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Electric Blues with Kenny

Genre and Style Guitar Course from Kenny Ray

Kenny "Blue" Ray will guide you through the world of electric blues. He will cover styles of many of the blues greats as well as throw in his personal library of knowledge.

64 Lessons

Complete course with step-by-step lessons and practice examples.

Multi-Camera

Course filmed with 6 cameras for the perfect angles.

94% Appoval

348 of 359 of our members have given this their approval.

Tabs & Info

Download tabs, helpers, JamTracks and docs included with lessons.

Included

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Full Course Breakdown

Learn the styles of all the great blues players and many other skills and techniques in this comprehensive Electric Blues Guitar Series.

Begin the Course
1

1st and 2nd Scales

Ladies and gentlemen, JamPlay is proud to present an amazing electric blues player appropriately named Kenny "Blue" Ray. Kenny has been playing for over 40+ years and is bringing his knowledge forward for you to learn. Kenny begins this lesson set with an amazing miniseries on blues lead guitar. In the first lesson, he discusses what he refers to as the "1st and 2nd scales." He also demonstrates some classic blues licks that can be played within these scale patterns.

11:43 Runtime

3.0 Difficulty

2

3rd Scale Tips and Albert King's Style

Kenny brings forth the next step in electric blues. Here he demonstrates the 3rd scale and provides some tips on playing Texas and Chicago blues. In the second half of this lesson, Kenny ties scales 1-3 together and applies them to the style of Albert King.

17:12 Runtime

3.0 Difficulty

3

Style of Albert Collins

Albert Collins brought a lot of style to the blues scene. In this lesson, Kenny breaks down Albert's style for you to learn.

10:31 Runtime

1.5 Difficulty

View this Lesson
4

Bending and Soloing Techniques in the Key of A

Kenny uses the key of A to demonstrate bending techniques and soloing options in the Texas and Chicago blues styles.

16:11 Runtime

0.5 Difficulty

5

Working On Turnarounds

Kenny brings us some great information regarding turnarounds. He demonstrates some of the most common blues turnarounds and explains how to achieve some of the sounds created in Texas and Chicago blues.

12:48 Runtime

2.0 Difficulty

6

Style of T-Bone Walker

Kenny is back in full stride in lesson 6. Kenny explores the style of T-Bone Walker and how he created his own unique blues sound.

12:48 Runtime

2.5 Difficulty

7

Rhythm and Lead Together

Kenny shares some great tips on how to incorporate both rhythm and lead guitar together in your blues playing. These tips will enable you to create a massive blues sound in any environment or situation.

19:49 Runtime

3.0 Difficulty

8

Tension Notes and Some History

Kenny enlightens us as to how tension notes are used in blues. He demonstrates the theory behind these specific notes and how they are used. Kenny also delves into his past with some great personal stories about who he has played with and where he has implemented his style of blues.

6:01 Runtime

1.5 Difficulty

9

Style of Hubert Sumlin

Here, Kenny "Blue" Ray provides an overview of Hubert Sumlin's style. This is a lesson filled with history and blues guitar that can be applied to a variety of blues styles.

16:48 Runtime

3.0 Difficulty

10

Style of John Lee Hooker

Kenny continues his Blues Guitar Series with a lesson on the style of John Lee Hooker.

14:26 Runtime

2.5 Difficulty

11

Style of Freddy King

Kenny introduces JamPlay to the style of Freddy King. Kenny recalls some great licks and information about his style.

13:07 Runtime

2.5 Difficulty

12

Style of Magic Sam

Kenny continues his blues series with an informative lesson on the style of Magic Sam. Learn and understand how Magic Sam played guitar and how he influenced the blues music scene.

9:58 Runtime

2.5 Difficulty

13

Blues Based Rhythms

Kenny breaks into a world of blues based rhythms. Here, he introduces his passion for these lessons by demonstrating some blues rhythms he has picked up over the years.

13:59 Runtime

2.5 Difficulty

14

T-Bone Walker Rhythm Style

Kenny quickly dives straight into a T-Bone Walker rhythm style in the key of A. He begins with a more simple rhythm and progresses to advanced rhythmic techniques to round out your creative bag of tricks.

10:00 Runtime

3.0 Difficulty

15

Backward Shuffle Rhythm

Also known as the flat tire rhythm, Kenny demonstrates different styles that the backward shuffle can be applied to.

