Dynamics can be a key component to becoming expressive with your melodies. Irene applies some dynamic expressive techniques using our fingers to the melodies we've already created.
Taught by Irene Ketikidi in Secrets of Melodic Rock Guitar seriesLength: 13:23Difficulty: 3.0 of 5
When you want to compose a guitar solo, write an instrumental piece or even just jam to a backing track, the way to tell your story really comes down to one thing: Melody.
In this first lesson, Irene gives us an overview of her course, laying out her plan to help you create melodies using your voice, bring those melodies to your fingers, add expression, play with different...Length: 5:38 Difficulty: 0.0 Members Only
First things first - let's get back to some basic foundations that will come in handy down the road in this course. Irene starts with the blues scale in different positions and different string sets.Length: 30:35 Difficulty: 2.0 Members Only
The Dorian scale is one of the most widely used minor scales in any guitarists toolkit. Irene helps us learn to use this critical tool in different positions and string sets.Length: 32:57 Difficulty: 2.0 Members Only
The Mixolydian scale provides us with interesting tonalities bordering on exotic at times. Getting this foundational scale under your fingers in different positions and string sets will serve you well...Length: 31:59 Difficulty: 2.0 Members Only
Irene's selection of the three previous scales was not by accident! These widely used scales will make up a good portion of any rock guitarist's arsenal. In this lesson, Irene takes what we've learned...Length: 29:00 Difficulty: 2.5 Members Only
One of the easiest ways to explore melodies is to use the notes surrounding your triad shapes. This lesson helps us explore some major triad shapes and neighboring notes we can access quickly and easily.Length: 24:43 Difficulty: 2.0 Members Only
Now we look at the minor triad shapes and neighboring notes that we can use to create cool minor melodic fills.Length: 20:45 Difficulty: 2.5 Members Only
Let's look at some basics of the picking hand. Getting this hand in the correct position for lead playing will help you execute all the scales and melodic ideas Irene will be covering in this series....Length: 18:54 Difficulty: 2.0 Members Only
Using your fingers creates a very different sound, and a very different mood and dynamic. In this lesson, Irene gives us her take on fingerpicking hand position.Length: 23:33 Difficulty: 3.0 Members Only
Now it's time to relate our voice to the scales that we know, and in turn our voice will be the vehicle that gets melodies from our head to our fingers!Length: 33:32 Difficulty: 2.5 Members Only
In this lesson, Irene takes simple 2-bar melodies over chord progressions - singing them first, then bringing them to our fingers.Length: 24:46 Difficulty: 3.0 Members Only
Irene shows us a sliding exercise that will help us learn our scales all on one string, plus help us learn to be accurate when sliding notes on the fretboard.Length: 24:02 Difficulty: 2.5 Members Only
Bending can add vocal-like qualities to your playing. Using whole and half step bends alike, Irene shows us how to apply these bends to some of the melodies we've already created.Length: 18:37 Difficulty: 2.5 Members Only
Legato playing is not only a speed tool, but a tool for getting a different kind of tone from your fingers and your strings. In this lesson, Irene explores the use of hammer ons and pull offs with your...Length: 22:57 Difficulty: 3.0 Members Only
Dynamics can be a key component to becoming expressive with your melodies. Irene applies some dynamic expressive techniques using our fingers to the melodies we've already created.Length: 13:23 Difficulty: 3.0 Members Only
The strings and pickups you choose has a great impact on your tone, dynamics and articulation. Irene takes a look at some different pickup and string combinations that can help you achieve the desired...Length: 11:05 Difficulty: 2.5 Members Only
Diving deeper into articulation, Irene shows us the effect that staccato or legato playing can have on our expression. She also shows us a technique called 'skank' picking.Length: 17:04 Difficulty: 3.0 Members Only
One more layer of articulation brings us to octave melodies and tapped harmonics. Use these techniques to add another dimension to your expressive melody playing.Length: 28:51 Difficulty: 3.5 Members Only
In this lesson, Irene shows us how to build up a melody from a very simple idea, and vice versa - break down a more complex melody to it's very core components.Length: 11:09 Difficulty: 2.5 Members Only
Exploring different feels is the name of the game in this lesson. Change feels while only playing to a click, comparing the differences in mood and sound.Length: 14:51 Difficulty: 3.0 Members Only
Writing good melodies is not only about the note choices, It's also about the rhythmic phrasing, and recurring rhythms you come up with. Irene shows us how to create a rhythmic motif that will make our...Length: 19:00 Difficulty: 3.0 Members Only
