Mark returns to singing and playing. Mark teaches proper form while singing and playing, cognitive exercises, and chord progression basics.
Taught by Mark Lincoln in Guitar Performance seriesLength: 17:54Difficulty: 2.0 of 5
1. Warm up the body.Great job! Now you are ready to move on with the lesson. Chapter 2: (05:04) Proper Form and Cognitive Element When you are warming up, singing, or playing, please keep the following in mind:
2. Single note hum.
3. Three note hum.
4. Hum "me-me-me-me" to "mah-mah-mah mah" to "me-ma-me-ma-me."
5. Wake up the breath with sah-sah-sah etc. - long and sustained then five times staccato.
6. Sah in five-note descending scales, then five-note ascending scales.
7. Work these scales faster and faster, then louder and louder.
1. Shoulders back but comfortable.Work on power projection. Avoid glottal plosive. Think about the air surrounding the voice. Avoid harm at all costs!
2. Breathe from the abdomen: hands on the abdomen for verification and feel for breath out of the mouth.
3. Sing phrases slowly at first, then in real time.
4. Try moving hands/arms around as you project the sound.
or the "down down-up down" pattern while humming along with it. Watch me in the video and sing "down down-up down, down down-up down," etc. See how my singing corresponds with the strums? This is review from last week, but I want you all to get comfortable with thinking about what you are singing.
Chapter 3: (02:27) Four Chord Exercise
Now, try this same exercise with four chords: Em, C, G, and A again with the
. Think about how the notes you are singing change as you change chords. As you play each chord, hum or sing the sound of the chord in order to become more familiar with them.
Chapter 4: (02:39) Individual Note Exercise
Now, take the same chords explained above and sing the individual notes along with them. So, E C G A singing each one four times. Continue using the
pattern of strumming but not of singing. Try to avoid singing the "down down-up" pattern this time, as we are trying to sing in a normal fashion. What I am trying to show you is the difference between singing what you are playing rhythmically and singing the melody. Watch me in the video for a more complete explanation of this.
Chapter 5: (02:22) Baby Song
For this part of the process, we’ll make up a little song involving four chords that work well together: D, A, C, and G. We'll use the strum
or "down down down-up." Now, play the rhythm and hum notes that correspond with the chords, or rather, sing individual notes that fit with the chord you’re playing. Now try to deviate from singing individual notes to singing a melody that works with the chords. Be creative with this portion of the exercise!
Chapter 6: (01:03) Creativity Time
For this part of today’s lesson, you will be responsible for picking four new chords that work well together. Try using the same rhythm as above,
and don’t forget to relax your strum hand. Let the pick flow over the strings. Make good contact with the fretboard and most of all, listen to what you are playing! Feel free to also experiment with other strumming patterns as well.
Performing live or in a studio situation is a goal of many aspiring guitarists. Vocal training and the ability to sing and play at the same time are skills that will help in this endeavor.
Lesson 1
Mark introduces you to the wonderful world of singing.
Length: 15:12 Difficulty: 0.5 Members OnlyLesson 2
Mark Lincoln guides you through stretches and vocal exercises to warm up the voice.
Length: 23:12 Difficulty: 1.0 Members OnlyLesson 3
Mark continues to discuss vocal warm-ups and exercises. Then, he moves on to explain vibrato.
Length: 23:42 Difficulty: 1.5 Members OnlyLesson 4
Mark covers some singing terms and teaches an exercise that is used to "warm the breath."
Length: 19:10 Difficulty: 1.5 Members OnlyLesson 5
Mark Lincoln talks more about vocal exercise and warm-up. Then, he moves on to discuss singing and playing at the same time.
Length: 26:12 Difficulty: 1.5 Members OnlyLesson 6
Mark Lincoln provides more singing exercises to practice while playing your guitar.
Length: 26:15 Difficulty: 2.0 Members OnlyLesson 7
Mark returns to singing and playing. Mark teaches proper form while singing and playing, cognitive exercises, and chord progression basics.
Length: 17:54 Difficulty: 2.0 Members OnlyLesson 8
Mark Lincoln discusses song dynamics and the anatomy of songs. He also explains more about singing and playing.
