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Harmonic Technique (Guitar Lesson)


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Mark Lincoln

Harmonic Technique

Mark Lincoln explains what harmonics are and how they are played.

Taught by Mark Lincoln in Basic Guitar with Mark Lincoln seriesLength: 15:31Difficulty: 2.5 of 5
Chapter 1: (07:46) Harmonics Review Time
Before moving on with the rest of the lesson, be sure to review and practice the following:
- Warm-up the hands.
- Stretch the wrists.
- Play the major and minor open chords.
- Warm up your strumming muscles by relaxing the wrists and letting the pick flow over the strings.
- Play the E major chord in the "new" way and play the type 1 barre chords.
- Play the A major chord in the "new" way and play the type 2 barre chords.
- Practice the "slanting A" technique.
- Practice the type 1 minor barre chords.
- Practice the type 2 minor barre chords.
- Play all of the type 1 mini-barre chords.
- Play all of the type 2 mini-barre chords.
- Review and practice new techniques.
Ready?

We've been discussing various techniques in some detail, but we will continue to work on developing more and more diverse and difficult skills. Review the previous lessons if you need to and work on any new techniques that we've been discussing. Here we go!

Harmonics
Harmonics as defined by Merriam Webster's Collegiate Dictionary, tenth edition is one whose vibration frequency is an integral multiple of that of the fundamental. Well, I'm not really sure what that means myself! I do know that a harmonic on the guitar can be elicited by plucking the string and touching the string over the top at certain points and gently pulling away. For our purposes today, we'll talk specifically about the type of harmonic that can be produced at the fifth, seventh and twelfth frets.

While holding your guitar, place your first finger over the low E-string right on the fifth fret, directly over the metal fret itself.

Place your finger directly over the fret and pluck the E string. Gently pull your finger away after you pluck the string. Do you hear a high-pitched note? That note should be a very high sounding E note. Practice this a few times until you are able to get a clear sounding note that doesn't sound muted. Also, if your strings are older and worn, you will be less likely to get a clear sounding harmonic.

Now try to pluck the A string in the same spot. Again, try to pull your finger away right after you pluck the string. Watch me in the video for more insight into this. Try the rest of the strings on the fifth fret as well except the B. The B harmonic can only be produced on the fourth fret.

Keep in mind that harmonics can be attained all over the neck and in every spot on the strings. However, many of them are inaudible or nearly inaudible. We're focusing on the most prominent of the harmonics.

Now try the technique listed above at the seventh fret. Pluck the low E-string on the seventh fret and remove your finger just like before. Notice the harmonic sound once again?

Again, pluck each of the strings over the fret. Concentrate on gently pulling your finger off of the fret after you pluck it. Now try the same exercise over the twelfth fret.

Crisp and clear harmonics can be produced at the twelfth fret as well. Please note that there are other types of harmonics that we will not cover at this point. These are the simplest to attain and a good place to start.

Fine Tuning with Harmonics
After going through the regular tuning process, a finer tuning can be attained by using harmonics if:
1. Your strings aren't too old and worn 2. Your intonation isn't off (this is a technical term for the alignment of the bridge and neck of the guitar). Maladjusted intonation will affect the ability to tune your guitar properly, especially as you travel higher up the fretboard. 3. You have grasped the basic ability to produce a harmonic tone from your guitar.
As we discussed above, pluck the low E-string above the fifth fret. Now pluck the A-string on the seventh fret. These two notes should be the same. Now pluck the A on the fifth and the D on the seventh. These two notes should match as well. Now pluck the D on the fifth and the G on the seventh. The B string is slightly different. Pluck the G-string on the fourth fret and the B-string on the fifth. These two notes should match up. Then pluck the B on the fifth and the high E on the seventh. Assuming that your guitar is set-up properly, this technique will help you attain a more accurate tuning.
Chapter 2: (02:04) Harmonics in Music Harmonics can be a useful tool in tuning, but they are also another great way to spice up your playing. Harmonics can be struck in between chords or as you are playing chords. Watch me in the video for tips on how to do this.

Chapter 3: (05:40) Harmonics and Performing Keep in mind that the techniques that we have been discussing build upon one another and rely on developed skills from previous lessons. Make sure to relax yourself, relax your wrists, and allow the pick to flow gently over the strings when strumming. Harmonics are no exception to this rule. The guitar is a delicate instrument and functions best when handled with respect. I'm not suggesting that there isn't room for hard-core thrashing and even an occasional broken string. I'm just saying that with acoustic guitars they often elicit the sweetest sounds when handled with respect. Rock on!

