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The Basics to Tablature, Chord Charts, and Musical Notation Guitar Lesson

Home > Guitar Lessons > Beginners > Basic Electric Guitar with Chris > The Basics to Tablature, Chord Charts, and Musical Notation
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Chris Liepe

The Basics to Tablature, Chord Charts, and Musical Notation

Chris is back with his most information packed lesson to date. In this lesson, you will learn how to read tablature, chord charts and musical notation. All of these tools will drastically help you in your journey to learn guitar.

Taught by Chris Liepe in Basic Electric Guitar with Chris seriesLength: 25:38Difficulty: 1.0 of 5
Chapter 1: What is Covered
This lesson covers many key aspects of the guitar that new musicians sometimes neglect. This lesson does not necessarily deal with playing, but supplementary skills that you absolutely need to know. Here is a rundown of lesson topics:
- Review of string names
- Tab explanation and its uses
- Chord charts - different variations
- The basics of reading musical notation
Chapter 2: Review of String Names
Without learning the string names, a true understanding of the guitar is nearly impossible to achieve. This information may not seem useful to you now, but learning this information will build the foundation for movable chord shapes, scales, and many other skills you will learn in the future.

The string names in order from low to high are as follows - E, A, D, G, B, e. In terms of numbers, the strings are labeled (in the same order) 6, 5, 4, 3, 2, 1.

Every fret has a number attached to it. A string played open is labeled with a "0." A note played at the first fret of the 6th string is labeled with a "1." Now that you know the string names, can you figure out which note is produced at this location?

Chapter 3: Tab Explanation
- The tablature system uses six lines that represent the six strings on the guitar.
- The lowest line represents the lowest (or E string) on the guitar.
- The highest line represents the highest (or e string) on the guitar.
- Refer to the included chart included below.
- A number on one of the lines represents the fret and the string that you are to produce a certain note.
- A "0" indicates that the string is to be played "open."
- The black dots directly above the numbers and strings represent the musical notation version of what is being played. (Musical notation is be covered later in this lesson.)
- Tablature is read from left to right just like a book.
- When notes are stacked on top of each other, they are strummed or played together. When notes are spread out one-by-one, they are played left to right.
- When there is an unfamiliar symbol or drawing in the tab you receive from this lesson set, look for notes on the page itself explaining those markings. As we explore more techniques, more ways of communicating those techniques will be discussed.
- Let's play through the tab in the following example:

exercise 1

Tab is generally used to communicate musical events over time such as a song, part of a song, or a progression of notes.

Chapter 4: Reading Chord Charts
Chord charts are used to communicate how and where a certain chord is fingered. They do not communicate an order or time line that the notes or chords are to be played in.

exercise 2
- Chord charts are written as though the guitar is hanging on a wall as though it were in a guitar store.
- The vertical lines are the strings.
- The far left line is the low E string.
- The far right line is the hi e string.
- The horizontal lines are the frets.
- The dots represent where you place your fingers.
- The numbers below the chart indicate which finger you use to fret a note.
- The "0"s above the chart indicate that there is no note fretted, but the string is still played.
- The "X" indicates that the string is not played.
- A number to the left of the chart indicates what the starting fret position is. Ex: A "5" would indicate that the the starting fret in the diagram is the fifth fret.

Chapter 5: The Basics of Musical Notation
- The horizontal lines are called a "staff."
- Guitarists read notes in what is called the "treble clef."
- Note names go from A to G in the musical alphabet.
- Each one of these notes has either a line or a space on the staff associated with it.
- Here are the notes that are based on the staff with the corresponding TAB positions.
- Lines:
exercise 3

- Spaces:
exercise 4

- A handy acronym for remembering the Line Notes is: Every Good Boy Deserves Fudge.
- The spaces are easy to remember. When read from low to high, they spell the word "FACE."
- Many of the notes on the guitar are written above or below the standard five lines on the staff. To figure out what the name of the note is above or below the staff, simply count up alphabetically (ranging from A to G) from the top line or down alphabetically below the bottom line.
- If you were to count down from the first line (or an "E" note) to the next line below you would first count the space below the line which would be "D." Then the line below that "D" space would be "C." - Here's an example with note names:
exercise 5

- Musical notation not only displays note names, but also time and rhythm.
- The treble clef symbol appears at the far left of a musical score.
- The numbers to the right of the clef sign indicate the time signature.
- If you look at the note illustration just above the clef and time signature you will see a bar divider between the two sets of notes.
This bar divides two measures.

