Dave Issacs goes in depth on different techniques and styles of The Grateful Dead. From Jerry Garcia to Bob Weir, you gain insight into the diverse style of The Grateful Dead.
Complete course with step-by-step lessons and practice examples.
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Dave Issacs goes in depth on different techniques and styles of The Grateful Dead. From Jerry Garcia to Bob Weir, you gain insight into the diverse style of The Grateful Dead.Begin the Course
Series Introduction to "The Style of Grateful Dead"
In this lesson we will take our first look into Bob Weir's approach to rhythm and voicings.
In this Lesson we will take a look at Jerry Garcia's use of the pentatonic scale and ways you can pull melodic ideas out of this scale. You will play over A, G, an E chords and gain an understanding on how Garcia fit them into his guitar playing.
In this lesson we will take our first look into how The Dead would put different melody guitar parts together, to create counterpoints. Dave will guide you through different techniques on how to accomplish this.
In this lesson we will take a look at a counterpoint part that can go along with the lower register melody we looked at in Lesson 4.
In this lesson we will take a look on Jerry Garcia's approach to playing over a Vamp, in this lesson we will look at G7 Vamp, or a G Vamp using the mixed Lydian mode
In this lesson we will take another look at rhythm, specifically polyrhythm and how there are different time signatures happening at once. Dave explains and demonstrates how Garcia and Weir would "talk" to each other with their guitars.
In this lesson we will continue our look at two interactive Polyrhythmic parts in a Bob Weir style. You will work high up the neck using partial chords, octaves and melodic figures.
In this lesson you will take a look at the way Jerry Garcia might have used Arpeggio's to play over chord changes. You will learn how to incorporate Arpeggio's into the improvisations.
In this lesson you will get into more advanced harmony and chromatic chord changes. Dave also illustrates some of Bob Weir's chord voicings.
In this lesson you will take a look at how to play over some more challenging chord progressions. You will learn how to move back and forth between E Major and E Minor.
Dave explains how to explore odd time signatures. Specifically looking at 7-4 and putting 2's and 3's together in ways that you wouldn't ordinary think of.
In this Lesson you will learn how to look at rhythm groupings and how to use an envelope filter/ Wah-wah pedal for Garcia's unique picking.
In this Lesson Dave expands on the 7-4 and demonstrates the fluidity of shifting odd time signatures. You will also learn about techniques for better improvisation and how to keep track of your playing.
In this Lesson you will take a look at the use of melodic arpeggios and get a taste of different Pentatonic Flavors.
In this lesson you will take a look at a counterpoint part to the arpeggiated melody from the last lesson. You will learn how Bob Weir would utilize this in his playing.
In this lesson you will learn a technique called "Floating the one". Dave explains and demonstrates a few ways to utilize this in your own playing.
In this Lesson you will learn a tricky concept for "organizing" your improvisational skills. Dave will play a part, record it, and then play over that track to demonstrate how to improvise in a "free jam".
In this Lesson Dave teaches us how to apply the idea of sequences from Jerry Garcia's lead playing and goes in depth about the chord cycles.
In this Lesson Dave demonstrates and explains how Jerry Garcia would play over chord cycles. You will learn how to play patterns while the key center shifts.
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Clear and easy to follow
This really helps to capture the Bob Weir sound. Very well done.
Learned so much from Dave. He is an excellent teacher
Nice assortment of songs to breakdown. Love the polyrhythm breakdown.
Love jam bands. Please feature more from that genre!
Ooooh, if only he knew how COMPLICATED this is to me. However, a great lesson by a really good teacher. Well done.