Call and response is a tried and true method to melody and motif writing. Using the motif we explored in the previous lesson, let's develop a 'response' to complete the musical thought.Length: 15:09 Difficulty: 3.0 Members Only
There are different ways you can use call and response, and one of those ways is to build tension. Learn how to use variances like increasing the difficulty of your technicality, to help you create tension...Length: 19:44 Difficulty: 3.0 Members Only
Melodic ideas can come to you in different ways. Using arpeggiated chord progressions can be one way to explore melodies that are living very near to your chords!Length: 24:25 Difficulty: 3.0 Members Only
In this lesson, Irene uses the 7th chord arpeggios we learned in a previous lesson to create movement and a key root chord. She then adds the triad approach to get that intervallic playing sound.Length: 23:06 Difficulty: 3.0 Members Only
Now it's time to practice intervals so we can learn the differences between sound and feel. Irene takes a look at 3rds, 4ths, 5ths, 6ths, 7ths and octaves in the Dorian scale.Length: 20:49 Difficulty: 3.0 Members Only
Join Irene for the first of three solos composed for this course. First up is 'Beautiful Mind'. She will explain the concepts used, add a slow demonstration, and an 'at tempo' performance.Length: 28:27 Difficulty: 3.5 Members Only
The second of three solos is 'Cool Run'. Irene breaks down the techniques and concepts she uses in this melodic solo.Length: 28:49 Difficulty: 3.5 Members Only
Now for solo number 3 - 'Blacktop'. There is a ton of useful techniques, concepts and expressiveness in this solo! Learn the solo, but more importantly, apply the techniques to your own playing!Length: 13:54 Difficulty: 3.5 Members Only
Part two of 'Blacktop'. Irene teaches us the remainder of the solo, and gives us a chance to practice it with her.Length: 20:16 Difficulty: 3.5 Members Only
About Irene Ketikidi
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When it comes to instrumental rock guitar, Irene Ketikidi is a force to be reckoned with. Her solo album "Martial Arts & Magic Tricks" (released 2013) has received excellent reviews all over the world and has been complimented by the likes of Guthrie Govan, Greg Howe, Nita Strauss, Alex Skolnick and David Kilminster. The iconic Young Guitar Magazine has included Irene in the "Heroines of Now" column in 2014 and she has been featured in numerous webzines like Guitar World, Guitar Interactive and the Sound Guitar Magazine.
When it comes to instrumental rock guitar, Irene Ketikidi is a force to be reckoned with. Her solo album "Martial Arts & Magic Tricks" (released 2013) has received excellent reviews all over the world and has been complimented by the likes of Guthrie Govan, Greg Howe, Nita Strauss, Alex Skolnick and David Kilminster. The iconic Young Guitar Magazine has included Irene in the "Heroines of Now" column in 2014 and she has been featured in numerous webzines like Guitar World, Guitar Interactive and the Sound Guitar Magazine. Irene rose to fame in early 2010 with her YouTube video of "Rambler", a track that landed her a place to perform live in front of Steve Vai at his Guitar Nation Masterclass in London later that year. She had just graduated from London's Institute of Contemporary Music Performance and was busy working as a tutor for the International Guitar Foundation summer courses. During the next few years, Irene worked as a session player with various artists from pop (Red N Pink, Cherry Lee Mewis), country (Colm Kirwan, Victoria Shaw, Heidi Feek), hip hop (AKS, J The Exodus), metal (Gravil) and toured extensively with female tributes The Femones (Ramones) and Back:N:Black (AC/DC). In 2012, she auditioned and got the part as the lead guitarist in London’s West End play “Julius Caesar” directed by the award?winning Phyllida Lloyd. After a 4?month sell out season at London’s Donmar Warehouse, the show transferred to Brooklyn, NY where she was privileged to perform in front of many celebrities in the audience like Meryl Streep, Orlando Bloom, Susan Sarandon and Sting. In late 2013, she relocated to Greece, where she spent the next couple of years promoting her solo album release, working as the lead guitarist for Philippos Pliatsikas's show "The other side of blue" and touring with pianist and singer?songwriter Lia Hide. Eternally in love with Satriani's music and inspired by the G3 tours, she ran and performed at the first Guitar Experience Festival in Athens (2016) with guitarists Anthimos Manti and Sakis Dovolis. Most recently, she joined gothic metal band The Black Capes as the lead guitarist and June 2017 marked their debut album release "All These Monsters" by DarkTunes records. In May 2018, she released her second solo album "A Sky For All", a progressive rock record with mixed blues, fusion and post rock moments, and inspired by real life events. The recordings took place at MD recording studio in Athens, Greece and feature Michael Kapilidis on drums, Kostis Vihos on bass, Makis Tsamkosoglou on keys and the incredible Babis Tyropoulos on slide guitar.
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