Mark covers several topics in this lesson. He explains scales and barre chords. He also demonstrates how to find notes on the fretboard.
Taught by Mark Lincoln in Basic Guitar with Mark Lincoln seriesLength: 21:45Difficulty: 1.5 of 5
Warm-up the hands.
Stretch the fingers.
Play the open major chords
Play the open minor chords
Review the exercises from last week.
We've been talking about strums and the technique it takes to play chords smoothly. Please review last week's lesson so you will be prepared for today's as well as upcoming lessons. We're going to shift gears a little, and if you feel as though you are falling behind, don't feel bad! Just review, practice diligently, and you'll get caught up to speed.Chapter 2: (08:00) Notes, Half Steps, and Whole Steps
Within the musical alphabet, there is either a space of a half step or a whole step from one note to the next. Half steps and whole steps translate into one fret and two frets respectively. So, if I say to move up the neck one half step, it means to move up the neck by one fret. If I say to move up the neck by a whole step, it means to move up two frets.
You are holding down the A-string on the second fret as such (for whatever chord you're playing):B_X_
If you want to move that finger up a half step, then your fingering would look like this:E_X_
If you wanted to move that finger up a whole step, then your fingering would look like this:E_X_
"Up" on the fretboard always indicates that the note is getting higher or ascending. "Down" indicates the note getting lower or descending. This concept will be become increasingly more important as we continue our discussion. So, a half step is equal to one fret, and a whole step is equal to two frets. In music, there are spaces or steps in between notes. In fact, there are half steps and whole steps that always occur in between certain notes.Half Step Rules of Thumb
There are only two places where half steps occur naturally in the musical scale. Between the E and the F. Between the B and the C.Type 1 / E Shape Barre Chords and Steps
If you wanted to play the F chord, it would look like this:
Notice how each note in the E chord just moved up a half step, or one space on the fretboard. The "1's" at the first fret indicate that this chord should be played as a barre chord where the first finger stretches across all six strings. We'll talk more about barre chords as we continue. For now, pay attention to the change in movement of your hand on the fretboard. E and F are divided by a half step.Chapter 3: (08:43) A Shape / Type 2 Barre Chords and Steps
Now let's talk about changing between B and C using the "Type 2" or A shape barre chords.Here is the B major chord:
If you wanted to play a C chord with a barre, this is what it would look like:C major
Again, notice how each of the notes that we're holding down moved up by a half step. Continue to look for patterns like these in music as the fretboard is riddled with more spacial relationships.Chapter 4: (02:45) Final Thoughts
So, to summarize today's lesson, half steps occur between the E and the F, and the B and the C. Whole steps occur between every other set of two adjacent notes in the musical alphabet. A whole step is equal to the space of two frets on the guitar. Become very familiar with these facts as future lessons will hinge upon them.
Learning the basics of the guitar, the building blocks if you will, is an extremely important step in learning and mastering the guitar. This series is all about the basics.
This lesson is all about the basics. Mark explains guitar parts, holding the guitar, and more.Length: 13:12 Difficulty: 0.5 Members Only
Mark begins by discussing equipment every guitarist should own. Then, he introduces chords and proper tuning methods.Length: 17:28 Difficulty: 0.5 Members Only
Mark finishes his discussion of the "open" chords. He applies these chords to basic rhythm and strumming concepts.Length: 17:33 Difficulty: 1.0 Members Only
Mark reviews the major chords and introduces the minor chords. He also covers strumming techniques in greater depth.Length: 25:48 Difficulty: 1.0 Members Only
Mark introduces a few more minor chords. He also provides a monster chord exercise.Length: 16:36 Difficulty: 1.5 Members Only
Mark Lincoln continues his discussion of chords and strumming. He introduces several new exercises in this lesson.Length: 19:30 Difficulty: 1.5 Members Only
Mark covers several topics in this lesson. He explains scales and barre chords. He also demonstrates how to find notes on the fretboard.Length: 21:45 Difficulty: 1.5 Members Only
Mark Lincoln covers E shaped barre chords in greater depth. Mark refers to these chords as "Type 1" barre chords.Length: 15:12 Difficulty: 2.0 Members Only
Mark covers the A Shape / Type 2 barre chords in greater depth.Length: 17:12 Difficulty: 2.0 Members Only
Mark introduces minor barre chords that utilize the shape of the "open" Em chord.Length: 13:10 Difficulty: 2.0 Members Only
Mark introduces minor barre chords based on the shape of the "open" Am chord. He refers to these chords as "Type 2 Minor" barre chords.Length: 12:36 Difficulty: 2.0 Members Only
Mark demonstrates abbreviated versions of the "Type 1" and "Type 2" barre chords. He calls these "mini barre" chords.Length: 17:43 Difficulty: 2.0 Members Only
Mark teaches the "mini barre" version of the A major shaped barre chord. He also explains dissonance.Length: 20:29 Difficulty: 2.0 Members Only
Mark Lincoln applies mini-barre chord concepts to minor chords.Length: 12:28 Difficulty: 2.0 Members Only
Mark Lincoln explains essential components of guitar technique.Length: 15:59 Difficulty: 2.0 Members Only
Mark Lincoln explains how dynamics can enhance your playing. He covers topics such as volume, tempo, rests, and more.Length: 27:48 Difficulty: 0.5 Members Only
Mark Lincoln explains more about guitar technique. This time around he introduces "transition strums" and continues his discussion of liquid chords.Length: 26:12 Difficulty: 2.0 Members Only
