Advanced Harmonics (Guitar Lesson)


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Brad Henecke

Advanced Harmonics

Now that you know the basics of playing natural harmonics, Brad covers more advanced harmonic techniques such as harp harmonics, pinch harmonics and tap harmonics.

Taught by Brad Henecke in Rock Guitar with Brad Henecke seriesLength: 16:10Difficulty: 3.0 of 5
Chapter 1: (0:58) Introduction In this lesson, Brad will expand upon the topics of harmonics. In addition to natural harmonics, there are three other types of harmonics. These include harp harmonics (sometimes referred to as artificial harmonics), pinch harmonics, and tapped harmonics. These three types of harmonics are essentially used as effects to create new tonal colors. Brad briefly demonstrates some tapped harmonics in the context of an open E chord.
Chapter 2: (3:40) Harp Harmonics Playing harp harmonics involves some pretty difficult right hand techniques. Brad demonstrates a harp harmonic with the note G. Fret this note with the first finger at the 3rd fret on the high E string. Then, the harp harmonic must be plucked with the right hand. Lightly lay the first finger over the fret that is 12 frets (one octave) above the initial fretted note. This is the 15th fret. Do not actually press the string down. While lightly resting the right-hand index finger on the string, simultaneously pluck the string with the thumb in a downward direction. Finally, release the index finger from the string to sound the harmonic. It is very difficult to convey this information to a student orally or in writing. Mastering this technique requires some experimentation as well as trial and error on the student’s part. Watch Brad carefully several times as he performs this technique. Then, try to emulate the sound he is creating.

Note: Most classical players prefer to pluck the harp harmonic with the third finger rather than the thumb.

Practice this technique with a variety of different notes across the fretboard. Harp harmonics are frequently used to outline chord arpeggios. Brad demonstrates this technique with a basic open E chord. The harmonic of each note occurs twelve frets higher. Start by forming the chord with the left hand. Then use the following fret locations to produce a harp harmonic on each string.

6th string: 12th fret
5th string: 14th fret
4th string: 14th fret
3rd string: 13th fret
2nd string: 12th fret
1st string: 12th fret
Chapter 3: (4:51) Tap Harmonics Rock players originally derived this technique from harp harmonics. For this reason, these two techniques are very similar.

Begin by fretting the G note again on the high E string. Now, instead of lightly laying your right-hand index finger across the 15th fret, tap the fretwire at the 15th fret to produce the harmonic. Make sure you are tapping the actual fretwire instead of the wood of the fretboard.

This technique is most often performed with high gain by rock and metal players. Also, guitarist Michael Hedges pioneered a new genre of acoustic guitar playing that exploits the tap harmonic technique.

Tap harmonics are usually applied to scalar lines. Brad demonstrates how to play the first box of the G pentatonic scale using tapped harmonics. Tapped harmonics produce a very similar tone to effects pedals that double each pitch you play one octave higher. Simply tap the harmonic of each note in the pattern twelve frets higher. Start very slowly to ensure accuracy. Then, gradually increase the speed of your metronome. Your ultimate goal is to be able to play improvised licks using this technique. Brad improvises over G minor pentatonic with tapped harmonics.

Similar to natural harmonics, tapped and harp harmonics are easier to perform on the lower, fatter strings. Spend some extra time practicing these harmonics on the treble strings.

Note: Open “Tapped Harmonics” under the “Supplemental Content” tab for the appropriate harmonic locations derived from the first box of the G minor pentatonic scale.
Chapter 4: (1:19) Tap Harmonics with Chords Tap harmonics are also frequently applied to chords in the form of arpeggios.

Note: Open the “Supplemental Content” tab for a diagram detailing the harmonic locations of an open E chord.

Tap each harmonic chord tone twice before moving on to the next string. This technique is most commonly used to wind down a song in a mellow fashion.
Chapter 5: (2:04) Bending Harmonics Similar to natural harmonics, tap harmonics can be combined with string bending to create fresh new sounds. This doesn’t require that you learn any new techniques. Simply perform a tapped harmonic like you normally would. Then, bend the string as you normally would with a left-hand finger.

Note: Open the “Supplemental Content” tab for an example of a lick in G minor that exemplifies this technique.
Chapter 6: (3:19) Pinch Harmonics Pinch harmonics are a technique that adds a high squealing sound to a normal fretted pitch. This technique is quite common in the blues, rock, and metal genres. Guitarists Billy Gibbons and Eddie Van Halen are two undisputed masters of pinch harmonics. Listen to the solo from the ZZ Top hit “La Grange” for some great examples of how pinch harmonics can be applied to an improvised solo. It is rumored that Gibbons used the ridged edge of a quarter instead of a pick to produce the harmonic squeals in this song.

Pinch harmonics require that you make a few slight adjustments to your right hand technique. Choke up on the pick, so that only the pointy tip is extending from your thumb and first finger. When you pick the string, follow through with the thumb so that the bottom edge of the thumb makes contact with the string as you pass through it. The contact between the string and the thumb produces the harmonic sound. This technique requires a large amount of trial and error and experimentation. Listen closely to the sound Brad achieves with a pinch harmonic. Experiment and adjust your technique until you are able to replicate the harmonics he plays.

Similar to the harmonic trick Brad demonstrated in the previous lesson, there are sweet spots along the string where pinch harmonics are easier to produce. Adjusting your right hand position along the string will also change the overall harmonic overtones produced by the harmonic. Experiment until you find the sweet spots along each string.

