Secrets of Melodic Rock Guitar

Genre and Style Guitar Course from Irene Ketikidi

When you want to compose a guitar solo, write an instrumental piece or even just jam to a backing track, the way to tell your story really comes down to one thing: Melody.

30 Lessons

Complete course with step-by-step lessons and practice examples.

Multi-Camera

Course filmed with 6 cameras for the perfect angles.

89% Appoval

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Tabs & Info

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Full Course Breakdown

Adding a cool theme on top of a chord progression or riff, or writing a guitar solo that you are proud of can be challenging. You might find yourself playing familiar stuff that comes easy to your fingers, maybe you're not connecting to the notes the way you'd want to or feel like you're contributing a meaningful statement to the song. Irene will be sharing with you a set of tools and approaches that will help you develop your own unique creative style and keep your sound fresh.

Begin the Course
1

Series Introduction

In this first lesson, Irene gives us an overview of her course, laying out her plan to help you create melodies using your voice, bring those melodies to your fingers, add expression, play with different dynamics and shape your guitar tone with both pick and fingers. You'll then be able to apply all these concepts to your improvising as well as your original music!

5:38 Runtime

0.0 Difficulty

2

Back to Basics: The Blues Scale

First things first - let's get back to some basic foundations that will come in handy down the road in this course. Irene starts with the blues scale in different positions and different string sets.

30:35 Runtime

2.0 Difficulty

3

Back to Basics: The Dorian Scale

The Dorian scale is one of the most widely used minor scales in any guitarists toolkit. Irene helps us learn to use this critical tool in different positions and string sets.

32:57 Runtime

2.0 Difficulty

4

Back to Basics: The Mixolydian Scale

The Mixolydian scale provides us with interesting tonalities bordering on exotic at times. Getting this foundational scale under your fingers in different positions and string sets will serve you well later in this course!

31:59 Runtime

2.0 Difficulty

5

Mixing and Merging the Three Scales

Irene's selection of the three previous scales was not by accident! These widely used scales will make up a good portion of any rock guitarist's arsenal. In this lesson, Irene takes what we've learned so far and combines the scales for some unique tonalities!

29:00 Runtime

2.5 Difficulty

6

Back to Basics: Major Triads and Melodic Fills

One of the easiest ways to explore melodies is to use the notes surrounding your triad shapes. This lesson helps us explore some major triad shapes and neighboring notes we can access quickly and easily.

24:43 Runtime

2.0 Difficulty

7

Back to Basics: Minor Triads and Melodic Fills

Now we look at the minor triad shapes and neighboring notes that we can use to create cool minor melodic fills.

20:45 Runtime

2.5 Difficulty

8

Back to Basics: Lead Picking Position

Let's look at some basics of the picking hand. Getting this hand in the correct position for lead playing will help you execute all the scales and melodic ideas Irene will be covering in this series.

18:54 Runtime

2.0 Difficulty

9

Back to Basics: Fingerpicking Position

Using your fingers creates a very different sound, and a very different mood and dynamic. In this lesson, Irene gives us her take on fingerpicking hand position.

23:33 Runtime

3.0 Difficulty

10

Singing Intervals and Scales

Now it's time to relate our voice to the scales that we know, and in turn our voice will be the vehicle that gets melodies from our head to our fingers!

33:32 Runtime

2.5 Difficulty

11

Sing and Create Melodies

In this lesson, Irene takes simple 2-bar melodies over chord progressions - singing them first, then bringing them to our fingers.

24:46 Runtime

3.0 Difficulty

12

Phrasing - Slides

Irene shows us a sliding exercise that will help us learn our scales all on one string, plus help us learn to be accurate when sliding notes on the fretboard.

24:02 Runtime

2.5 Difficulty

13

Phrasing - Bends

Bending can add vocal-like qualities to your playing. Using whole and half step bends alike, Irene shows us how to apply these bends to some of the melodies we've already created.

18:37 Runtime

2.5 Difficulty

14

Phrasing - Legato and Left Hand Hammer

Legato playing is not only a speed tool, but a tool for getting a different kind of tone from your fingers and your strings. In this lesson, Irene explores the use of hammer ons and pull offs with your fretting hand, without the use of a pick.

22:57 Runtime

3.0 Difficulty

15

Phrasing - Dynamics

Dynamics can be a key component to becoming expressive with your melodies. Irene applies some dynamic expressive techniques using our fingers to the melodies we've already created.

13:23 Runtime

3.0 Difficulty

View this Lesson
16

Articulation - String and Pickup Choice

The strings and pickups you choose has a great impact on your tone, dynamics and articulation. Irene takes a look at some different pickup and string combinations that can help you achieve the desired sound.

11:05 Runtime

2.5 Difficulty

17

Articulation - Legato, Staccato and Percussive Phrasing

Diving deeper into articulation, Irene shows us the effect that staccato or legato playing can have on our expression. She also shows us a technique called 'skank' picking.

17:04 Runtime

3.0 Difficulty

18

Articulation - Octave Melodies and Tapped Harmonics

One more layer of articulation brings us to octave melodies and tapped harmonics. Use these techniques to add another dimension to your expressive melody playing.

28:51 Runtime

3.5 Difficulty

19

Build Up or Break Down Melody

In this lesson, Irene shows us how to build up a melody from a very simple idea, and vice versa - break down a more complex melody to it's very core components.

11:09 Runtime

2.5 Difficulty

20

Straight, Shuffle and Laid Back Feel

Exploring different feels is the name of the game in this lesson. Change feels while only playing to a click, comparing the differences in mood and sound.

