Chords in D Major (Guitar Lesson)

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Mark Brennan

Chords in D Major

Mark takes you through the chords of D major and explains some new ones that you haven't encountered yet. Along with chord pairs and basic progressions, Mark shows the chords that go under his melody from lesson 17.

Taught by Mark Brennan in Basic Electric Guitar seriesLength: 35:00Difficulty: 1.0 of 5


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Member Comments about this Lesson

Discussions with our instructors are just one of the many benefits of becoming a member of JamPlay.


PhilthoPhiltho replied

Fm we learned without the barre is how it appears on JamPlays chord library, and in all my other (books, other sites) materials. The barre version of Fm I'm not seeing anywhere at all. Weird.

jet690jet690 replied

Nice progression and melody - working on how to get the chord changes smooth, some bits are tricky

chicago57chicago57 replied

Hi Mark, really struggling with the Bar Chord, I have long enough fingers, yet my coverage on all strings doesn't seem strong enough without some bend...any suggestions...This is really holding me back, as you had mentioned in this lesson F# chords are in use often...Thanks

law75law75 replied

hi thanks for the lessons. i wanted to know why the minor chords in a major key.

pscarpenpscarpen replied

I agree with others who have stated their frustration/challenge with this lesson. It has not been easy for me at all, but I do like it. And I love the original melody and the associated harmony - very beautifully crafted, Mark! I've got a long ways to go yet in this series, but I hope to find you adding more lessons before too long.

dorjedorje replied

Boy, that Em7 chord is quite unfriendly to my fingers :)

drjaydrjay replied

Mark, I really like you lessons. I have been doing this series for about two months. I struggle with some of the cord changes while still keeping rhythm. Should I not go on to another lesson until I can play everything from a lesson at tempo and flawlessly? I'm afraid to get discouraged if I have to do that.

pscarpenpscarpen replied

As I said (above), I have also found this lesson quite challenging, so you're not alone. :)

rntexasrntexas replied

In the Bm to F#m chord pair, why not keep the bar in the full bar Bm position and just pick from the 4th string when you go to the F#m chord. This way we're just moving 2 fingers. Or is that creating a bad habit/position that will cause problems later on for us?

MarkBrennanMarkBrennan replied

That's fine if it's more comfortable to lay the barre all the way across for both chords. You'll notice that the note on the 6th string, 2nd fret is not the root of the Bmin chord. Strum the Bmin chord from the fifth string to play it from the root (B on the 5th string, 2nd fret).

bluejackbluejack replied

Hi again, other message got interrupted. Cords going well and found a song. give a little bit by Supertramp cord seem easy but strumming pattern unsure. could you do a demo please. regards Bluejack

rlegerrleger replied

is it my imagination, or is this one of the hardest lesson (scene 4)?

chicago57chicago57 replied

Taking about 60 days !!!!!!

joephaserjoephaser replied

Hey Mark thank, you for a great lesson!

diffurdiffur replied

Great music, Mark!

blueguitar24blueguitar24 replied

cool man

Basic Electric Guitar

Found in our Beginner Lesson Sets

Mark's Phase 1 series will take you through the basics of playing electric guitar.



Series Intro - Guitar Parts and TuningLesson 1

Series Intro - Guitar Parts and Tuning

Mark introduces his Phase 1 series and covers some fundamental electric guitar basics.

Length: 30:12 Difficulty: 1.0 Members Only
AmplificationLesson 2

Amplification

Mark provides a detailed overview of amplification. This lesson has some great info for any electric player.

Length: 33:55 Difficulty: 1.0 Members Only
Using Tablature and Learning the FretboardLesson 3

Using Tablature and Learning the Fretboard

Before we start rocking, Mark goes over some tools and training necessary to every beginning guitarist.

Length: 12:52 Difficulty: 1.0 Members Only
Right Hand TechniqueLesson 4

Right Hand Technique

It's time to get some sound out of your guitar. Mark begins with picking hand technique.