6:32 Runtime

2.0 Difficulty

16

Kenny on Robert Jr. Lockwood and Robert Johnson

Kenny "Blue" Ray breaks down the rhythmic styles of Robert Jr. Lockwood and Robert Johnson. This lesson features blues rhythms that have withstood the test of time.

12:27 Runtime

2.5 Difficulty

17

Great Blues Arrangement

Kenny reviews one of his own favorite rhythmic arrangements. By pulling from influences such as Jimmy Vaughn and Doyal Bramhall II, Kenny is sure to bring out that inner blues player.

6:25 Runtime

2.5 Difficulty

18

8 Bar Blues

Kenny plays through a sample of the 8 bar blues. This is a short and sweet lesson packed with some new rhythms that can be applied to the 8 bar form.

4:41 Runtime

2.0 Difficulty

19

Blues 7th / Jimi Hendrix Chords

Kenny adds some 7th chords into the mix along with classic Jimi Hendrix style chords. He also explains the advantages of shortened 7th chords and their practical applications in the blues.

13:36 Runtime

2.5 Difficulty

20

13th Chords / Shaking Technique

Kenny expands on the previous lesson and introduces 13th chords. He demonstrates the techniques necessary to fretting and "shaking" these chords.

11:43 Runtime

2.5 Difficulty

21

"Lumpty" Box Patterns

The "Lumpty" is essentially a bass line played within a simple box pattern. Kenny demonstrates some of his favorite patterns as well as some practice routines that will loosen your fingers up.

11:04 Runtime

2.5 Difficulty

22

"Boogaloo" Style Rhythm

Derived from the Latin genre, the Boogaloo is a unique rhythm that fits surprisingly well in the blues. It became popular during the 60's and can be heard in other musical genres such as jump blues, R&B, and doo-wop.

7:08 Runtime

2.5 Difficulty

23

KBR on Slim Harpo

Kenny breaks down the style of Slim Harpo. He introduces the sounds that made Slim famous such as his tasteful use of tremolo. Every aspiring blues guitarist will thoroughly enjoy this information.

10:12 Runtime

2.5 Difficulty

24

Bass Runs

When playing with another guitarist, bass runs can be used to round out the overall arrangement of a song. Kenny explains how to use bass runs effectively in this lesson.

15:59 Runtime

2.5 Difficulty

25

Working with Other Guitarists

Jam session? Live gig? There are many situations one may encounter that will require playing with other guitarists. Kenny explains how to create a fuller arrangement by using different chord voicings from the other guitarist.

5:59 Runtime

2.5 Difficulty

26

Two Note Chords / Hubert Sumlin Rhythms

In lesson 26, Kenny introduces simple two note chords. This lesson also details the rhythmic styles of Hubert Sumlin.

11:17 Runtime

2.5 Difficulty

27

Rhythm Style of Bo Diddley

Bo Diddley was known as "The Originator" because of his transition from blues to rock & roll. Kenny covers his rhythmic style in this quick lesson.

6:38 Runtime

2.0 Difficulty

28

Backing up a Harmonica Player

Harmonica players are a staple of blues music. Why not pick up some tips and tricks and join the fun with your guitar? Kenny demonstrates some some popular blues accompaniment figures used to back up a harmonica player. Enjoy!

8:41 Runtime

3.0 Difficulty

29

Soul, R&B, and 60's Style Guitar

Kenny indulges in a lesson packed with soul sounds and sounds of 60's. Hope you packed your time machine!

8:54 Runtime

2.5 Difficulty

30

Buddy Guy Solo and Leads

Welcome to Kenny's 30th lesson! To celebrate, Kenny has decided to demonstrate Buddy Guy's lead style. This lesson is a great opportunity to pick up on some classic leads as well as some American blues history.

17:44 Runtime

3.0 Difficulty

31

Style of Stevie Ray Vaughan

Kenny grabs his guitar and digs deep into the style of Stevie Ray Vaughan. Here, Kenny demonstrates SRV's rhythm style and some of his signature licks. This one is a must see and is sure to open some creative doors.

17:09 Runtime

3.0 Difficulty

32

Letting Notes Breathe

Kenny takes a deep breath in Lesson 32 of his blues series. Here he demonstrates the importance of leaving space between phrases. Less really is more!