Length: 23:19 Difficulty: 2.0 Members OnlyLesson 9
Mark Lincoln explains how rhythm is used in music.
Length: 15:16 Difficulty: 2.0 Members OnlyLesson 10
Mark Lincoln applies singing and playing techniques to the Doors song "Riders on the Storm."
Length: 17:19 Difficulty: 2.0 Members OnlyLesson 11
In lesson 11 of his performance series, Mark discusses the palm muting technique and how to separate your singing from your playing.
Length: 23:30 Difficulty: 2.5 Members OnlyLesson 12
Mark discusses how alternating between arpeggios and strummed chords can add contrast and flair to your music.
Length: 15:02 Difficulty: 2.0 Members OnlyLesson 13
Mark discusses silence in music and how it can transform a piece. Additionally, he explains how to use silence effectively in your playing.
Length: 16:40 Difficulty: 1.5 Members OnlyLesson 14
In this lesson, Mark Lincoln talks more about warming up your voice and walks you through a few exercises that will aid this process.
Length: 16:14 Difficulty: 2.0 Members OnlyLesson 15
Mark provides a lecture on items you should do and think about to become a proficient live player.
Length: 20:57 Difficulty: 1.0 Members OnlyLesson 16
In this lesson, Mark delves into the concept of combining both your voice and guitar into one neat little package you can deliver to your listener.
Length: 21:47 Difficulty: 2.0 Members OnlyLesson 17
Mark Brings us Lesson 17 today to explain the preparation that goes into a performance. Mark tracks back up to 36 hours in advance, and shows us some routines to prepare for a great show.
Length: 19:09 Difficulty: 2.0 Members OnlyLesson 18
In this lesson, Mark teaches all of the diverse parts to a song with regards to dynamics.
Length: 20:17 Difficulty: 2.0 Members OnlyLesson 19
In this episode, Mark talks about proper breathing techniques and routines. He gives us eight points to work off of when singing and playing together.
Length: 23:34 Difficulty: 2.5 Members OnlyLesson 20
Mark Lincoln brings us a great play along opportunity. Mark provides lyrics as well as the chord progression for this play along. He also breaks down key elements such as palm muting, hammer-ons, bending,...
Length: 24:06 Difficulty: 3.0 Members OnlyLesson 21
Lesson 21 is a repeat of lesson 20's content only with a whole new set of chords and techniques. The"chords de jour" will be a little simpler than lesson 20's and will also include a much more in depth...
Length: 20:05 Difficulty: 2.0 Members Only
About Mark Lincoln
View Full Biography
Mark Lincoln was born in S. California but was raised near Portland Oregon in a town called Beaverton. When he was twelve years old, he began his journey into the realm of the creative by composing poetry and was later published in a journal called "In Dappled Sunlight." He wrote for four years until his older sister blessed him with his first guitar, an old beat-up nylon stringed classical guitar. Mark played that guitar for five years, continuing to compose his own lyrics and starting the process of matching his own words with chords that he was learning on the guitar. He learned to play chords from his friends and from music books that he both bought and borrowed. Mark cited his four biggest influences, at that point at least, as The Who, Led Zeppelin, Jethro Tull, The Rolling Stones.
Mark cites his most current influences as Radiohead, U2, older music by REM, and Peter Gabriel amongst others. He performs with two acoustic guitars, one being a six-string M-36 Martin with a three-pieced back for increased bass response, and a Guild Twelve-string which is his most recent acquisition. Mark is fond of saying that the twelve-string guitar is better because you get two guitars for the price of one, but he still plays his Martin equally as much and with the same passion.
Mark ended up in Fort Collins Colorado where he currently lives, works as a Marriage and Family Therapist, and continues to write, teach and perform music. He currently performs with a group called "Black Nelson" as well as with a number of other seasoned professional musicians including his cousin David, a virtuoso lead-guitar player. Mark has performed in many of the smaller venues in Denver and Boulder, as well as some of the larger ones including the Fox Theatre, The Boulder Theatre, Herman's Hideaway, and also at The Soiled Dove where he opened for Jefferson Starship as a soloist. Some of Mark's originals are also available for your listening pleasure on MySpace.
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