Length: 31:34 Difficulty: 1.5 Members Only
Left Hand TechniqueLesson 5

Left Hand Technique

Mark explains proper left hand technique from the ground up.

Length: 10:36 Difficulty: 1.0 Members Only
Natural Notes in the 1st PositionLesson 6

Natural Notes in the 1st Position

Mark teaches you all of the natural notes played in first position. He uses two classic melodies to supplement this information.

Length: 25:42 Difficulty: 1.5 Members Only
The C Major Scale - 1st PositionLesson 7

The C Major Scale - 1st Position

It's time to learn your first scale - the C major scale in first position. Mark also explains how the major scale is constructed.

Length: 21:31 Difficulty: 1.5 Members Only
Chords in C major - Part 1Lesson 8

Chords in C major - Part 1

Mark covers 7 basic chords in the key of C major.

Length: 35:14 Difficulty: 1.0 Members Only
Chords in C major - Part 2Lesson 9

Chords in C major - Part 2

Mark expands on chords in C major by showing full forms of the chords you learned in Part 1. He also teaches you the chord progression to a familiar tune.

Length: 25:00 Difficulty: 1.5 Members Only
Power Chord PrimerLesson 10

Power Chord Primer

It's time to start making some noise by using power chords and palm muting. Mark gives you the framework to start rocking with the 12 bar blues progression.

Length: 36:43 Difficulty: 0.5 Members Only
Open Position Minor PentatonicLesson 11

Open Position Minor Pentatonic

Take your knowledge of the notes in the first position and start jamming on a simple pentatonic riff.

Length: 14:34 Difficulty: 1.0 FREE
Blues Scale Basics with Hammer-ons, Pull-offs, and VibratoLesson 12

Blues Scale Basics with Hammer-ons, Pull-offs, and Vibrato

Let's build on lesson 11 with an extended discussion of the pentatonic scale. For lesson 12, we'll simply add one note to the minor pentatonic scale to give us the famous minor blues scale. We'll also...

Length: 36:27 Difficulty: 1.5 Members Only
Movable Power ChordsLesson 13

Movable Power Chords

Mark explains how to finger power chords and how they can be moved anywhere on the fretboard. He also shows an exercise that will help you remember the name of each power chord.

Length: 16:28 Difficulty: 1.5 Members Only
Rhythmic Notation Part 1Lesson 14

Rhythmic Notation Part 1

Mark Brennan explains rhythmic notation, tempos, time signatures, note values, and more in this lesson.

Length: 32:14 Difficulty: 2.0 Members Only
The Key of G MajorLesson 15

The Key of G Major

Mark explores the key of G major in this lesson. He covers the first position pattern of the scale and explains how it can be harmonized in thirds.

Length: 33:22 Difficulty: 1.5 Members Only
Chords of G MajorLesson 16

Chords of G Major

Mark teaches the basic chords of G major as well as some other exercises to get you acquainted with this key.

Length: 34:28 Difficulty: 1.5 Members Only
The Key of D MajorLesson 17

The Key of D Major

Mark explains the basics of D major.

Length: 25:00 Difficulty: 1.0 Members Only
Chords in D MajorLesson 18

Chords in D Major

Mark takes you through the chords of D major and explains some new ones that you haven't encountered yet.

Length: 35:00 Difficulty: 1.0 Members Only
More Movable Power Chords & the Circle of FifthsLesson 19

More Movable Power Chords & the Circle of Fifths

Mark continues his discussion of power chords. This time around, he explains the circle of 5ths and demonstrates some power chord progressions that illustrate this concept.

Length: 33:18 Difficulty: 1.5 Members Only
The Movable Minor Pentatonic ScaleLesson 20

The Movable Minor Pentatonic Scale

Mark teaches the 1st box of the minor pentatonic scale.

Length: 32:31 Difficulty: 1.0 Members Only
The Minor Blues Scale Transposed to ALesson 21

The Minor Blues Scale Transposed to A

Mark explains how you can transpose the pentatonic pattern covered in lesson 20 to the key of A minor. He also shows the "lower extension box" and "home plate box."

