 Difficulty: 2.5 Members OnlyLesson 13
Orville Johnson explains how to play the classic song "June Apple."
Length: 21:27 Difficulty: 2.0 Members OnlyLesson 14
Orville Johnson teaches a bluegrass guitar version of the classic song "Soldier's Joy."
Length: 13:22 Difficulty: 2.5 Members OnlyLesson 15
Orville Johnson teaches the "The Arkansas Traveler" in the key of D.
Length: 26:06 Difficulty: 2.5 Members OnlyLesson 16
Orville Johnson teaches his version of "I Don't Love Nobody."
Length: 19:14 Difficulty: 2.5 Members OnlyLesson 17
Orville Johnson covers the classic tune "Old Joe Clark."
Length: 19:27 Difficulty: 2.5 Members OnlyLesson 18
Orville Johnson continues building your bluegrass fiddle tune repertoire with another great song called "The Red-Haired Boy."
Length: 27:49 Difficulty: 2.5 Members OnlyLesson 19
Orville Johnson teaches "Black Mountain Rag" in the key of E.
Length: 26:25 Difficulty: 2.5 Members OnlyLesson 20
In continuation of his previous lesson, Orville Johnson teaches "Black Mountain Rag" in the key of A.
Length: 23:31 Difficulty: 2.5 Members OnlyLesson 21
Orville Johnson takes a look at the bluegrass standard "St. Anne's Reel".
Length: 20:43 Difficulty: 2.5 Members OnlyLesson 22
In this lesson, Orville Johnson teaches a fantastic new tune called "Glory in the Meeting House".
Length: 19:00 Difficulty: 2.5 Members OnlyLesson 23
In his latest Flatpicking Bluegrass lesson, Orville Johnson teaches a tune called "Under the Double Eagle".
Length: 31:50 Difficulty: 2.5 Members OnlyLesson 24
Orville Johnson continues building your bluegrass flatpicking repertoire with another great tune called "Crossing The Big Sandy River".
Length: 11:00 Difficulty: 2.0 Members Only
About Orville Johnson
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Orville Johnson was born in 1953 in Edwardsville, Illinois and came up on the St. Louis, Missouri music scene, where he was exposed to and participated in a variety of blues, bluegrass and American roots music. He began singing in his Pentecostal church as a young boy, in rock bands in middle school, then took up the guitar at 17,with early influences from Doc Watson, Rev. Gary Davis, Mississippi John Hurt, and Chuck Berry. In the early 1970's, Orville spent several seasons playing bluegrass on the SS Julia Belle Swain, a period-piece Mississippi river steamboat plying the inland waterways, with his group the Steamboat Ramblers.
Orville moved to Seattle, Washington in 1978, where he was a founding member of the much-loved and well-remembered folk/rock group, the Dynamic Logs. Other musical associates include Laura Love, Ranch Romance, File' Gumbo Zydeco Band, Scott Law, and the Twirling Mickeys. Johnson, known for his dobro and slide guitar stylings and vocal acrobatics, has played on over 100 albums. He has appeared on Garrison Keilor's Prairie Home Companion, Jay Leno's Tonight Show and was featured in the 1997 film Georgia with Mare Winningham. His musical expertise can also be heard on the Microsoft CD-ROMs, Musical Instruments of the World and the Complete Encyclopedia of Baseball. He teaches as well at the International Guitar Seminar, Pt. Townsend Country Blues Week and Puget Sound Guitar Workshop.
Orville released 4 recordings in the 1990's: The World According to Orville (1990) Blueprint for the Blues (1998) Slide & Joy (1999) an all-instrumental dobro tour de force and Kings of Mongrel Folk (1997) with Mark Graham. He also appeared on 4 discs with the File' Gumbo Zydeco Band and produced Whose World Is This (1997) for Jim Page and Inner Life (1999) for Mark Graham. In the 21st century, he has released Freehand, a new Kings of Mongrel Folk disc, Still Goin' Strong, and been featured in the soundtracks of PBS' Frontier House and the Peter Fonda flick The Wooly Boys as well as the compilation cd Legends of the Incredible Lap Steel Guitar.
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Member Comments about this Lesson
Discussions with our instructors are just one of the many benefits of becoming a member of JamPlay.I wonder if a note in the Lessons Materials/Supplemental Content is in the wrong place. In the section, G Major Scale Sequence (Ascending with Alternate Picking). Shouldn't the 4th note played in the sequence be a G on the 6th string?
I'm assuming you're talking about the part that begins at measure 13, and if so then no because if you look at the notes on the staff it is ascending in groups of four notes. After the fourth note in each group the next group starts two notes (of the scale, in this case G) behind that fourth note. The first group ends on a C so the second group begins on the A. Hope this helps.
Hi Orville, I believe you might know my dad, Tut Taylor... :)
Awesome lesson .... Could you explain the value of the 'playing in thirds' exercise? I can't wait for the next lesson.
The value of the "playing in thirds" scales is in how they will help you develop the co-ordination between your picking hand and your fretting hand. When we start learning the tunes that kind of co-ordination will be very important and this exercise will help you prepare for that.
Nice lesson Orville. You explain things very well. I'm glad you are doing a Bluegrass Series.