8:00 Runtime

2.0 Difficulty

33

Ending of the Song

KBR takes us to the light at the end of the tunnel. You can write a killer song, but it's the ending that ties it all together. Kenny covers a few well known endings and provides some insight on how to create your own blues "outros."

9:57 Runtime

2.5 Difficulty

34

More Rhythm Techniques

Kenny demonstrates more blues style rhythm techniques. He uses some examples from other artists to help you understand their application.

11:25 Runtime

3.0 Difficulty

35

Muddy Waters Birthday Special

We had the pleasure of filming Kenny on the same day as Muddy Waters birthday, April 4th. Kenny presents a special "Style of Muddy Waters" lesson to honor this day.

17:32 Runtime

3.0 Difficulty

36

Howlin' Wolf

Kenny breaks down the rhythmic style of Howlin' Wolf and demonstrates how a little style of SRV can be blended into the mix.

13:25 Runtime

2.5 Difficulty

37

Starting on the 5

There are plenty of different ways to start a blues song. Kenny covers some ideas that begin with the V chord of the progression.

15:18 Runtime

0.0 Difficulty

38

John Lee Hooker

Kenny draws heavily from the influence of the great John Lee Hooker and has even had the pleasure of playing with him. This lesson demonstrates some of Hooker's guitar style.

16:45 Runtime

3.5 Difficulty

39

Modern Rhythms

Kenny presents some modern rhythm techniques and patterns while utilizing 9th chords.

16:31 Runtime

3.0 Difficulty

40

8 & 12 Bar Progressions

Welcome to Kenny's 40th lesson! In this lesson, Kenny covers some unique 8 and 12 bar blues progressions inspired by some of his favorite players.

12:57 Runtime

3.0 Difficulty

41

2 Note Chords

Time to play around with two note double stops! Kenny demonstrates many different examples and how they can be applied in blues music.

15:34 Runtime

3.0 Difficulty

42

Magic Sam

Kenny covers the style of one of his long time guitar heroes, Magic Sam.

12:02 Runtime

2.5 Difficulty

43

Lead Blues Guitar

Kenny dives into some great blues lead guitar concepts in "positions" 1 and 2.

21:29 Runtime

3.5 Difficulty

44

Position 3 Soloing

Kenny continues his blues lead ideas by covering the 3rd "position." Kenny also touches on some B.B. King licks to help with his demonstration.

13:16 Runtime

3.5 Difficulty

45

Bending Strings

Kenny "Blue" Ray breaks down proper string bending technique. He also demonstrates how to apply string bending to blues lead guitar.

14:09 Runtime

3.5 Difficulty

46

Albert King

Kenny takes an in depth look at the style of Albert King, one of his favorite artists.

12:19 Runtime

3.0 Difficulty

47

5 Notes

Kenny explains how to get maximum mileage out of the 5 notes of the major pentatonic scale.

9:06 Runtime

3.0 Difficulty

48

Rhythm & Lead Combination

Kenny breaks down some ways to combine both rhythm and lead playing to develop more of a complete sound.

15:50 Runtime

3.5 Difficulty

49

For Stevie & Jimi

Kenny teaches a song he wrote inspired by Stevie Ray Vaughan and Jimi Hendrix. This is one you'll definitely enjoy learning!

11:47 Runtime

3.5 Difficulty

50

Rock & Roll Styling

Kenny demonstrates some classic rock & roll rhythm and lead ideas.

11:10 Runtime

3.0 Difficulty

51

Pull The Strings

Kenny demonstrates another original song called "Pull The Strings."

14:05 Runtime

3.0 Difficulty

52

Open Tunings

Kenny opens up the world of open tunings and how they can be applied in the blues genre.

12:19 Runtime

3.0 Difficulty

53

Blues for Jimi

Learn Kenny's original song "Blues for Jimi." Kenny wrote this song with Jimi Hendrix in mind.

10:07 Runtime

3.0 Difficulty

54

Playing in E

Kenny introduces several blues ideas that can be used in the key of E.

12:34 Runtime

2.0 Difficulty

55

Mississippi/Chicago Blues in E

While staying in the key of E, Kenny demonstrates some Mississippi and Chicago style blues techniques.