Video Subtitles / Captions


Member Comments about this Lesson

Discussions with our instructors are just one of the many benefits of becoming a member of JamPlay.


gannable1gannable1 replied on November 22nd, 2015

that diddy in the first few seconds sounded like Yes

sfletchersfletcher replied on December 11th, 2011

Nice dude

parnold45parnold45 replied on April 9th, 2011

I'm good on the 12th, struggling on the 5th and 7th. Could be my stings.

paladinxpaladinx replied on September 8th, 2010

Is it possible to pull out some good harmonics with a nylon-string guitar?

Mark.LincolnMark.Lincoln replied on September 11th, 2010

You can get harmonics out of a nylon string but they tend to be softer and not quite as well-defined as a steel string guitar. Mark

dagchristiandagchristian replied on November 17th, 2009

HAHA! Finally! Been playing for some years, these harmonics I just couldnt do. #¤&¤! it! But now, tonight, I got it :D Thank you mark!! :D

Mark.LincolnMark.Lincoln replied on November 18th, 2009

Nice job Dag, way to stack with it! It's incredible the things we can accomplish when we persevere, right!? Mark

kevinoneillkevinoneill replied on July 26th, 2009

I also really like the sound of harmonics, i'm just having no success producing them. Anyone have any tips or further advice?

Mark.LincolnMark.Lincoln replied on July 26th, 2009

Hey Kevin, the key to making clean and audible harmonics is simply getting a grasp of pulling your finger away from the string immediately after you pluck it. So after you've placed a finger from your chord hand over the fifth or seventh or twelfth fret and plucked the necessary string with your strum hand, pull your finger away immediately from the string you've just plucked. It takes some practice but over time you'll develop the necessary timing to get it right. Good luck! Mark

kevinoneillkevinoneill replied on August 4th, 2009

Holy cow ... just got it ... persistence pays off.

Mark.LincolnMark.Lincoln replied on June 14th, 2009

Strat great to hear from you! I'm really glad that you are learning and enjoying at the same time, what a novel idea right? Hope to see you soon in the live Q and A as well. Take care, Mark

stratmusicstratmusic replied on June 13th, 2009

I really liked this lesson. I knew how to do harmonics but I had not been incorporating them into my rhythm playing. I am loving the combination of "liquid" chords and harmonics. My rhythm playing is so much more interesting now. Thanks Mark!

Basic Guitar with Mark Lincoln

Found in our Beginner Lesson Sets

Learning the basics of the guitar, the building blocks if you will, is an extremely important step in learning and mastering the guitar. This series is all about the basics.



Lesson 1

Guitar Basics

This lesson is all about the basics. Mark explains guitar parts, holding the guitar, and more.

Length: 13:12 Difficulty: 0.5 Members Only
Lesson 2

Tuning, Gear, and Chords

Mark begins by discussing equipment every guitarist should own. Then, he introduces chords and proper tuning methods.

Length: 17:28 Difficulty: 0.5 Members Only
Lesson 3

Chords and Strumming

Mark finishes his discussion of the "open" chords. He applies these chords to basic rhythm and strumming concepts.

Length: 17:33 Difficulty: 1.0 Members Only
Lesson 4

Minor Chords and More

Mark reviews the major chords and introduces the minor chords. He also covers strumming techniques in greater depth.

Length: 25:48 Difficulty: 1.0 Members Only
Lesson 5

Expanding Chords

Mark introduces a few more minor chords. He also provides a monster chord exercise.

Length: 16:36 Difficulty: 1.5 Members Only
Lesson 6

Strumming Exercises

Mark Lincoln continues his discussion of chords and strumming. He introduces several new exercises in this lesson.

Length: 19:30 Difficulty: 1.5 Members Only
Lesson 7

Music Theory and Barre Chords

Mark covers several topics in this lesson. He explains scales and barre chords. He also demonstrates how to find notes on the fretboard.

Length: 21:45 Difficulty: 1.5 Members Only
Lesson 8

E Shape Barre Chords

Mark Lincoln covers E shaped barre chords in greater depth. Mark refers to these chords as "Type 1" barre chords.

Length: 15:12 Difficulty: 2.0 Members Only
Lesson 9

A Shape Barre Chords

Mark covers the A Shape / Type 2 barre chords in greater depth.

Length: 17:12 Difficulty: 2.0 Members Only
Lesson 10

Minor Barre Chords

Mark introduces minor barre chords that utilize the shape of the "open" Em chord.

Length: 13:10 Difficulty: 2.0 Members Only
Lesson 11

A Minor Shape Barre Chords

Mark introduces minor barre chords based on the shape of the "open" Am chord. He refers to these chords as "Type 2 Minor" barre chords.