Types of Notes:
- Whole note
- Half note
- Quarter note
- Eighth note
- Sixteenth note
exercise 6

- The top number on the time signature tells you which note takes up one beat. - Since the number in the example is a 4, the quarter note would receive one beat, and it would be counted as "1,2,3,4... 1,2,3,4... etc." - If the top number were a 2, the half note would receive one beat and it would be counted "1,2... 1,2... etc." - In our 4/4 time signature, you would count quarter notes as "1,2,3,4." You would count eighth notes as "1&, 2&, 3&, 4&." You would count sixteenth notes as "1e&a, 2e&a, 3e&a, 4e&a."
- Whole notes take up a whole measure.
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  • Lesson Notes (PDF)
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Supplemental Learning Material

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Member Comments about this Lesson

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dlmarqdlmarq replied on April 16th, 2012

you are not showing the page of standard notation on your supplemental content

hilcomariahilcomaria replied on March 4th, 2012

Chris, not sure, but isn't this lesson missing one or two sections (about time notation)? I can view section 1 trhough 7...

Chris.LiepeChris.Liepe replied on March 5th, 2012

look in the notes section rather than the tab section. so look in the "about this lesson" section at the bottom. There is a written explanation of time sigs there.

hilcomariahilcomaria replied on March 17th, 2012

Thx, I see. But I think its missing from the actual videolesson...

the divthe div replied on February 16th, 2012

not getting all the supplemental content on my computer just the chord charts

hickokcpahickokcpa replied on January 7th, 2012

The supplemental content doesn't display the example tabs.

paulhpaulh replied on February 17th, 2012

on lesson 4 i could not find an 8va.. in this lesson even though you talked about it.

Chris.LiepeChris.Liepe replied on January 9th, 2012

you may find what you are looking for in the "notes" section.

hereticsound666hereticsound666 replied on November 2nd, 2011

there are no tabs for this i am an intermediate player but its hard to know what hes talking about when he is referring to something i cant see.

hereticsound666hereticsound666 replied on November 2nd, 2011

wait, nevermind thats in the notes

speedster125speedster125 replied on July 10th, 2011

.

cassie89cassie89 replied on July 10th, 2011

I don't see the "tab" with two 12's stacked ontop of each other????

canadianbuddycanadianbuddy replied on June 3rd, 2011

Chris I've just started playing an ibanez semi acoutic COULD YOU PLEASE EXPLAIN HOW TO CHANGE STRINGS PROPERLY AND THE MECHANICS OF THEM HOW THEY DIFFER FROM ACOUSTIC

mtalbotmtalbot replied on February 16th, 2011

I have seen a few tabs that are written 3 3 5 3 5 strings 1 to 6 can you tell me how this is supposed to work with fingers, 'cos I'm confused on how you get your fingers around this thanks

Chris.LiepeChris.Liepe replied on February 17th, 2011

is this a tab in this lesson? If so, which one?

gibstratgibstrat replied on February 4th, 2011

you have some nice guitars chris, that ibanez was sweet and now this nice tele, cool man

jam4jkjam4jk replied on October 10th, 2010

can't we differentiate same notes on same string just by musical notation (with out tab) ? like note E open and at 12 fret. also how do i know if it's a note A on 6 string or open 5 string?

Chris.LiepeChris.Liepe replied on October 20th, 2010

the primary purpose of tab is to tell you where the note is played on the guitar. you may be able to tell just by phrasing and different notes surrounding the notes, but tab is the key to positioning. i think I understood your question, but feel free to re-post if I didn't

westwingwestwing replied on April 27th, 2010

I don't understand how to read the notes above and below the staff. I don't know how to figure out which string and fret to play?

