Series Introduction Solo Lesson (Composed Soloing) Guitar Lesson
Series Introduction Solo Lesson (Composed Soloing)
Chris teaches the solo that was used in the introduction lesson for this series. He uses the solo as an example of how to effectively compose your own solos.
Taught by Chris Liepe in Rock Guitar with Chris Liepe seriesLength: 22:09Difficulty: 3.5 of 5
When I got the tracks for the album so that I could do the final mixes for the band, I was pleasantly surprised to hear horns, and other tasty overdubs that were not there when I had initially played over the track.
I had about 15 different versions of this solo as I experimented with what would ultimately work best over the track. Most of them were flashier, included more notes and didn't have near the melodic presence that you hear in the final version. If I had gone the "paid by the note" direction, there would likely not have been any way of creating a horn line out of what I'd come up with... or worse yet, they would have scrapped the guitar solo idea and put some other instrument in there.
This kind of thing happened again and again on this project. Since I wasn't the last musician to add tracks to each song, my guitar work either inspired other instrumentalists to come up with new lines, or competed in a really awkward way with what others were doing (then I'd have to scrap my parts and usually add something much more subtle). Playing guitar for this album was yet another reminder to keep my guitar playing simple, sing-able, musical, and memorable.
It is my hope that while you're learning this solo, you'll think about how some of the techniques and lines you've learned can be incorporated in to your own compositions as a lead guitarist. The entire solo is tabbed out and the backing track for this section of the song is included in the supplemental content for this lesson. If you're interested in the band, you can check 'em out on iTunes.
Supplemental Learning Material
Rock Guitar with Chris Liepe
Found in our Beginner Lesson SetsInstrumental Rock carries with it many creative aspects both in writing and playing. By the end of this series, Chris will have covered almost everything you will need to know to create and play your very own melodic instrumental rock piece, with emotion!
Lesson 1
Rock Essentials Introduction
Chris Liepe introduces his Phase 2 Rock Essentials lesson series. By highlighting specific instrumental rock styles and techniques, Chris will help you become a more melodically creative player.
Length: 3:57 Difficulty: 1.0 Members OnlyLesson 2
3 on a String Scales
Chris Liepe starts off his Rock Essentials series with a lesson on 3 on a string scales. Utilizing 3, 4, and 6 note sequencing, Chris begins to dive into instrumental rock style phrasing and provides several...
Length: 37:00 Difficulty: 3.5 FREE
Pentatonic Scales, Sequencing, and Lick Ideas
Chris introduces the pentatonic scales as well as some of their basic applications.
Length: 19:35 Difficulty: 2.5 Members Only
Chord Numbering
Chris Liepe takes some time to explain chord numbering. Understanding how chords are built will only help in your overall knowledge of the guitar.
Length: 16:25 Difficulty: 2.5 Members Only
The CAGED System
Chris breaks down the CAGED system and its chord chemistry. He covers both major and minor chord forms.
Length: 35:06 Difficulty: 3.5 Members Only
Sweep Picking
Chris digs into the sweep picking technique. He uses the C, A, and E forms introduced in the previous lesson to help with finger synchronization.
Length: 27:15 Difficulty: 3.0 Members Only
Introduction to Modes
Chris moves on to the subject of modes. He explains where modes come from, how they sound, and how they are used.
Length: 30:04 Difficulty: 4.0 Members Only
Modal Pentatonic Scales
This lesson demonstrates how to modify the old trusty 5th fret A minor pentatonic position to make it sound modal.
Length: 10:30 Difficulty: 3.5 Members Only
Modal Chord Progressions
How do you know which mode to use? There are giveaways with every chord progression, and Chris covers them in this lesson.
Length: 17:12 Difficulty: 4.0 Members Only
Complete Major / Minor Scale Using Penatonic Scales
Chris demonstrates how to complete the major and minor scale by using pentatonic positions based on the roots of the I, IV, and V chords.
Length: 14:52 Difficulty: 4.5 Members Only
Melodic Development
Chris Liepe utilizes everything he has taught in the series so far to demonstrate how to create catchy lead lines over a backing track.
Length: 15:30 Difficulty: 4.0 Members Only
Implied Tonalities
Chris Liepe delves into the world of implied tonalities. This lesson details how a single arpeggio can be implied over various chordal sounds.
Length: 25:40 Difficulty: 4.0 Members Only
Series Introduction Solo Lesson (Composed Soloing)
Chris teaches the solo that was used in the introduction lesson for this series. He uses the solo as an example of how to effectively compose your own solos.