Length: 12:36 Difficulty: 2.0 Members Only
Lesson 12

Mini Barre Chord

Mark demonstrates abbreviated versions of the "Type 1" and "Type 2" barre chords. He calls these "mini barre" chords.

Length: 17:43 Difficulty: 2.0 Members Only
Lesson 13

A Shape Mini Barre

Mark teaches the "mini barre" version of the A major shaped barre chord. He also explains dissonance.

Length: 20:29 Difficulty: 2.0 Members Only
Lesson 14

Minor Mini Barre Chords

Mark Lincoln applies mini-barre chord concepts to minor chords.

Length: 12:28 Difficulty: 2.0 Members Only
Lesson 15

Guitar Technique

Mark Lincoln explains essential components of guitar technique.

Length: 15:59 Difficulty: 2.0 Members Only
Lesson 16

Guitar Dynamics

Mark Lincoln explains how dynamics can enhance your playing. He covers topics such as volume, tempo, rests, and more.

Length: 27:48 Difficulty: 0.5 Members Only
Lesson 17

Transistion Strums

Mark Lincoln explains more about guitar technique. This time around he introduces "transition strums" and continues his discussion of liquid chords.

Length: 26:12 Difficulty: 2.0 Members Only
Lesson 18

Harmonic Technique

Mark Lincoln explains what harmonics are and how they are played.

Length: 15:31 Difficulty: 2.5 Members Only
Lesson 19

Expanding Liquid Chords

Mark Lincoln expands on the concept of liquid chords. He explains new chord variations and how they can be changed in mid-strum.

Length: 16:21 Difficulty: 2.0 Members Only
Lesson 20

Spicing up Chords

Mark demonstrates how chord progressions can be spiced up by adding hammer-ons and pull-offs.

Length: 12:21 Difficulty: 2.5 Members Only
Lesson 21

Chord Fingering

Mark explains how chord fingerings must be altered when applying "liquid chord" concepts. He also provides a few new "liquid chord" exercises.

Length: 11:10 Difficulty: 2.0 Members Only
Lesson 22

Precision Strumming

Mark returns to the land of chords. This time around, he provides an exercise that contains four variations on the A chord.

Length: 14:28 Difficulty: 2.5 Members Only
Lesson 23

D to D in Six Steps

Mark provides a chord progression that shifts from one D chord to another in six steps.

Length: 15:20 Difficulty: 2.0 Members Only
Lesson 24

Chord Voicings and Construction

Mark delves deeper into chord construction and alternate chord voicings.

Length: 13:36 Difficulty: 2.0 Members Only
Lesson 25

Quantitative and Qualitative Changes

Mark tests your guitar knowledge with a pop quiz. Then, he discusses quantitative and qualitative changes.

Length: 22:54 Difficulty: 2.5 Members Only
Lesson 26

Quantitative and Qualitative Review

In the 26th installment of his basic guitar series, Mark reviews the quantitative and qualitative changes he presented in lesson 25.

Length: 17:34 Difficulty: 2.5 Members Only
Lesson 27

Rhythm and Guitar

Mark provides exercises designed to make you a better rhythm player.

Length: 0:00 Difficulty: 2.0 Members Only
Lesson 28

Expanded Rhythm Exercise

Mark Lincoln expands on the rhythm exercise from lesson 27. This time around he incorporates several C based chords.

Length: 14:31 Difficulty: 2.5 Members Only
Lesson 29

Hand Structure

Mark discusses proper playing technique. He provides a few exercises that facilitate right hand mechanics.

Length: 17:02 Difficulty: 2.5 Members Only
Lesson 30

Cadd9 and Dsus2

Mark provides an exercise that features two new chords - Cadd9 and Dsus2.

Length: 0:00 Difficulty: 2.0 Members Only
Lesson 31

Finger Glue and Flexibility

In the 31st lesson, Mark discusses his "finger glue" technique. This technique improves speed and accuracy.

Length: 21:31 Difficulty: 2.0 Members Only
Lesson 32

Reviewing Chord Changes

Mark takes a step back in lesson 32 to explain how to make quick and accurate chord changes.

Length: 22:14 Difficulty: 1.5 Members Only
Lesson 33

Sliding

Mark explains how to use the slide technique between chords.

Length: 19:24 Difficulty: 2.0 Members Only
Lesson 34

Keeping Time While Playing

Mark reviews qualitative and quantitative changes. He explains how to keep time while performing these changes.

Length: 21:17 Difficulty: 2.0 Members Only
Lesson 35

A Minor Progression

Mark discusses qualitative and quantitative changes within an A minor progression.

Length: 19:56 Difficulty: 0.5 Members Only
Lesson 36

Chord Transistions

Mark Lincoln discusses several techniques that can be used when transitioning between chords.