Chris.LiepeChris.Liepe replied on July 1st, 2010

west wing. This lesson doesn't cover specific fret positions for notes to play, rather just covers how to identify notes using tab and musical notation. standard guitar notation has both notes and tab. The tab shows you the specific position and the notes show you the timing. Does that help?

Tyler.RughTyler.Rugh replied on June 23rd, 2010

Sorry for the mix up on the Lesson notes guys. I have fixed the problem and you should be able to download the PDF file for this lesson.

febuilesfebuiles replied on June 22nd, 2010

Can't see any notes either

mattmaymattmay replied on June 22nd, 2010

Can't see any notes ?

chikeebabechikeebabe replied on June 12th, 2010

Well, that was a brain scrambler!!!!! LOL I felt I understood the basic tab & chord charts. I need to look at the notes above and below the staff a few more times to really understand it. Again, I felt Chris did a great job explaining all this.

xchris92xxchris92x replied on April 5th, 2010

Was there supposed to be a rhythm scene or was it just notes.

jboothjbooth replied on March 11th, 2010

Note, the "notes" for the lesson can now be found in the supplemental content in PDF format, for easier printing.

Basic Electric Guitar with Chris

Found in our Beginner Lesson Sets

Chris will guide you through the world of electric guitar in this series.



Lesson 1

Introduction to Your Electric Guitar

Chris Liepe talks about the absolute basics of the guitar, including tuning, the guitar parts, and proper technique.

Length: 23:21 Difficulty: 0.5 Members Only
Lesson 2

Playing Your First Chords

Chris Liepe introduces you to your very first 2 chords, E and A. Since this is your first chord lesson, Chris also introduces a backing track for you to slowly play along with. Practicing in this manner...

Length: 28:54 Difficulty: 0.5 Members Only
Lesson 3

3 New Chords: Complete the CAGED Method

Here in lesson 3, Chris teaches the C, G, and D chords. Once you have mastered the chords taught in this lesson and the previous lesson, you will have learned the CAGED method of remembering open chord...

Length: 12:22 Difficulty: 0.5 Members Only
Lesson 4

The Basics to Tablature, Chord Charts, and Musical Notation

Chris is back with his most information packed lesson to date. In this lesson, you will learn how to read tablature, chord charts and musical notation. All of these tools will drastically help you in your...

Length: 25:38 Difficulty: 1.0 Members Only
Lesson 5

Introduction to the Concept of Scales

Chris Liepe is back in lesson 5 with an introduction to scales. In this lesson, you will learn how to play up and down simple scale patterns.

Length: 21:07 Difficulty: 1.0 Members Only
Lesson 6

Beginner Electric with Chris Liepe: Barre and Minor Chords

In this lesson, Chris introduces minor chords and barre chords.

Length: 25:23 Difficulty: 1.0 Members Only
Lesson 7

Strum Patterns and Time Signatues

Chris Liepe lays down some grooves in this lesson! He provides instruction on rhythmic strumming patterns and time signatures such as 4/4, 3/4, and 6/8.

Length: 21:12 Difficulty: 2.0 Members Only
Lesson 8

All About Intervals

Intervals, Intervals, Intervals! Chris Liepe explains what they are, where they are found, and how to play them in this lesson.

Length: 14:07 Difficulty: 2.5 Members Only
Lesson 9

Intervals Pop Quiz

Sharpen your pencils and grab your guitar. It's pop quiz time. Chris Liepe adds to his beginner lesson series with a quiz on intervals. This is a hands-on lesson that will undoubtedly improve your ears....

Length: 15:39 Difficulty: 2.5 Members Only
Lesson 10

Triads: Everything You Need to Know

Chris Liepe breaks through his 10th lesson with a detailed discussion of triads. Dig in and take these triads for a ride!

Length: 24:14 Difficulty: 2.5 Members Only
Lesson 11

Effect Pedal Mini Series

This lesson begins a mini-series on effects pedals. Chris breaks down routing and how effects work with each other.

Length: 8:20 Difficulty: 1.5 Members Only
Lesson 12

Effect Pedal: Compression

The compression effect pedal is one of the most misunderstood pedals around. Chris Liepe finally sheds some light on the subject. By explaining all the different options and sounds this pedal can create,...

