Black Friday Deals in Effect. Includes 2019 Guitarist Toolkits on the house! Apply Your Coupon Code
You will learn to play major 7th, minor 7th, major 7th, dominant 7th, and diminished 7 chords (all popular jazz voicings) with 5th & 6th string roots. Those chords combined with the Freddie Green rhythm will have you on your way to becoming a jazz master!
Taught by Matt Brown in Jazz Guitar with Matt seriesLength: 31:36Difficulty: 3.0 of 5
1. Start with the Major scale corresponding to the letter name of the chord. For example, if you want to figure out the notes in C7, start by writing out the C Major scale. Even if you are spelling a minor chord, you must start with the Major scale of the chord name.B. Set I Chord Voicings (Root on 5th or 6th String)
2. Determine the "triad type" of the chord. A triad is a chord containing three notes. It is also the base structure of any chord that contains more than three notes. There are four types of triads: Major, Minor, Augmented, and Diminished. Each of these triads is spelled using a different formula.
Note: The symbols that are frequently used to abbreviate these triad types are: ∆,-,+,o respectively. Thus, a CMA7 chord may be abbreviated as C∆7. Here are the formulas for these triads:
Major triad: scale degrees 1,3,5.
Minor triad: scale degrees 1,b3,5.
Augmented triad: scale degrees 1,3,#5
Diminished triad: scale degrees 1,b3,b5
Remember to start with the MAJOR SCALE regardless of whether the chord is major!
3. If the chord contains more than three notes, consult the formulas below.
Dominant 7: 1,3,5,b7
For some practice, let's spell an E chord. We know from the Circle of Fifths that the key of E has 4 sharps.
1. The scale is spelled E,F#,G#,A,B,C#,D#,E.
2. The 1,3,and 5 chord tones are E,G#,and B. Thus, an E chord is spelled E,G#,B.
In this lesson set, Matt will teach you everything you need to know to fluently play jazz guitar.
Check out this lesson to learn some basic jazz theory & chord voicings.Length: 31:36 Difficulty: 3.0 Members Only
Learn some more advanced chord voicings as well as the Charleston rhythm.Length: 19:13 Difficulty: 3.0 FREE
Learn a handful of Set II voicings & round out your knowledge of the basic jazz chords.Length: 27:08 Difficulty: 3.0 Members Only
Apply the chords you've learned & experiment with some solo ideas.Length: 32:47 Difficulty: 3.0 Members Only
Learn which scales work with which jazz chord voicings.Length: 43:00 Difficulty: 3.0 Members Only
Matt sheds some light on the circle of fifths.Length: 28:00 Difficulty: 3.0 Members Only
Learn how to get the most out of your time when practicing.Length: 31:00 Difficulty: 2.5 Members Only
Here's the second installment of Matt's proper practicing lesson.Length: 32:00 Difficulty: 3.0 Members Only
Learn how to avoid carpal tunnel and other hand injuries by using proper technique.Length: 46:19 Difficulty: 1.0 Members Only
Matt Brown teaches the jazz standard "All of Me."Length: 31:12 Difficulty: 2.0 Members Only
Matt Brown explains how to improvise over the changes to "All of Me."Length: 7:54 Difficulty: 2.0 Members Only
Matt Brown begins talking about solo arrangements in this lesson. He teaches Carcassi's "Estudio No. 1" as an introduction to this concept.Length: 18:10 Difficulty: 2.5 Members Only
Matt Brown returns to his Jazz series with a review lesson. He applies the standard ii V I progression to the circle of fifths.Length: 18:10 Difficulty: 2.0 Members Only
In lesson 14, Matt discusses the turnback progression in the jazz style.Length: 22:20 Difficulty: 1.5 Members Only
Matt brown discusses and demonstrates the set three voicings used in jazz guitar.Length: 25:42 Difficulty: 2.0 Members Only
In this lesson, Matt demonstrates how to practice jazz solo arrangements by taking a look at "Here's That Rainy Day."Length: 35:10 Difficulty: 2.0 Members Only
In lesson 17, Matt reviews and expands on the jazz version of the 12 bar blues form.Length: 23:20 Difficulty: 2.0 Members Only
In this lesson, Matt adds to your voicing repertoire while playing the Charleston rhythm.Length: 14:22 Difficulty: 2.0 Members Only
Matt Brown talks about lead options when playing a blues in B flat major.Length: 23:35 Difficulty: 2.0 Members Only
Matt Brown provides instruction and examples of playing jazz heads in the key of F. Once again, all examples follow the 12 bar blues form.Length: 18:22 Difficulty: 2.0 Members Only
Matt Brown takes another look at blues heads in the key of B flat. In this lesson, he covers a head by Thelonious Monk.Length: 10:03 Difficulty: 2.0 Members Only
Matt Brown takes a look at a solo arrangement and provides thoughts and tools necessary to complete this type of guitar playing.Length: 23:13 Difficulty: 2.0 Members Only
Matt Brown starts breaking down the rhythmic tendencies and patterns to the Brazilian Bossa Nova style of playing.Length: 17:56 Difficulty: 0.0 Members Only
In lesson 24 of his Jazz series, Matt takes a look at the melody to Blue Bossa.Length: 9:12 Difficulty: 0.0 Members Only
Matt Brown takes a look at the available chord voicings for Blue Bossa.Length: 10:39 Difficulty: 0.0 Members Only
About Matt Brown
View Full Biography
Matt Brown began playing the guitar at the age of 11. "It was a rule in my family to learn and play an instrument for at least two years. I had been introduced to a lot of great music at the time by friends and their older siblings. I was really into bands like Nirvana, Alice In Chains, and Smashing Pumpkins, so the decision to pick up the guitar came pretty easily."
