
Learning songs is a great way to put your guitar knowledge to use and expand your horizons.
Lesson 1
Jim teaches the first part of a beautiful Christmas medley. This installment features "I Saw Mommy Kissing Santa Claus."
Length: 31:00 Difficulty: 4.0 Members OnlyLesson 2
In this second part of the Christmas medley, Jim Deeming adds the song "Rudolph the Red-Nosed Reindeer."
Length: 15:30 Difficulty: 4.0 Members OnlyLesson 3
In the 3rd part of the Christmas medley, Jim Deeming adds "Grandma Got Run Over by a Reindeer."
Length: 28:00 Difficulty: 4.0 Members OnlyLesson 4
Jim Deeming covers the classic song "Alice's Restaurant" by Arlo Guthrie.
Length: 18:00 Difficulty: 3.0 Members OnlyLesson 5
Jim Deeming teaches "On Jordan's Stormy Banks", a gospel tune from his CD First Fruits.
Length: 30:00 Difficulty: 3.0 Members OnlyLesson 6
In this lesson Jim Deeming teaches a beautiful fingerstyle version of "Take Me Out to the Ballgame."
Length: 22:29 Difficulty: 3.0 Members OnlyLesson 7
In this lesson Jim covers his version of "Windy and Warm," a song written by John Loudermilk and performed by Chet Atkins.
Length: 23:43 Difficulty: 3.0 Members OnlyLesson 8
Jim teaches an arrangement of "Waltzing Matilda," a popular Australian folk song. He teaches the song in the style of Tommy Emmanuel.
Length: 38:28 Difficulty: 3.0 Members OnlyLesson 9
In this lesson Jim Deeming teaches a performance version of "Yankee Doodle Dixie." This version features both the verse and chorus of "Dixie" on top of "Yankee Doodle."
Length: 30:21 Difficulty: 3.5 Members OnlyLesson 10
Jim Deeming teaches a fingerstyle version of the classic folk song "Red Wing."
Length: 15:34 Difficulty: 3.0 Members OnlyLesson 11
Jim teaches "Wildwood Flower," a well-known bluegrass folk song. While it was made popular by the Carter Family, this song originated in the 1860s. Jim teaches you his own version which blends the familiar...
Length: 30:04 Difficulty: 3.5 Members OnlyLesson 12
Jim teaches Chet Atkins' arrangement of the "Stephen Foster Medley." He adds his personal touch to this three song medley.
Length: 40:17 Difficulty: 3.0 Members OnlyLesson 13
Jim Deeming teaches the song "Last Steam Engine Train" by John Fahey.
Length: 15:47 Difficulty: 3.5 Members OnlyLesson 14
Jim Deeming teaches "The Claw" by Jerry Reed.
Length: 39:51 Difficulty: 4.0 Members OnlyLesson 16
Jim Deeming teaches a simple version and an advanced fingerstyle version of "Away In A Manger."
Length: 19:38 Difficulty: 1.5 Members OnlyLesson 17
Jim Deeming teaches a beginner version and a more advanced fingerstyle version of "Silent Night."
Length: 20:05 Difficulty: 2.5 Members OnlyLesson 18
Jim Deeming teaches a warmed over arrangement of "The Little Drummer Boy."
Length: 36:19 Difficulty: 2.5 Members OnlyLesson 19
Jim Deeming teaches "Freight Train" by Elizabeth Cotten.
Length: 13:02 Difficulty: 2.0 Members OnlyLesson 20
Jim Deeming teaches a fingerstyle arrangement of "Amazing Grace."
Length: 12:27 Difficulty: 2.5 Members OnlyLesson 21
Jim Deeming teaches a fingerstyle interpretation of the classic "Auld Lang Syne."
Length: 28:18 Difficulty: 2.5 Members OnlyLesson 22
Jim Deeming teaches a fingerstyle arrangement of the traditional folk song "Red River Valley."
Length: 11:09 Difficulty: 2.0 Members OnlyLesson 23
Jim Deeming teaches a medley of songs from the five main branches of the United States Armed Forces.
Length: 40:37 Difficulty: 3.0 Members OnlyLesson 24
Jim Deeming teaches the Christmas song "Good King Wenceslas."
Length: 27:05 Difficulty: 3.0 Members OnlyLesson 25
Jim Deeming teaches both a fingerstyle and flatpicking version of the classic tune "The Water Is Wide."
Length: 31:59 Difficulty: 2.5 Members OnlyLesson 26
Jim Deeming teaches his original fingerstyle masterpiece, "A Pick in My Pocket."
Length: 51:07 Difficulty: 4.0 Members OnlyLesson 26
Jim Deeming teaches a fingerstyle arrangement of the classic tune "Farewell My Bluebell." Originally written by Edward Madden and Theodore F. Morse, the tune has been popularized by artists such as Merle...