Length: 14:12 Difficulty: 1.0 Members Only
Lesson 13

Gain Stacking with Overdrive and Distortion

Chris Liepe is back with the 3rd installment in his Effects Pedal mini-series. He explains the concept of "gain stacking" by combining an Ibanez Tube Screamer and a Boss DS-1 Distortion pedal.

Length: 7:54 Difficulty: 1.5 Members Only
Lesson 14

Effect Pedal: Delay

Chris Liepe adds yet another lesson to his effect pedal-mini series. Here he covers the delay pedal. This effect that operates on the principles of time and rhythm. Use this pedal to add depth to your...

Length: 19:52 Difficulty: 1.5 Members Only
Lesson 15

Effect Pedal: Chorus

Chris Liepe quickly demonstrates the chorus pedal with some 80's style licks. This pedal can create a deep and rich addition to solos or add the illusion of multiple guitars.

Length: 3:28 Difficulty: 1.5 Members Only
Lesson 16

Understanding Key Signatures

Key Signatures! How do they relate to one another? Chris Liepe explains them in lesson 16 of his beginner series. Getting familiar with your key signatures will help pull everything together that has been...

Length: 15:21 Difficulty: 2.0 Members Only
Lesson 17

Chord Harmony Basics

Chris Liepe demonstrates how to take a key signature (the set notes within a key) and stack 3rds on top of a root note to form chords. With the help of a modulating backing track, this should be a fun...

Length: 30:02 Difficulty: 2.5 Members Only
Lesson 18

Technique Basics: Alternate Picking

Chris explains and demonstrates the very basics of alternate picking. He also provides simple exercises to develop the technique in your own playing.

Length: 16:03 Difficulty: 2.0 Members Only
Lesson 19

Technique Basics: Legato Playing

Chris details and demonstrates the fundamental movements and suggested left hand position for legato playing -- specifically hammer-ons and pull-offs. He also provides exercises for developing the technique.

Length: 16:11 Difficulty: 2.0 Members Only
Lesson 20

Technique Basics: Palm Muting

Chris talks about proper palm muting and discusses potential snags when first attempting the technique. He offers a number of exercises and patterns to help palm muting become a part of your rhythm playing.

Length: 9:22 Difficulty: 1.0 FREE
Lesson 21

Technique Basics: Hybrid Picking

Hybrid Picking can add a fresh dimension to your chord and rhythm playing. In this lesson, Chris briefly covers how to get started with Hybrid Picking and offers two exercises that you can use to apply...

Length: 6:27 Difficulty: 1.5 Members Only
Lesson 22

Major Scale Positions in G (Part 1)

Chris talks about what it means to play in position and teaches three of the five "CAGED" major scale positions in the key of G.

Length: 12:44 Difficulty: 2.5 Members Only
Lesson 23

Major Scale Positions in G (Part 2)

Chris continues in his teaching of the five basic "CAGED" major scale positions in the key of G.

Length: 11:39 Difficulty: 2.5 Members Only

About Chris Liepe View Full Biography Chris Liepe was born on September 17th, 1981 in Portland OR. His first instrument was piano which he pursued until discovering his love for the electric guitar in high school. He became fans of such groups as Soundgarden, Collective Soul and U2 inspiring him to start singing, songwriting and helping others in their musical endeavors with teaching, co-writing and album production.

Having moved to Colorado with his family, he began gigging, recording and teaching in a number of music stores as well as out of his apartment until deciding to pursue music full time. He moved to Denver, CO to complete a Bachelors in Music Technology and was then hired on by Sweetwater Productions, a division of Sweetwater Sound and one of the largest, most successful recording studios in the Midwest.

Chris spent nearly 4 years at Sweetwater as a producer, recording engineer, studio musician and writer. During this time he had the privilege of working with many artists including Augustana, Landon Pigg, Jars of Clay, and Mercy Me. He also wrote for and played on numerous independent albums and hundreds of radio/TV commercials.

Wanting to get back to his favorite State in the world (Colorado) and feeling the urge to 'go freelance', Chris moved to Greeley, CO and opened his own recording and teaching studio. He continues to write and produce music for artists and agencies and is happy to be among the proud JamPlay.com instructors.

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