Matt's musical training has always followed a very structured path. He began studying the guitar with Dayton, Ohio guitar great Danny Voris. I began learning scales, chords, and basic songs like any other guitarist. After breaking his left wrist after playing for only a year, Matt began to study music theory in great detail. I wanted to keep going with my lessons, but I obviously couldn't play at all. Danny basically gave me the equivalent of a freshman year music theory course in the span of two months. These months proved to have a huge impact on Brown's approach to the instrument.
Brown continued his music education at Capital University in Columbus, Ohio. He completed a degree in Classical Guitar Performance in 2002. While at Capital, he also studied jazz guitar and recording techniques in great detail. "I've never had any desire to perform jazz music. Its lack of relevance to modern culture has always turned me off. However, nothing will improve your chops more than studying this music."
Matt Brown currently resides in Dayton, Ohio. He teaches lessons locally as well as at Capital University's Community Music School. Matt's recent projects include writing and recording with his new, as of yet nameless band as well as the formation of a cover band called The Dirty Cunnies.
Our acoustic guitar lessons are taught by qualified instructors with various backgrounds with the instrument.
Miche introduces several new chord concepts that add color and excitement to any progression.Free LessonSeries Details
In lesson 6, Kaki discusses how the left and right hands can work together or independently of each other to create different...Free LessonSeries Details
In this lesson, Freebo covers the basics of right hand technique. This lesson is essential for all up and coming bassists.Free LessonSeries Details
Welcome to the Phil Keaggy Master Course! In this series introduction, Phil shows and tells us what we can expect from this...Free LessonSeries Details
Tyler Grant is back with an introduction to his new series "Classic Country Chops." In this series, Tyler goes in-depth...Free LessonSeries Details
Fingerstyle guitar is a broad term that can incorporate percussive elements of playing as well as Chet Atkins/Jerry Reed...Free LessonSeries Details
Alan shares his background in teaching and sets the direction for his beginning bass series with simple ideas and musical...Free LessonSeries Details
Orville Johnson introduces turnarounds and provides great ideas and techniques.Free LessonSeries Details
Lesson 40 takes a deeper look at slash chords. Mark discusses why they're called slash chords, and how they are formed.Free LessonSeries Details
Our electric guitar lessons are taught by instructors with an incredible amount of teaching experience.
In this lesson Eric talks about playing basic lead in the Memphis Blues style.Free LessonSeries Details
Born in 1986 and hailing from Brazil, Andre showed musical inclination at an early age. Influenced by native Brazilian Jazz...Free LessonSeries Details
Lita Ford, guitarist for The Runaways, presents a fantastic and in depth series on what it was like and what it took professionally...Free LessonSeries Details
Join Joe as he shows one of his favorite drills for strengthening his facility around the fretboard: The Spider Technique.Free LessonSeries Details
JamPlay is proud to welcome senior professor and Coordinator of Guitar Studies at the University of Colorado at Denver,...Free LessonSeries Details
If you could choose one technique to replicate the human voice on your guitar, it would be slide guitar. The long rich history...Free LessonSeries Details
Tom Appleman takes a look at a blues in E with a focus on the Chicago blues style. The bass line for Chicago blues is very...Free LessonSeries Details
This is a crucial lesson that explains tablature, how to read it, and why it's important.Free LessonSeries Details
Take a minute to compare JamPlay to other traditional and new methods of learning guitar. Our estimates for "In-Person" lessons below are based on a weekly face-to-face lesson for $40 per hour.
|Price Per Lesson||< $0.01||$4 - $5||$30 - $50||Free|
|Money Back Guarantee||Sometimes||n/a|
|Number of Instructors||124||1 – 3||1||Zillions|
|Interaction with Instructors||Daily Webcam Sessions||Weekly|
|Professional Instructors||Luck of the Draw||Luck of the Draw|
|Learn Any Style||Sorta|
|Multiple Camera Angles||Sometimes||-||Sometimes|
|Learn in Sweatpants||Socially Unacceptable|
|Gasoline Needed||$0.00||$0.00||~$4 / gallon!||$0.00|
Mike H."I feel like a 12 year old kid with a new guitar!"
I am 66 years young and I still got it! I would have never known this if it had not been for Jamplay! I feel like a 12 year old kid with a new guitar! Ha! I cannot express enough how great you're website is! It is for beginners and advanced pickers! I am an advanced picker and thought I had lost it but thanks to you all, I found it again! Even though I only play by ear, I have been a member a whopping whole two weeks now and have already got Brent's country shuffle and country blues down and of course with embellishments. Thank you all for your wonderful program!
Greg J."With Jamplay I can fit in a random session when I have time and I can go at my own pace"
I'm a fifty eight year old newbie who owns a guitar which has been sitting untouched in a corner for about seven years now. Last weekend I got inspired to pick it up and finally learn how to play after watching an amazing Spanish guitarist on TV. So, here I am. I'm starting at the beginning with Steve Eulberg and I couldn't be happier (except for the sore fingers :) Some day I'm going to play like Steve! I'm self employed with a hectic schedule. With Jamplay I can fit in a random session when I have time and I can go at my own pace, rewinding and replaying the videos until I get it. This is a very enjoyable diversion from my work yet I still feel like I'm accomplishing something worthwhile. Thanks a lot, Greg
Bill"I believe this is the absolute best site for guitar students."
I am commenting here to tell you and everyone at JamPlay that I believe this is the absolute best site for guitar students. I truly enjoy learning to play the guitar on JamPlay.com. Yes, I said the words, ""enjoy learning."" It is by far the best deal for the money.