Mark Lincoln explains what harmonics are and how they are played.Length: 15:31 Difficulty: 2.5 Members Only
Mark Lincoln expands on the concept of liquid chords. He explains new chord variations and how they can be changed in mid-strum.Length: 16:21 Difficulty: 2.0 Members Only
Mark demonstrates how chord progressions can be spiced up by adding hammer-ons and pull-offs.Length: 12:21 Difficulty: 2.5 Members Only
Mark explains how chord fingerings must be altered when applying "liquid chord" concepts. He also provides a few new "liquid chord" exercises.Length: 11:10 Difficulty: 2.0 Members Only
Mark returns to the land of chords. This time around, he provides an exercise that contains four variations on the A chord.Length: 14:28 Difficulty: 2.5 Members Only
Mark provides a chord progression that shifts from one D chord to another in six steps.Length: 15:20 Difficulty: 2.0 Members Only
Mark delves deeper into chord construction and alternate chord voicings.Length: 13:36 Difficulty: 2.0 Members Only
Mark tests your guitar knowledge with a pop quiz. Then, he discusses quantitative and qualitative changes.Length: 22:54 Difficulty: 2.5 Members Only
In the 26th installment of his basic guitar series, Mark reviews the quantitative and qualitative changes he presented in lesson 25.Length: 17:34 Difficulty: 2.5 Members Only
Mark provides exercises designed to make you a better rhythm player.Length: 0:00 Difficulty: 2.0 Members Only
Mark Lincoln expands on the rhythm exercise from lesson 27. This time around he incorporates several C based chords.Length: 14:31 Difficulty: 2.5 Members Only
Mark discusses proper playing technique. He provides a few exercises that facilitate right hand mechanics.Length: 17:02 Difficulty: 2.5 Members Only
Mark provides an exercise that features two new chords - Cadd9 and Dsus2.Length: 0:00 Difficulty: 2.0 Members Only
In the 31st lesson, Mark discusses his "finger glue" technique. This technique improves speed and accuracy.Length: 21:31 Difficulty: 2.0 Members Only
Mark takes a step back in lesson 32 to explain how to make quick and accurate chord changes.Length: 22:14 Difficulty: 1.5 Members Only
Mark explains how to use the slide technique between chords.Length: 19:24 Difficulty: 2.0 Members Only
Mark reviews qualitative and quantitative changes. He explains how to keep time while performing these changes.Length: 21:17 Difficulty: 2.0 Members Only
Mark discusses qualitative and quantitative changes within an A minor progression.Length: 19:56 Difficulty: 0.5 Members Only
Mark Lincoln discusses several techniques that can be used when transitioning between chords.Length: 21:43 Difficulty: 2.0 Members Only
In this lesson, Mark once again covers the subject of chord transitions. This time around, he focuses on barre chords and includes several helpful exercises.Length: 23:25 Difficulty: 2.5 Members Only
In lesson 38, Mark discusses how playing single notes rather than chords can spice up your playing.Length: 22:56 Difficulty: 2.0 Members Only
Lesson 39 is all about rocking out. Mark discusses some tips to take your playing to the next level.Length: 18:08 Difficulty: 2.0 Members Only
Lesson 40 takes a deeper look at slash chords. Mark discusses why they're called slash chords, and how they are formed.Length: 14:42 Difficulty: 2.0 FREE
In lesson 41, Mark reviews the warm-up section and provides new tips on playing adequately from the wrist.Length: 22:09 Difficulty: 2.0 Members Only
Mark builds further on barre chord techniques and liquid chords.Length: 17:24 Difficulty: 2.5 Members Only
In lesson 43, Mark discusses additional skills related to learning and playing chords, specifically "liquification" of chords.Length: 20:42 Difficulty: 2.0 Members Only
Lesson 44 is all about trying new things. Mark discusses experimenting with your playing in order to take it to the next level.Length: 17:20 Difficulty: 2.0 Members Only
In this lesson, Mark once again talks about changing up chord derivatives to create a more unique sound.Length: 20:56 Difficulty: 1.5 Members Only
In lesson 46, Mark explains how to maximize your options by maintaining chord shapes while playing.Length: 21:44 Difficulty: 1.5 Members Only
Today, Mark takes in depth look at strumming.Length: 23:57 Difficulty: 1.0 Members Only
Mark Lincoln teaches an original song entitled "Shine Like the Sun."Length: 18:59 Difficulty: 2.0 Members Only
Mark teaches some useful information on how to mix postures, "finger glue," and techniques to make your chord changes speedy and more effective.Length: 30:56 Difficulty: 2.5 Members Only
In this lesson, Mark guides you through the world of alternate chord voicings. He teaches several shapes and shows how they can be used to enhance your playing.Length: 23:06 Difficulty: 2.0 Members Only
Mark brings us a very appealing aspect to better understand the guitar. With his explanation of "liquified" chords, mark will explain how to move up and down the guitar to create different chord voicing.Length: 25:32 Difficulty: 2.0 Members Only
About Mark Lincoln
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Mark Lincoln was born in S. California but was raised near Portland Oregon in a town called Beaverton. When he was twelve years old, he began his journey into the realm of the creative by composing poetry and was later published in a journal called "In Dappled Sunlight." He wrote for four years until his older sister blessed him with his first guitar, an old beat-up nylon stringed classical guitar. Mark played that guitar for five years, continuing to compose his own lyrics and starting the process of matching his own words with chords that he was learning on the guitar. He learned to play chords from his friends and from music books that he both bought and borrowed. Mark cited his four biggest influences, at that point at least, as The Who, Led Zeppelin, Jethro Tull, The Rolling Stones.