Length: 26:09 Difficulty: 1.0 Members Only
Blues Boogie ShuffleLesson 22

Blues Boogie Shuffle

Mark teaches the difference between straight eighth notes and the shuffle feel.

Length: 42:33 Difficulty: 1.0 Members Only
Amplification Part TwoLesson 23

Amplification Part Two

In response to member requests, Mark added another amplification lesson to his growing phase 1 series. In this lesson, he compares 3 classes of amps from entry level models all the way to a Mesa Mark V.

Length: 40:45 Difficulty: 0.5 Members Only
Introduction To ImprovisationLesson 24

Introduction To Improvisation

In this lesson, Mark teaches some blues licks that can be used when improvising over a 12 bar blues progression.

Length: 24:01 Difficulty: 2.0 Members Only
The Key of A MinorLesson 25

The Key of A Minor

Mark covers the key of A minor.

Length: 29:36 Difficulty: 2.0 Members Only
Two Movable Major Chord FormsLesson 26

Two Movable Major Chord Forms

Mark teaches two movable major chord forms and gives many examples of how to practice playing them.

Length: 26:10 Difficulty: 1.0 Members Only
I-IV-V Progression RevisitedLesson 27

I-IV-V Progression Revisited

Mark Brennan shows you how to apply the chord forms learned in lesson 26 to a I-IV-V progression.

Length: 21:52 Difficulty: 1.0 Members Only
Movable Dominant 7th Chord FormsLesson 28

Movable Dominant 7th Chord Forms

Mark Brennan continues his teachings on movable chord forms. In this lesson he shows the dominant 7th chords and how to use them in a 12 bar blues progression.

Length: 19:49 Difficulty: 1.0 Members Only
Movable Minor and Minor 7th Chord FormsLesson 29

Movable Minor and Minor 7th Chord Forms

Mark Brennan teaches these minor chord forms and how they are movable up and down the fretboard. He also shows how to use these chords in common progressions.

Length: 21:29 Difficulty: 1.0 Members Only
Mark Brennan

About Mark Brennan View Full Biography Mark Brennan, born August 12th, 1954 in Cleveland, Ohio, began playing guitar at the age of 10. His first influences were from the Ventures and the British Invasion, especially the Beatles and Rolling Stones. Shortly afterwards he was playing in rock bands with his brother on drums, developing his ear by learning songs straight from records. Playing in a band became a passion.

In high school, he grew to love acoustic and classical guitar. He spent time playing acoustic music, influenced by The Eagles, CSN, Dan Folgelberg, James Taylor, Joni Mitchell, etc. In the 70's, he headed a very popular Cleveland band, The Brennan-Cosma Band, which played a variety of acoustic and rock music, along with originals. He also took up classicalguitar, and began developing his fingerstyle technique.

Mark is a graduate of Cleveland State University (1980), with a Bachelor of Music in Classical guitar performance. He also studied Music Composition, and took many Music Education classes. After graduation, he began his private teaching career, teaching electric, acoustic, and classical guitar, along with music theory. He taught in various studios and guitar shops throughout his career, and currently has a private practice at his home in Fairview Park, Ohio.

In the 80's Mark took an affection to Progressive rock. With his band Polyphony, he was influenced by the music of Yes, Genesis, Kansas, ELP, Styx, along with a set of prog rock originals.

Currently, Mark is in the regionally successful Pink Floyd tribute band Wish You Were Here. The band performs faithful renderings of the Floyd classics spanning their entire catalog, along with a strong visual stage show. Here, Mark displays his command of the David Gilmour style.

Mark is excited to be part of JamPlay.com's fine roster of teachers. He's looking forward to extending his 35 years of performing and teaching experience to the JamPlay members. His philosophy is about developing a passion for guitar and being the best musician you can be; being true to yourself and developing a personal style, and truly expressing your heart through your music.

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