19:14 Runtime

3.0 Difficulty

56

Tasteful Ideas for Minor Blues

Kenny dives into minor scales and will demonstrate how to spice up you blues ideas when playing in minor keys.

13:09 Runtime

2.5 Difficulty

57

Slim Harpo: The Use of Double Stops

With the help of influences from Slim Harpo, Kenny demonstrates some double stops that are frequently used in blues music.

16:18 Runtime

3.0 Difficulty

58

Building Knowledge (Key of D)

In lesson 58, Kenny provides additional information pertaining to the key of D major. Rhythm patterns and lead ideas are provided.

20:16 Runtime

3.0 Difficulty

59

12 Bar Blues: The Quick Change

Kenny explains how the "Quick IV," also called "The Quick Change," fits into the standard 12 bar blues progression.

19:25 Runtime

2.0 Difficulty

60

Guitar Building Recommendations

Kenny takes a step back and breaks down how he has built his guitar, and offers insight on some tips and pointers on what to look for when shopping for parts for your custom guitar.

6:35 Runtime

1.0 Difficulty

61

Soloing Tips: Changing Positions

Moving to different positions on the neck during a solo can be a bit tricky. Kenny provides some insight and tips on how to accomplish these movements a bit more easily.

16:15 Runtime

3.0 Difficulty

62

Rake Technique

This lesson provides insight on how to apply the rake picking technique within the blues genre.

9:54 Runtime

2.5 Difficulty

63

Soul & Funk Blues Guitar

Kenny presents some tasteful ideas on how to apply 60's soul and funk guitar inspirations into your standard blues techniques.

12:19 Runtime

2.5 Difficulty

64

Adding Minor to the Key of E

Kenny covers some basic blues progressions in the key of E major and demonstrates how E minor pentatonic ideas can be incorporated into them.

7:17 Runtime

2.5 Difficulty

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Kenny Ray

348
  • Mountain View, California
  • Playing since 1958
  • 71 lessons at JamPlay
Kenny is a blues veteran of 40 years whose pedigree includes recording and appearing with artists the caliber of William Clarke, Little Charlie and the Nightcats, Charlie Musselwhite, Smokey Wilson, Albert Collins, and Stevie Ray Vaughan.

Kenny Ray was born in Lodi, California on January 11, 1950. His interest in music was forged by his father, who played guitar, harmonica, accordion, piano and fiddle. Seeing Elvis perform on the Ed Sullivan show in 1956 sealed Kenny's passion to play guitar. His father bought Kenny his first guitar in 1958 for $7.00, His dad later bought Kenny his first real Electric guitar, a 1959 black Danelectro for $38.50, In Stockton, California.

Kenny's obsession with the blues was triggered by the infamous Wolfman Jack, when as an eleven year old, Kenny would lie in bed listening to the radio to the sounds of Jimmy Reed B.B. King and Howlin' Wolf on XERB-FM, from Chula Vista, California, and was inspired by music that Kenny claims "just totally blew my mind." Seeing his hero, Keith Richards in 1964 in Sacramento, also was a big decision in going professional, The Guitars in the Stones say a lot, and work well together, ala Jimmy Reed/Eddie Taylor, & Robert Jr & Luther Tucker (a Friend Kenny met in 1976). Kenny and his guitarist friends would skip school to learn Albert King's album, "Born Under A Bad Sign" and B.B. King's live album, "Blues Is King" in the mid 60's developing licks and vibrato from the masters.

Serving in the Air Force from 1969-72, Kenny was based in South Ruislip, London, England, and worked in RAF Hillingdon) where he hooked up with ex-Jr. Walker band member Ferdnand Jones in a nine piece soul review called El Jade, where they covered Al Green, Aretha Franklin and "lots of blues."

On his return to the States, Kenny spent two years touring California with the Paul Herman Band. In 1975 he joined Little Charlie and the Nightcats, which at the time was fronted by Charlie Baty on guitar, harp and vocals. Rick Estrin joined the band in 1976, It was a great sound, but Charlie could play so much, Kenny wasn't needed in the Night Cats and not long after, Kenny left and moved to Los Angeles where he became a member of the houseband at Smokey Wilson's Pioneer club, backing artists like Big Joe Turner, Pee Wee Crayton, Lowell Fulson, and Big Mama Thornton.