Length: 22:09 Difficulty: 3.5 Members Only
2 Hand Tapping
It's time to give the right hand hand some work with two hand tapping on the guitar neck.
Length: 31:26 Difficulty: 3.5 Members Only
Thoughts on Practice
With so much material out there, what should you focus on? How much time do you spend on a certain topic? How do you progress? How do you measure progress? Chris covers all of these topics in this lesson.
Length: 17:16 Difficulty: 1.0 Members Only
Get to Know Chris Liepe
Chris Liepe offers up some insight into his past. Hopefully this lesson will help you further your own goals as a guitarist.
Length: 11:42 Difficulty: 0.5 Members Only
About Chris Liepe
View Full Biography
Chris Liepe was born on September 17th, 1981 in Portland OR. His first instrument was piano which he pursued until discovering his love for the electric guitar in high school. He became fans of such groups as Soundgarden, Collective Soul and U2 inspiring him to start singing, songwriting and helping others in their musical endeavors with teaching, co-writing and album production.
Having moved to Colorado with his family, he began gigging, recording and teaching in a number of music stores as well as out of his apartment until deciding to pursue music full time. He moved to Denver, CO to complete a Bachelors in Music Technology and was then hired on by Sweetwater Productions, a division of Sweetwater Sound and one of the largest, most successful recording studios in the Midwest.
Chris spent nearly 4 years at Sweetwater as a producer, recording engineer, studio musician and writer. During this time he had the privilege of working with many artists including Augustana, Landon Pigg, Jars of Clay, and Mercy Me. He also wrote for and played on numerous independent albums and hundreds of radio/TV commercials.
Wanting to get back to his favorite State in the world (Colorado) and feeling the urge to 'go freelance', Chris moved to Greeley, CO and opened his own recording and teaching studio. He continues to write and produce music for artists and agencies and is happy to be among the proud JamPlay.com instructors.
Acoustic Guitar Lessons
Our acoustic guitar lessons are taught by qualified instructors with various backgrounds with the instrument.
Mark Lincoln
Time to unlock your creativity because in this information packed lesson. Mark dives deep into how to deconstruct the process...
Free LessonSeries Details
Trace Bundy
Trace Bundy talks about the different ways you can use multiple capos to enhance your playing.
Free LessonSeries Details
Mark Kailana Nelson
Mark Nelson introduces "'Ulupalakua," a song he will be using to teach different skills and techniques. In this lesson, he...
Free LessonSeries Details
Steve Eulberg
Steve Eulberg does a quick review of this lesson series and talks about moving on.
Free LessonSeries Details
Mitch Reed
Mitch teaches his interpretation of the classic "Cannonball Rag." This song provides beginning and intermediate guitarists...
Free LessonSeries Details
Eve Goldberg
Eve talks about the boom-chuck strum pattern. This strum pattern will completely change the sound of your playing.
Free LessonSeries Details
Jim Deeming
Jim Deeming discusses how to use a metronome for practice, skill building, and speed building.
Free LessonSeries Details
Hawkeye Herman
Hawkeye teaches several Robert Johnson licks in this lesson. These licks are played with a slide in open G tuning.
Free LessonSeries Details
Erik Mongrain
Erik expounds on the many possibilities of open tunings and the new harmonics that you can use in them. He explains what...
Free LessonSeries DetailsElectric Guitar Lesson Samples
Our electric guitar lessons are taught by instructors with an incredible amount of teaching experience.
Kenny Ray
Albert Collins brought a lot of style to the blues scene. In this lesson, Kenny breaks down Albert's style for you to learn.
Free LessonSeries Details
Mark Brennan
Mark Brennan teaches this classic rock song by Jethro Tull. Released on the album of the same name in 1971, this song features...
Free LessonSeries Details
Stuart Ziff
Stuart doesn't waste an ytime diving into blues as he starts his series off by demonstrating one of the most iconic and recognizable...
Free LessonSeries Details
Dennis Hodges
Learn a variety of essential techniques commonly used in the metal genre, including palm muting, string slides, and chord...
Free LessonSeries Details
Steve Stevens
Steve Stevens shows some of his go-to licks and ideas while improvising over a backing track he made.
Free LessonSeries Details
Kris Norris
Kris analyzes different pick sizes and their effect on his playing. Using a slow motion camera, he is able to point out the...
