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Matt provides information on carpal tunnel and how to avoid this dangerous injury. He discusses proper technique, typing, and video games.
Taught by Matt Brown in Jazz Guitar with Matt seriesLength: 46:19Difficulty: 1.0 of 5
In this lesson set, Matt will teach you everything you need to know to fluently play jazz guitar.
Lesson 1
Check out this lesson to learn some basic jazz theory & chord voicings.
Length: 31:36 Difficulty: 3.0 Members OnlyLesson 2
Learn some more advanced chord voicings as well as the Charleston rhythm.
Length: 19:13 Difficulty: 3.0 FREELesson 3
Learn a handful of Set II voicings & round out your knowledge of the basic jazz chords.
Length: 27:08 Difficulty: 3.0 Members OnlyLesson 4
Apply the chords you've learned & experiment with some solo ideas.
Length: 32:47 Difficulty: 3.0 Members OnlyLesson 5
Learn which scales work with which jazz chord voicings.
Length: 43:00 Difficulty: 3.0 Members OnlyLesson 6
Matt sheds some light on the circle of fifths.
Length: 28:00 Difficulty: 3.0 Members OnlyLesson 7
Learn how to get the most out of your time when practicing.
Length: 31:00 Difficulty: 2.5 Members OnlyLesson 8
Here's the second installment of Matt's proper practicing lesson.
Length: 32:00 Difficulty: 3.0 Members OnlyLesson 9
Learn how to avoid carpal tunnel and other hand injuries by using proper technique.
Length: 46:19 Difficulty: 1.0 Members OnlyLesson 10
Matt Brown teaches the jazz standard "All of Me."
Length: 31:12 Difficulty: 2.0 Members OnlyLesson 11
Matt Brown explains how to improvise over the changes to "All of Me."
Length: 7:54 Difficulty: 2.0 Members OnlyLesson 12
Matt Brown begins talking about solo arrangements in this lesson. He teaches Carcassi's "Estudio No. 1" as an introduction to this concept.
Length: 18:10 Difficulty: 2.5 Members OnlyLesson 13
Matt Brown returns to his Jazz series with a review lesson. He applies the standard ii V I progression to the circle of fifths.
Length: 18:10 Difficulty: 2.0 Members OnlyLesson 14
In lesson 14, Matt discusses the turnback progression in the jazz style.
Length: 22:20 Difficulty: 1.5 Members OnlyLesson 15
Matt brown discusses and demonstrates the set three voicings used in jazz guitar.
Length: 25:42 Difficulty: 2.0 Members OnlyLesson 16
In this lesson, Matt demonstrates how to practice jazz solo arrangements by taking a look at "Here's That Rainy Day."
Length: 35:10 Difficulty: 2.0 Members OnlyLesson 17
In lesson 17, Matt reviews and expands on the jazz version of the 12 bar blues form.
Length: 23:20 Difficulty: 2.0 Members OnlyLesson 18
In this lesson, Matt adds to your voicing repertoire while playing the Charleston rhythm.
Length: 14:22 Difficulty: 2.0 Members OnlyLesson 19
Matt Brown talks about lead options when playing a blues in B flat major.
Length: 23:35 Difficulty: 2.0 Members OnlyLesson 20
Matt Brown provides instruction and examples of playing jazz heads in the key of F. Once again, all examples follow the 12 bar blues form.
Length: 18:22 Difficulty: 2.0 Members OnlyLesson 21
Matt Brown takes another look at blues heads in the key of B flat. In this lesson, he covers a head by Thelonious Monk.
Length: 10:03 Difficulty: 2.0 Members OnlyLesson 22
Matt Brown takes a look at a solo arrangement and provides thoughts and tools necessary to complete this type of guitar playing.
Length: 23:13 Difficulty: 2.0 Members OnlyLesson 23
Matt Brown starts breaking down the rhythmic tendencies and patterns to the Brazilian Bossa Nova style of playing.
Length: 17:56 Difficulty: 0.0 Members OnlyLesson 24
In lesson 24 of his Jazz series, Matt takes a look at the melody to Blue Bossa.
Length: 9:12 Difficulty: 0.0 Members OnlyLesson 25
Matt Brown takes a look at the available chord voicings for Blue Bossa.
Length: 10:39 Difficulty: 0.0 Members Only
About Matt Brown
View Full Biography
Matt Brown began playing the guitar at the age of 11. "It was a rule in my family to learn and play an instrument for at least two years. I had been introduced to a lot of great music at the time by friends and their older siblings. I was really into bands like Nirvana, Alice In Chains, and Smashing Pumpkins, so the decision to pick up the guitar came pretty easily."