Length: 20:44 Difficulty: 3.0 Members Only
About Jim Deeming
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Jim Deeming got his first guitar when he was only six years old. His Dad was taking fingerpicking lessons, and Jim wanted to be just like him. The Mel Bay books didn't last very long before he strapped on a thumb pick and added the Chet part to Red River Valley so it sounded better.
Most of Jim's early learning was by ear. With unlimited access to his Dad's collection of Chet Atkins albums, he spent countless hours decoding his favorite songs. They were never "right" until they sounded just like Chet. Around the age of 12, Jim heard Jerry Reed for the first time and just knew he had to be able to make that "Alabama Wild Man" sound. The styles of Chet & Jerry always have been a big influence on his playing.
More recently he has pursued arrangements by Tommy Emmanuel and Doyle Dykes, in addition to creating some of his own and writing originals.
Jim has performed in front of a variety of audiences, including concerts, competitions, weddings and the like, but playing at church has always been a mainstay. Whether playing in worship bands or guitar solos, gospel music is deep in his roots and is also the driving theme behind his debut CD release, titled "First Fruits".
Jim has been playing for about 38 years. He also has taught private lessons in the past but believes JamPlay.com is an exciting and better venue with many advantages over the traditional method of weekly 30 minute sessions.
Jim lives in Berthoud, Colorado with his wife, Linda, and their four children. Although he still has a "day job", he is actively performing and is already back in the studio working on the next CD. If you wonder how he finds time, look no further than the back seat of his truck where he keeps a "travel guitar" to take advantage of any practice or song-writing opportunities he can get.
The opening song you hear in Jim's introductory JamPlay video is called, "A Pick In My Pocket". It's an original tune, written in memory of Jim's father who told him early on he should always keep a pick in his pocket in case he ever met Chet Atkins and got the chance to play for him. That song is slated to be the title track for his next CD, which will feature several more originals plus some of his favorite covers of Chet and Jerry arrangements.
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Member Comments about this Lesson
Discussions with our instructors are just one of the many benefits of becoming a member of JamPlay.Nice lesson
great lesson jim! Thank you!
I second the request for an updated tab that reflects what is being played in the video... it's hard to follow because they don't match.
Measure 8 is not exactly what Jim plays. Is it ok to play the tab as is or is the tab wrong?
Hi Jim, I agree with guyke. Measure 11 does not look like the one you play. It is very difficult for me to pick up on what you are actually playing. I need help!!!! Thanks for your great lessons.
Jim I was half way into Mr Bojangles. I was informed the lesson has vanished. Any idea where I can find lesson
Hi Jim, I am a new member to Jamplay . I started to play classical guitar when I was a teenager but gave up after 3 years because I always had problems with my finger nails. I think you are playing a steel string guitar, how do you manage it. Can you give me any tips to help harden my finger nails? I am now in my early 60's and have decided to try again.
Jim
Jim, Thanks very much for this lesson. One quick question - maybe I'm reading the tab wrong, but it seems fairly different, especially around the section just prior to moving to the F chord ("Walk right in ..."). Is that me, or is it possible to update the tab to more accurately reflect what you play (I've only got another week until Thanksgiving )? Thanks
Jim In the haydays of folk era, many players used steel finger picks like pedal steel players use. Is there a problem if I use these on my martin D-35?
Dear Jim, Would it be possible to change measure 11 on the tablature for (in my humble opinion) this is different from what you play ?
Thanks for a great lesson Jim. Can you please suggest a similar ragtime-piano sounding tune for me learn on guitar? I like to think of these as "Western Saloon" tunes! Name and artist would be great...thanks!
Josh, there are three that I know. I play The Entertainer (Theme song from the movie The Sting) in drop D tuning. That one I use often enough to keep in playing shape. The other two are Maple Leaf Rag and 12th Street Rag, both of which are difficult enough that I have let them fall pretty far back in the playlist. You may be interested in Guy Van Duser's album, "Stride Guitar", a reference to "stride piano" - the style made popular in the 1930s...
Andy, When I was a kid my Mom used to tell me to eat food with gelatin in it - folks used to think that would help. I think current wisdom says that's not true. I'm rough on my hands, and my nails are thin, so keeping me in picking shape is a bothersome job. For the first 30 years of my playing I primarily played nylon stringed guitars and it was no issue. More recently, I have shifted to almost entirely steel strings. As a result, I've had to swallow my pride and resort to acryllics. Yes, it's true. About once every 6 weeks I go get a manicure on right-hand fingers 1,2, and 3. They look silly, I constantly have shadetree mechanic's grease under them, I break them regularly, and I catch a lot of grief about it. But I'll tell you what, I can put in a 6 hour marathon practice session, abusing them like crazy, and they hold up. I love 'em. My teenage kids are embarassed to death.
My case is not as severe as Jim's case. I get by with bi-weekly self-given manicures... I shape the tips for picking and make sure the tops are evened out. Then I apply clear coat and I'm good to go for two weeks.