Mark Lincoln provides more singing exercises to practice while playing your guitar.
Taught by Mark Lincoln in Guitar Performance seriesLength: 26:15Difficulty: 2.0 of 5
1)BreatheWithout any one of these steps, the singing process cannot work properly. It is very important to think about the entire process to become a good singer. Chapter 5: (02:35) Optimal Warm-Up In general, a 20% rule of thumb for vocal warm-up is a good way to go. If you are planning to perform for an hour, a ten to fifteen minute warm-up should be sufficient. An increase in that amount should accompany a more rigorous performance or more lengthy performance. This should be done while accompanying yourself with the guitar. However, if you are playing and singing as well, you should probably spend additional time warming up your hands and wrists, and perhaps even practice chords and vocal passages together. Chapter 6: (04:50) Playing in Sync No, I'm not referring to the illustrious music of the now defunct boy-band “In Sync,” but rather playing and singing the same note at the same time. As illustrated in the last performance lesson, our first exercises were intended to facilitate playing and singing the same note at the same time we are playing. So, we played the A-chord while humming an A note. Then, we hummed a three note passage, then a five note passage, and so on. The goal of that particular exercise was to “break the ice” so to speak, since playing the same tone at the same time in sync with the chord is easier than singing a series of notes that deviate away from this simple pattern.
2)Sing
3)Sustain
4)Release



or "down, down, down, down." Hum a single note, then a three note passage, then a five note passage. Easy, right? Now we’re going to step it up a little bit! Hum a series of notes that correspond with this rhythm
or "down, down-up, down." Watch me in the lesson if you are confused about what I’m talking about.
Chapter 7: (01:22) Down Down Up Down
Sing like I do in the video: "down, down-up down, down, down-up, down." This is the next level in difficulty when singing and playing together. Practice this until you feel comfortable and ready to go on to the next exercise. Remember to relax your wrist and allow the pick to flow over the strings in order to obtain a smooth and sweet sound from the guitar.
Chapter 8: (06:16) Another Exercise
Exercise 2
Performing live or in a studio situation is a goal of many aspiring guitarists. Vocal training and the ability to sing and play at the same time are skills that will help in this endeavor.
Lesson 1
Mark introduces you to the wonderful world of singing.
Length: 15:12 Difficulty: 0.5 Members OnlyLesson 2
Mark Lincoln guides you through stretches and vocal exercises to warm up the voice.
Length: 23:12 Difficulty: 1.0 Members OnlyLesson 3
Mark continues to discuss vocal warm-ups and exercises. Then, he moves on to explain vibrato.
Length: 23:42 Difficulty: 1.5 Members OnlyLesson 4
Mark covers some singing terms and teaches an exercise that is used to "warm the breath."
Length: 19:10 Difficulty: 1.5 Members OnlyLesson 5
Mark Lincoln talks more about vocal exercise and warm-up. Then, he moves on to discuss singing and playing at the same time.
Length: 26:12 Difficulty: 1.5 Members OnlyLesson 6
Mark Lincoln provides more singing exercises to practice while playing your guitar.
Length: 26:15 Difficulty: 2.0 Members OnlyLesson 7
Mark returns to singing and playing. Mark teaches proper form while singing and playing, cognitive exercises, and chord progression basics.
Length: 17:54 Difficulty: 2.0 Members OnlyLesson 8
Mark Lincoln discusses song dynamics and the anatomy of songs. He also explains more about singing and playing.
Length: 23:19 Difficulty: 2.0 Members OnlyLesson 9
Mark Lincoln explains how rhythm is used in music.
Length: 15:16 Difficulty: 2.0 Members OnlyLesson 10
Mark Lincoln applies singing and playing techniques to the Doors song "Riders on the Storm."
Length: 17:19 Difficulty: 2.0 Members OnlyLesson 11
In lesson 11 of his performance series, Mark discusses the palm muting technique and how to separate your singing from your playing.
Length: 23:30 Difficulty: 2.5 Members OnlyLesson 12
Mark discusses how alternating between arpeggios and strummed chords can add contrast and flair to your music.
Length: 15:02 Difficulty: 2.0 Members OnlyLesson 13
Mark discusses silence in music and how it can transform a piece. Additionally, he explains how to use silence effectively in your playing.