The late 70's were a productive time for the blues in LA, and Kenny became immersed in the Watts scene and made his recording debut with William Clarke and Hollywood Fats ("Diggin' My Potatoes") and Finis Tasby (a set "Get drunk and be somebody" which remains unreleased) in 1978. William Clarke was a master on the blues harp, and it was a great experience with Bill.

In 1980, Kenny moved to Austin, Texas, where he joined the Marcia Ball Band, touring with her for four years on the Crawfish Circuit and appearing on her 1984 Rounder release "Soulful Dress", which also featured, Stevie Ray Vaughan on Guitar with Kenny on the Title track. During this time Kenny met and became friends with Stevie Ray Vaughan. Further recording sessions followed with Greg "Fingers" Taylor ("Harpoon Man"), Marcia Ball on Varrick, Mitch Woods, Charlie Musselwhite, Ronnie Earl and the Roomful of Blue Horns on the Blind Pig release, ("Solid Gold Cadillac"), and sessions with Tommy Castro, Gary Smith, and others. Blues Harp is a favorite and Kenny had the great honor of working with James Cotton, Little Charlie & The Night Cats, William Clarke (Kenny's favorite), James Harman, Shakey Jake Harris, Rod Piazza and Gary Smith.

Kenny's biggest influences on guitar are Albert King, T-Bone Walker, John Lee Hooker, Albert Collins, Jimi Hendrix, Robert Lockwood, Jr., B.B. King, Freddie King, Kenny Burrell, Wes Montgomrey, and Johnny "Guitar" Watson. Kenny also digs Jimmie Vaughan and Anson Funderburgh.
Reviews & Feedback 94/100 with 359 ratings
nippon92

a bit slower and more detailed showing of chrods would make it easier to follow. Contentwise awesome lesson

turbotim

Been doing this but didn't know it. Now that he explained it I know about what I'm doing and can call upon it, if that makes since.

proc56

BEEN GREAT LEARNING

myjamplays

We love Kenny his blues tone is brilliant

Justindanger

If you are buying guitars, you aren’t practicing guitar! I know we are probably all guilty of that one.

BluesG

Love the sound of the one you made up!

Jfcavey

Recording Kenny's voice at a higher volume would benefit many of his lessons.

Kudu

Great Blues man and teacher, Renewed my interest in the blues. Great work..

speedydino71

Great lesson Kenny!

ChokeMc

Great lesson! Really enjoyed it!

cav_vet

Great teacher, the stories help to keep to me motivated to be better and make the lessons more interesting and educational.

wojo

learnin lots from Kenny Blue

martin1234

I like the teacher and he is easy to understand

MJE754K

I see the first stone in my wall of music....

danbottomburp

I was unsure of Kenny until he said in the video "its about feel and not how fast its played" then i knew he was going to be a great teacher.

chendricksmusic

Incredible teacher and relates wonderful snippets of history and legendary situations/players!

rmora007

Kenny "Blue" Ray has a seasoned approach to playing the Blues. I like the timbre of his voice and his humbled manner to his teaching style.

tom

Kenny enjoy your teaching style...thanks for your work ...looking forward to learning more from you. Tom

EBNorth

Kenny is a nice down earth guy and keeps no secrets and teaches all he knows and I like his advise as not to stretch to far and get carpal tunnel. Other ways of doing it.

slowtrain

Kenny is freaking awesome

rick2009

Kenny Ray rules, he's the best

songdude65

Kenny's lessons, here and "live", are always practical and reflect a lot of years of gigging. When I finish a lesson, I can walk out and perform differently--and better--than the night before.

JC5901

Like sitting down with a buddy and throwing out ideas.

mkidder

Man, I could sit and listen to Mr. Ray all day long. And I will. What a great treasure of a teacher. Very inspirational and personable. I feel like it's just him and me, sitting, BS'ing, and me getting the gift of his teaching. Solid advice

jaybo

more great stuff from Kenny

arnold59

Plain spoken great tips. Not more than I can handle.

silvioit

Really great way to teach! Straightforward, only meat without smoke!!!

Tashawasha222

Thanks for such a great teacher ?

ruffneckdon

The first half is about bb king in the 3rd position. great stuff.

WyckedLee

This lesson should be earlier in the beginning, rather than where it is now.

smoothly

why cant get my lessons 3 to play on my computer?

Gippro

Yeah! Will follow the other lessons.