Mark cites his most current influences as Radiohead, U2, older music by REM, and Peter Gabriel amongst others. He performs with two acoustic guitars, one being a six-string M-36 Martin with a three-pieced back for increased bass response, and a Guild Twelve-string which is his most recent acquisition. Mark is fond of saying that the twelve-string guitar is better because you get two guitars for the price of one, but he still plays his Martin equally as much and with the same passion.
Mark ended up in Fort Collins Colorado where he currently lives, works as a Marriage and Family Therapist, and continues to write, teach and perform music. He currently performs with a group called "Black Nelson" as well as with a number of other seasoned professional musicians including his cousin David, a virtuoso lead-guitar player. Mark has performed in many of the smaller venues in Denver and Boulder, as well as some of the larger ones including the Fox Theatre, The Boulder Theatre, Herman's Hideaway, and also at The Soiled Dove where he opened for Jefferson Starship as a soloist. Some of Mark's originals are also available for your listening pleasure on MySpace.
Our acoustic guitar lessons are taught by qualified instructors with various backgrounds with the instrument.
Miche introduces several new chord concepts that add color and excitement to any progression.Free LessonSeries Details
Eve talks about the boom-chuck strum pattern. This strum pattern will completely change the sound of your playing.Free LessonSeries Details
JamPlay welcomes bassist and founding member of Godsmack, Robbie Merrill. In this short introduction lesson, Robbie showcases...Free LessonSeries Details
Welcome to the Phil Keaggy Master Course! In this series introduction, Phil shows and tells us what we can expect from this...Free LessonSeries Details
Jessica kindly introduces herself, her background, and her approach to this series.Free LessonSeries Details
Trace Bundy talks about the different ways you can use multiple capos to enhance your playing.Free LessonSeries Details
Orville Johnson introduces turnarounds and provides great ideas and techniques.Free LessonSeries Details
Hawkeye teaches several Robert Johnson licks in this lesson. These licks are played with a slide in open G tuning.Free LessonSeries Details
Pamela brings a cap to her first 13 JamPlay lessons with another original etude inspired by the great Leo Brouwer. This is...Free LessonSeries Details
Our electric guitar lessons are taught by instructors with an incredible amount of teaching experience.
In this lesson Eric talks about playing basic lead in the Memphis Blues style.Free LessonSeries Details
Steve McKinley talks about evaluating your bass and keeping it in top shape. He covers neck relief, adjusting the truss rod,...Free LessonSeries Details
Billy starts his artist series off with a lesson on something he gets asked the most to explain: right hand 3 finger technique.Free LessonSeries Details
Allen shows you the 24 rudiments crucial to developing finger dexterity. This is a short lesson but the exercises here can...Free LessonSeries Details
JamPlay sits down with veteran fret grinder Steve Smyth of Forbidden and The EssenEss Project. He talks about how he got...Free LessonSeries Details
David MacKenzie introduces the tapping technique and teaches a fun exercise. This lesson includes a backing track.Free LessonSeries Details
Bryan Beller of the Aristocrats, Dethklok, and Steve Vai takes you inside his six step method to learning any song by ear....Free LessonSeries Details
James explains how to tap arpeggios for extended musical reach.Free LessonSeries Details
Lesson 6 is all about the major mode. As with the other lessons you'll be taking a look at the individual notes on the strings...Free LessonSeries Details
Take a minute to compare JamPlay to other traditional and new methods of learning guitar. Our estimates for "In-Person" lessons below are based on a weekly face-to-face lesson for $40 per hour.
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