
Subscribe Online or Call us
to setup your Membership
ASCAP Licensed Operation
JamPlay.com works great on Internet Explorer, Mac, and our favorite, Mozilla Firefox
Your own private, personal system to send & receive messages with other JamPlay members and instructors.
Create your own profile, add pictures, music biography, band, playing experience, and many other options.
Just like other communities like MySpace, browse our community and develop a group of JamPlay friends.
Fully functional message board for you to use to interact with other members as well as the general public.
F#m7 Problems - February 21st, 2008 (3 minutes, 26 seconds)JZcode says, "To any of the Rock Instructors, I'm trying to learn a David Gilmour song and having trouble with this chord. The way they show it in the tab book is #1 string open, #2&3 string fretted at 2nd fret, #4&5 string fretted at the 4th fret and thumb on the 6th string, 3rd fret. This chords alternate about 6 times between the Gmaj7, the 1 thru 4 string version starting on the 1st string 2nd fret. Could you give me some idea on how to do this or the best alternate to go with. I have looked at the F#m barre chord at the 2nd fret that is almost the same chord except the #1 string is barred not open. The other thing I have been working on is barring the #2 and 3 string leaving the #1 open. It's not easy and it leaves the #6 string open. Since most of us don't have Eric Clapton size hands, how would you guys approach this type of problem." View ResponseFrett Buzz - March 10th, 2008 (2 minutes, 20 seconds)Vulg4r asks, "I purchased an Acoustic guitar on November 5th 2007. For the first few months, I had no problems. Now lately the 12th fret, every string buzzes, very noticeably. I've tried changing the strings, and adjusting the truss rod. Is there any other advice you can give me before I bring it to my local, overpriced guitar shop?" View ResponseMusic Theory - July 31st, 2007 (2 minutes, 30 seconds)A member wrote in and was confused about what the "1, 3 and 5" chord portion of theory means, so Steve will explain and talk about his method for remembering which chords go together. View ResponseTuning and Measuring Notes - July 9th, 2008 (3 minutes, 50 seconds)duaneellison asks, "Hello, I am sure there is a simple explanation but I don't understand something about tuning (well a lot of things, but that for a different question). I noticed this "problem" while trying to tune the new Squire Mini I bought for the kids. My chromatic tuner (Seiko SAT500) gave me the "green" dot for the strings - but the notes were not right and it sounded bad, bad, bad. So I went online and turned up my speakers and measured on the display the following for the different strings: E - C#2 A - F#2 D - B2 G - E3 B - G#3 e - C#4 Once I had this written down I went back to the Squire and retuned the strings making sure the display showed the same notes for the different strings. That brought everything in tune (duh) but what is the significances of the C#2, F#2, B2, E3, G#3 and C#4? I am sure it is something simple but I just don't get it! Thanks for the help and you guys have a really great site here! Keep up the good work! Duane..." View ResponsePlaying Chords Beginner - September 19th, 2007 (1 minutes, 34 seconds)Subwolley writes "Hello Jamplay, I am a beginner guitar player. I have a quick question about learning/playing chords. My question is: When playing a chord, does every finger needed to play a chord need to be placed exactly behind the fret? It seems to me, that for most of the chords I'm learning, it's impossible to get the needed fingers close to the fret. I know when you play a single note on a string, you need to place a finger exactly behind the fret to get a clear sound, but is this true with chords? Sometimes it's hard to tell from watching the videos where exactly the fingers are. Can you explain a little bit more about finger positioning when learning chords? Thank you, Amber." View Response