Length: 21:43 Difficulty: 2.0 Members Only
Lesson 37

Chord Transistions Revisited

In this lesson, Mark once again covers the subject of chord transitions. This time around, he focuses on barre chords and includes several helpful exercises.

Length: 23:25 Difficulty: 2.5 Members Only
Lesson 38

Playing Individual Notes

In lesson 38, Mark discusses how playing single notes rather than chords can spice up your playing.

Length: 22:56 Difficulty: 2.0 Members Only
Lesson 39

Rocking Out

Lesson 39 is all about rocking out. Mark discusses some tips to take your playing to the next level.

Length: 18:08 Difficulty: 2.0 Members Only
Lesson 40

Slash Chords

Lesson 40 takes a deeper look at slash chords. Mark discusses why they're called slash chords, and how they are formed.

Length: 14:42 Difficulty: 2.0 FREE
Lesson 41

Strumming from the Wrist

In lesson 41, Mark reviews the warm-up section and provides new tips on playing adequately from the wrist.

Length: 22:09 Difficulty: 2.0 Members Only
Lesson 42

Raising the Barre

Mark builds further on barre chord techniques and liquid chords.

Length: 17:24 Difficulty: 2.5 Members Only
Lesson 43

Building on Your Chord Knowledge

In lesson 43, Mark discusses additional skills related to learning and playing chords, specifically "liquification" of chords.

Length: 20:42 Difficulty: 2.0 Members Only
Lesson 44

Experiment With Playing

Lesson 44 is all about trying new things. Mark discusses experimenting with your playing in order to take it to the next level.

Length: 17:20 Difficulty: 2.0 Members Only
Lesson 45

Diversifying

In this lesson, Mark once again talks about changing up chord derivatives to create a more unique sound.

Length: 20:56 Difficulty: 1.5 Members Only
Lesson 46

Shaping the Hands

In lesson 46, Mark explains how to maximize your options by maintaining chord shapes while playing.

Length: 21:44 Difficulty: 1.5 Members Only
Lesson 47

Precision Strumming

Today, Mark takes in depth look at strumming.

Length: 23:57 Difficulty: 1.0 Members Only
Lesson 48

Shine Like the Sun

Mark Lincoln teaches an original song entitled "Shine Like the Sun."

Length: 18:59 Difficulty: 2.0 Members Only
Lesson 49

Changing Chords : Accuracy and Speed

Mark teaches some useful information on how to mix postures, "finger glue," and techniques to make your chord changes speedy and more effective.

Length: 30:56 Difficulty: 2.5 Members Only
Lesson 50

Play Along with Mulitple Chord Voicings

In this lesson, Mark guides you through the world of alternate chord voicings. He teaches several shapes and shows how they can be used to enhance your playing.

Length: 23:06 Difficulty: 2.0 Members Only
Lesson 51

Understanding Liquified Chords

Mark brings us a very appealing aspect to better understand the guitar. With his explanation of "liquified" chords, mark will explain how to move up and down the guitar to create different chord voicing.

Length: 25:32 Difficulty: 2.0 Members Only

About Mark Lincoln View Full Biography Mark Lincoln was born in S. California but was raised near Portland Oregon in a town called Beaverton. When he was twelve years old, he began his journey into the realm of the creative by composing poetry and was later published in a journal called "In Dappled Sunlight." He wrote for four years until his older sister blessed him with his first guitar, an old beat-up nylon stringed classical guitar. Mark played that guitar for five years, continuing to compose his own lyrics and starting the process of matching his own words with chords that he was learning on the guitar. He learned to play chords from his friends and from music books that he both bought and borrowed. Mark cited his four biggest influences, at that point at least, as The Who, Led Zeppelin, Jethro Tull, The Rolling Stones.

Mark cites his most current influences as Radiohead, U2, older music by REM, and Peter Gabriel amongst others. He performs with two acoustic guitars, one being a six-string M-36 Martin with a three-pieced back for increased bass response, and a Guild Twelve-string which is his most recent acquisition. Mark is fond of saying that the twelve-string guitar is better because you get two guitars for the price of one, but he still plays his Martin equally as much and with the same passion.

Mark ended up in Fort Collins Colorado where he currently lives, works as a Marriage and Family Therapist, and continues to write, teach and perform music. He currently performs with a group called "Black Nelson" as well as with a number of other seasoned professional musicians including his cousin David, a virtuoso lead-guitar player. Mark has performed in many of the smaller venues in Denver and Boulder, as well as some of the larger ones including the Fox Theatre, The Boulder Theatre, Herman's Hideaway, and also at The Soiled Dove where he opened for Jefferson Starship as a soloist. Some of Mark's originals are also available for your listening pleasure on MySpace.

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