14:51 Runtime

3.0 Difficulty

21

Motifs and Recurring Rhythm

Writing good melodies is not only about the note choices, It's also about the rhythmic phrasing, and recurring rhythms you come up with. Irene shows us how to create a rhythmic motif that will make our melodies and phrases more memorable.

19:00 Runtime

3.0 Difficulty

22

Call and Response

Call and response is a tried and true method to melody and motif writing. Using the motif we explored in the previous lesson, let's develop a 'response' to complete the musical thought.

15:09 Runtime

3.0 Difficulty

23

Building Tension Using Call and Response

There are different ways you can use call and response, and one of those ways is to build tension. Learn how to use variances like increasing the difficulty of your technicality, to help you create tension in your motifs.

19:44 Runtime

3.0 Difficulty

24

Arpeggiating Chord Progressions

Melodic ideas can come to you in different ways. Using arpeggiated chord progressions can be one way to explore melodies that are living very near to your chords!

24:25 Runtime

3.0 Difficulty

25

Arpeggios and Intervallic Playing

In this lesson, Irene uses the 7th chord arpeggios we learned in a previous lesson to create movement and a key root chord. She then adds the triad approach to get that intervallic playing sound.

23:06 Runtime

3.0 Difficulty

26

Interval Study and Harmonizing

Now it's time to practice intervals so we can learn the differences between sound and feel. Irene takes a look at 3rds, 4ths, 5ths, 6ths, 7ths and octaves in the Dorian scale.

20:49 Runtime

3.0 Difficulty

27

Applying Concepts, Solo 1: Beautiful Mind

Join Irene for the first of three solos composed for this course. First up is 'Beautiful Mind'. She will explain the concepts used, add a slow demonstration, and an 'at tempo' performance.

28:27 Runtime

3.5 Difficulty

28

Applying Concepts, Solo 2: Cool Run

The second of three solos is 'Cool Run'. Irene breaks down the techniques and concepts she uses in this melodic solo.

28:49 Runtime

3.5 Difficulty

29

Applying Concepts, Solo 3: Blacktop, Part 1

Now for solo number 3 - 'Blacktop'. There is a ton of useful techniques, concepts and expressiveness in this solo! Learn the solo, but more importantly, apply the techniques to your own playing!

13:54 Runtime

3.5 Difficulty

30

Applying Concepts, Solo 3: Blacktop, Part 2

Part two of 'Blacktop'. Irene teaches us the remainder of the solo, and gives us a chance to practice it with her.

20:16 Runtime

3.5 Difficulty

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  • Ioannina, Greece
  • Playing since 1990
  • 30 lessons at JamPlay
When it comes to instrumental rock guitar, Irene Ketikidi is a force to be reckoned with. Her solo album "Martial Arts & Magic Tricks" (released 2013) has received excellent reviews all over the world and has been complimented by the likes of Guthrie Govan, Greg Howe, Nita Strauss, Alex Skolnick and David Kilminster. The iconic Young Guitar Magazine has included Irene in the "Heroines of Now" column in 2014 and she has been featured in numerous webzines like Guitar World, Guitar Interactive and the Sound Guitar Magazine.

When it comes to instrumental rock guitar, Irene Ketikidi is a force to be reckoned with. Her solo album "Martial Arts & Magic Tricks" (released 2013) has received excellent reviews all over the world and has been complimented by the likes of Guthrie Govan, Greg Howe, Nita Strauss, Alex Skolnick and David Kilminster. The iconic Young Guitar Magazine has included Irene in the "Heroines of Now" column in 2014 and she has been featured in numerous webzines like Guitar World, Guitar Interactive and the Sound Guitar Magazine. Irene rose to fame in early 2010 with her YouTube video of "Rambler", a track that landed her a place to perform live in front of Steve Vai at his Guitar Nation Masterclass in London later that year. She had just graduated from London's Institute of Contemporary Music Performance and was busy working as a tutor for the International Guitar Foundation summer courses. During the next few years, Irene worked as a session player with various artists from pop (Red N Pink, Cherry Lee Mewis), country (Colm Kirwan, Victoria Shaw, Heidi Feek), hip hop (AKS, J The Exodus), metal (Gravil) and toured extensively with female tributes The Femones (Ramones) and Back:N:Black (AC/DC). In 2012, she auditioned and got the part as the lead guitarist in London’s West End play “Julius Caesar” directed by the award?winning Phyllida Lloyd. After a 4?month sell out season at London’s Donmar Warehouse, the show transferred to Brooklyn, NY where she was privileged to perform in front of many celebrities in the audience like Meryl Streep, Orlando Bloom, Susan Sarandon and Sting. In late 2013, she relocated to Greece, where she spent the next couple of years promoting her solo album release, working as the lead guitarist for Philippos Pliatsikas's show "The other side of blue" and touring with pianist and singer?songwriter Lia Hide. Eternally in love with Satriani's music and inspired by the G3 tours, she ran and performed at the first Guitar Experience Festival in Athens (2016) with guitarists Anthimos Manti and Sakis Dovolis. Most recently, she joined gothic metal band The Black Capes as the lead guitarist and June 2017 marked their debut album release "All These Monsters" by DarkTunes records. In May 2018, she released her second solo album "A Sky For All", a progressive rock record with mixed blues, fusion and post rock moments, and inspired by real life events. The recordings took place at MD recording studio in Athens, Greece and feature Michael Kapilidis on drums, Kostis Vihos on bass, Makis Tsamkosoglou on keys and the incredible Babis Tyropoulos on slide guitar.
Reviews & Feedback 89/100 with 38 ratings
rialcorrales

Nice demonstration of variations!!

jonec82

Great course, material, and teacher.

cescobar

I'm really liking this course. The information is different from the typical scale patterns and I like being able to move up the neck through different positions. Thanks!

Stringz11

Pretty cool approach!