Matt's musical training has always followed a very structured path. He began studying the guitar with Dayton, Ohio guitar great Danny Voris. I began learning scales, chords, and basic songs like any other guitarist. After breaking his left wrist after playing for only a year, Matt began to study music theory in great detail. I wanted to keep going with my lessons, but I obviously couldn't play at all. Danny basically gave me the equivalent of a freshman year music theory course in the span of two months. These months proved to have a huge impact on Brown's approach to the instrument.
Brown continued his music education at Capital University in Columbus, Ohio. He completed a degree in Classical Guitar Performance in 2002. While at Capital, he also studied jazz guitar and recording techniques in great detail. "I've never had any desire to perform jazz music. Its lack of relevance to modern culture has always turned me off. However, nothing will improve your chops more than studying this music."
Matt Brown currently resides in Dayton, Ohio. He teaches lessons locally as well as at Capital University's Community Music School. Matt's recent projects include writing and recording with his new, as of yet nameless band as well as the formation of a cover band called The Dirty Cunnies.
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Mike H.
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I'm a fifty eight year old newbie who owns a guitar which has been sitting untouched in a corner for about seven years now. Last weekend I got inspired to pick it up and finally learn how to play after watching an amazing Spanish guitarist on TV. So, here I am. I'm starting at the beginning with Steve Eulberg and I couldn't be happier (except for the sore fingers :) Some day I'm going to play like Steve! I'm self employed with a hectic schedule. With Jamplay I can fit in a random session when I have time and I can go at my own pace, rewinding and replaying the videos until I get it. This is a very enjoyable diversion from my work yet I still feel like I'm accomplishing something worthwhile. Thanks a lot, Greg
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Member Comments about this Lesson
Discussions with our instructors are just one of the many benefits of becoming a member of JamPlay.Tommy Emmanuel uses his thumb all the time, and he said "God gave me a thumb so why not use it" :)
Thx, Matt. I am returning to guitar after 40 yrs. My 60 y.o. body is already flaring up in my wrists and shoulders after only 6 weeks of lessons. This lesson encourages me to not give it up. I plan to video myself practicing so i can pinpoint what i am doing wrong. Your lesson taught me what to actually look for.
Hi! The wrists and shoulders are usually the most problematic muscle groups for guitarists. Make sure that your shoulders are relaxed as possible. Shoulder comfort is mainly determined by whether or not your strap is adjusted properly. Also, make sure you're not shrugging your shoulders at all. In terms of your wrists, make sure your picking wrist is as straight as possible. With the other wrist, overuse seems to be the problem. If you've been practicing for awhile and your fingers / hands feel excessively fatigued, take a break! Hope you enjoy the rest of the lessons!
So I take it instructors don't carry a cane to prevent anchoring anymore? Perhaps that's just the grumpy old classical instructors. :)
That pinky stretch in bars 11-12 of Etude #1 is really hard! I think I need bigger hands.
Yeah! That stretch is really tough! Keep working on left hand finger independence exercises and reach development, and you'll get it. Dennis has some really great exercises for this stuff in his Phase 2 Metal lessons.
Thank you so much. I think I got very close to an injury and was looking for a lesson like this. My main problem was that I was putting all three fingers on the guitar instead of making the relaxing fist.
Well, I'm glad that you avoided injury! The key with technique is really just to make sure that every part of your body feels as relaxed as it possibly can at all times. You may notice some amazing players that anchor those three fingers on the pickguard. Usually these players have bigger hands though, so the fingers aren't quite so rigid.
Not really a fist... That would be bad, but just no stretched fingers. ;o)
AAAAAWWWWSSSOMMMEEE LESSON. I have totally changed the way i hold my pick now. I noticed after like 5 min that my tecnique got better :)))) Thanks so much for the lesson.
Thanks guys! Glad you found this helpful!
excellent lesson.
yikes! twin peaks scared the hell out of me!! Am enjoying learning the etude Matt, thanks for all the tips in this lesson, been very helpful.
I can't seem to get my guitar strap correct. I've got it cinched up against my chest and everything when seated, but the strap always slides on my shoulder and the head wants to dip to the floor. The only way to really steady it is to rest it on my thigh. Any help?
Buy a strap that works properly.
Got any suggestions? My strap right now is a leather Fender strap.
That's a pretty good strap. One trick is to make sure that one of the two sections separated by the adjuster thing is smaller than the other. This is the end that should attach to the strap peg by the neck. The other end goes down by the bridge. Hope that helps!
"triangles are effing sweet!!"
well they are...haha
I like this red background. It reminds me of that Twin Peaks show.