Free LessonSeries Details
Emil Werstler
Emil takes you through some techniques that he uses frequently in his style of playing. Topics include neck bending, percussive...
Free LessonSeries Details
David Wallimann
This is a crucial lesson that explains tablature, how to read it, and why it's important.
Free LessonSeries Details
Allen Van Wert
Allen shows you the 24 rudiments crucial to developing finger dexterity. This is a short lesson but the exercises here can...
Free LessonSeries Details
Nick Greathouse
Nick starts his series with Alternate Picking part 1. Improve your timing, speed, and execution with this important lesson.
Free LessonSeries DetailsAdditional Lesson Features Available to Members
While we have attempted to provide you with an accurate rendition of our video lesson experience, there are some features which
require a membership with us!
Custom Progress Reporting
At JamPlay, we give you the ability to monitor your own progress for any lesson! If you watch one of our lessons and feel as though you understand around half of it, mark your progress at 50%. This adds the lesson to your customized Progress Report, and gives you an incredible ability to document what you need to work on, and where you left off.
Progressive Bookmarking
With thousands of lessons at your fingertips, JamPlay can be a touch intimidating to a first-time user. With Progressive Bookmarking, we give you the ability to systematically bookmark sections of any lessons you are working on to quickly access later. After all, what is the point of all this content if it isn't easy to use?
Save Your Notes
JamPlay also gives you the ability to leave notes for yourself on any lesson. Just like in any educational system, taking your own notes while learning gives you the ability to highlight the instruction that is important to you. Leave your notes, and we store them in our database for you to reference each and everytime you come back to the lesson.
Join the Thousands of Members at JamPlay
Signup today to enjoy access to our entire database of video lessons, along with our exclusive set of learning tools and features.
Unlimited Lesson Viewing
A JamPlay membership gives you access to every lesson, from every teacher on our staff. Additionally, there is no restriction on how many times you watch a lesson. Watch as many times as you need.Live Lessons
Exclusive only to JamPlay, we currently broadcast 8-10 hours of steaming lesson services directly to you! Enjoy the benefits of in-person instructors and the conveniences of our community.Interactive Community
Create your own profile, manage your friends list, and contact users with your own JamPlay Mailbox. JamPlay also features live chat with teachers and members, and an active Forum.Chord Library
Each chord in our library contains a full chart, related tablature, and a photograph of how the chord is played. A comprehensive learning resource for any guitarist.Scale Library
Our software allows you to document your progress for any lesson, including notes and percent of the lesson completed. This gives you the ability to document what you need to work on, and where you left off.Custom Chord Sheets
At JamPlay, not only can you reference our Chord Library, but you can also select any variety of chords you need to work on, and generate your own printable chord sheet.Backing Tracks
Jam-along backing tracks give the guitarist a platform for improvising and soloing. Our backing tracks provide a wide variety of tracks from different genres of music, and serves as a great learning tool.Interactive Games
We have teachers covering beginner lessons, rock, classic rock, jazz, bluegrass, fingerstyle, slack key and more. Learn how to play the guitar from experienced players, in a casual environment.Beginners Welcome.. and Up
Unlike a lot of guitar websites and DVDs, we start our Beginner Lessons at the VERY start of the learning process, as if you just picked up a guitar for the first time.Our teaching is structured for all players.
Member Comments about this Lesson
Discussions with our instructors are just one of the many benefits of becoming a member of JamPlay.great solo! can't wait to learn it. one question though. why didn't u just use the 9th fret of the D string instead of having to go with ur right hand to the 4th fret of the G string?
I can't get the GP file to work. seems like it is a different format than GP uses. Maybe it is just me
Hey Soul, I haven't had any issues with the file. Are you using GP 6?
great solo lesson dude, Iwas wondering what you were using for eqipment to produce that sweet tone. thanks
Thanks! Here's my signal chain for this lesson: Fender American deluxe hss Strat with a Dimarzio Norton humbucker in the bridge and N3s in the neck and middle -> Ibanez TS808 -> Boss DS1 -> Waves PRS Guitar Active DI ->Mbox 2 Pro ->Waves GTR on the 'Clean" amp with all the knobs at 12 o'clock, mic'd with a 409 on axis -> Waves GTR Stereo Delay Plugin.
I should clarify... the "mic'd" comment refers to a mic model in Waves GTR running in Pro Tools on my MacBook, not an actual mic. It's a combo of real pedals and fake amps :)