Length: 16:40 Difficulty: 1.5 Members OnlyLesson 14
In this lesson, Mark Lincoln talks more about warming up your voice and walks you through a few exercises that will aid this process.
Length: 16:14 Difficulty: 2.0 Members OnlyLesson 15
Mark provides a lecture on items you should do and think about to become a proficient live player.
Length: 20:57 Difficulty: 1.0 Members OnlyLesson 16
In this lesson, Mark delves into the concept of combining both your voice and guitar into one neat little package you can deliver to your listener.
Length: 21:47 Difficulty: 2.0 Members OnlyLesson 17
Mark Brings us Lesson 17 today to explain the preparation that goes into a performance. Mark tracks back up to 36 hours in advance, and shows us some routines to prepare for a great show.
Length: 19:09 Difficulty: 2.0 Members OnlyLesson 18
In this lesson, Mark teaches all of the diverse parts to a song with regards to dynamics.
Length: 20:17 Difficulty: 2.0 Members OnlyLesson 19
In this episode, Mark talks about proper breathing techniques and routines. He gives us eight points to work off of when singing and playing together.
Length: 23:34 Difficulty: 2.5 Members OnlyLesson 20
Mark Lincoln brings us a great play along opportunity. Mark provides lyrics as well as the chord progression for this play along. He also breaks down key elements such as palm muting, hammer-ons, bending,...
Length: 24:06 Difficulty: 3.0 Members OnlyLesson 21
Lesson 21 is a repeat of lesson 20's content only with a whole new set of chords and techniques. The"chords de jour" will be a little simpler than lesson 20's and will also include a much more in depth...
Length: 20:05 Difficulty: 2.0 Members Only
About Mark Lincoln
View Full Biography
Mark Lincoln was born in S. California but was raised near Portland Oregon in a town called Beaverton. When he was twelve years old, he began his journey into the realm of the creative by composing poetry and was later published in a journal called "In Dappled Sunlight." He wrote for four years until his older sister blessed him with his first guitar, an old beat-up nylon stringed classical guitar. Mark played that guitar for five years, continuing to compose his own lyrics and starting the process of matching his own words with chords that he was learning on the guitar. He learned to play chords from his friends and from music books that he both bought and borrowed. Mark cited his four biggest influences, at that point at least, as The Who, Led Zeppelin, Jethro Tull, The Rolling Stones.
Mark cites his most current influences as Radiohead, U2, older music by REM, and Peter Gabriel amongst others. He performs with two acoustic guitars, one being a six-string M-36 Martin with a three-pieced back for increased bass response, and a Guild Twelve-string which is his most recent acquisition. Mark is fond of saying that the twelve-string guitar is better because you get two guitars for the price of one, but he still plays his Martin equally as much and with the same passion.
Mark ended up in Fort Collins Colorado where he currently lives, works as a Marriage and Family Therapist, and continues to write, teach and perform music. He currently performs with a group called "Black Nelson" as well as with a number of other seasoned professional musicians including his cousin David, a virtuoso lead-guitar player. Mark has performed in many of the smaller venues in Denver and Boulder, as well as some of the larger ones including the Fox Theatre, The Boulder Theatre, Herman's Hideaway, and also at The Soiled Dove where he opened for Jefferson Starship as a soloist. Some of Mark's originals are also available for your listening pleasure on MySpace.
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Member Comments about this Lesson
Discussions with our instructors are just one of the many benefits of becoming a member of JamPlay.Mark. Thanks for the pdf file. It is a lot easier to read after being printed than the normal files. Too bad every instructor in JamPlay doesn't offer pdf files.
Thanks KR I hope this stuff is helping! Take care, Mark
his guitar seems to be a bit out of tune
yes it is!!!!
is mark tuned a half setp down because my c doesn't match his
Thanks!
Hi, is the 3 note hum and 5 note 123, 12345, or 135 , etc?
Hey Zay how are you? You sho0uld start with simply half step increments so I guess 1,2 ,3 would probably be the best way to begin. But...you can do anything as long as you start off quietly and slowly and allow the vocal chords to warm up gradually. Great question!