At the end of the scene, Brad demonstrates how pinch harmonics can be applied to an improvised solo. Begin to incorporate pinch harmonics into your own licks. However, remember that you can have too much of a good thing. Using pinch harmonics too often will greatly diminish their effectiveness.

Video Subtitles / Captions


Member Comments about this Lesson

Discussions with our instructors are just one of the many benefits of becoming a member of JamPlay.


Brad.HeneckeBrad.Henecke replied on January 10th, 2009

I use a .009- .042 D'Addario super light gauge it is harder to get a good harmonic on the highter strings . try useing a little more gain on your amp. A little more volume or tap a little harder on those strings .

dash rendardash rendar replied on January 10th, 2009

Hey Brad, what gauge strings do you have on that guitar? My tap harmonics don't come out very strong on the high strings, and I'm wondering if that's 'cause the E and B strings are 009 and 011, respectively. The heavier strings come out fine. (Similarly, the natural harmonics on the 5th fret don't come out nearly as loud as the 7th and 12th.)

Rock Guitar with Brad Henecke

Found in our Beginner Lesson Sets

In this Phase 2 series Brad Henecke will school you in the art of rock guitar. You will not only learn how to play some of your favorite songs in this series, but you will also learn how to create your own.



Lesson 1

Basic Rock Guitar

This lesson covers the absolute basics of rock guitar. Learn about the electric guitar, pickups, amplifiers, changing strings, and more.

Length: 52:09 Difficulty: 0.5 Members Only
Lesson 2

Learning Chords

The first step of your rock guitar experience is learning some of the more popular chords and that is what this lesson is all about.

Length: 42:30 Difficulty: 1.0 Members Only
Lesson 3

Barre Chords and More

Brad Henecke introduces common strumming patterns and barre chords.

Length: 42:23 Difficulty: 2.5 Members Only
Lesson 4

Your First Song

In this lesson Brad covers some of the more advanced barre chord shapes. He applies these shapes to the song "Hotel California."

Length: 41:31 Difficulty: 2.0 Members Only
Lesson 5

Blues and Scales

Rock has its roots in the blues. Brad helps you explore the wonderful world of blues in this lesson. He also covers some chord theory.

Length: 48:14 Difficulty: 2.0 Members Only
Lesson 6

Tricks and Lead

This lesson is all about specific techniques used by lead guitarists.

Length: 52:02 Difficulty: 2.5 Members Only
Lesson 7

Jammin' with Scales

This lesson details how to improvise with the blues scale.

Length: 27:27 Difficulty: 2.5 Members Only
Lesson 8

3 Songs

In this fun lesson, Brad Henecke teaches you riffs from 3 classic rock songs.

Length: 28:28 Difficulty: 2.5 Members Only
Lesson 9

Power Chords

Power chords help give rock music that "punch you in the face" feel. Learn basic power chords in this lesson.

Length: 13:22 Difficulty: 2.5 Members Only
Lesson 10

2 New Songs

Are you ready to learn "Ain't Talking About Love" by Van Halen and "You Shook Me All Night Long" by AC/DC? That's what this lesson is all about.

Length: 27:32 Difficulty: 2.5 Members Only
Lesson 11

Pentatonic Scale

Brad teaches the first pattern of the minor pentatonic scale and explains how it relates to the blues scale.

Length: 14:30 Difficulty: 2.5 Members Only
Lesson 12

Second Pattern

Brad covers the second pattern for both the minor blues and minor pentatonic scales.

Length: 9:07 Difficulty: 2.5 Members Only
Lesson 13

Message in a Bottle

Learn the classic rock song "Message in a Bottle."

Length: 10:22 Difficulty: 3.0 Members Only
Lesson 14

Third Pattern

This great lesson covers the 3rd fretboard pattern of the minor pentatonic and minor blues scales.

Length: 7:19 Difficulty: 2.5 Members Only
Lesson 15

Colorful Chord Tension

Brad demonstrates how open strings can be added to chord shapes you are already familiar with.

Length: 9:09 Difficulty: 2.5 Members Only
Lesson 16

The Fourth Pattern

Brad covers the fourth pattern of the minor pentatonic and minor blues scales.

Length: 8:28 Difficulty: 2.5 Members Only
Lesson 17

Daytripper

In this lesson Brad demonstrates how to play the Beatles song "Daytripper."

Length: 15:21 Difficulty: 3.0 Members Only
Lesson 18

The Fifth Pattern

Brad demonstrates the 5th pattern of the minor pentatonic and minor blues scales. He also discusses practicing and memorizing them.

Length: 13:05 Difficulty: 2.5 Members Only
Lesson 19

"Brown Eyed Girl"

Learn the classic rock song "Brown Eyed Girl" in this episode of Rock Guitar.

Length: 11:23 Difficulty: 3.0 Members Only
Lesson 20

Phrasing

Brad introduces you to the importance of phrasing. Quality phrasing is essential when performing any melodic line.

Length: 14:19 Difficulty: 3.0 Members Only
Lesson 21

Basics of Tapping

Tapping is an idiomatic guitar technique that offers a unique sound.

Length: 14:34 Difficulty: 3.0 Members Only
Lesson 22

Intro to Modes

Learning the modes is essential to the development of your scale vocabulary.

Length: 31:04 Difficulty: 3.0 Members Only
Lesson 23

Understanding Chord Shapes

Brad further explains what chord shapes are and how they relate to barre chords.

Length: 10:15 Difficulty: 2.0 Members Only
Lesson 24

Natural Harmonics

Learn the right and left hand mechanics involved in playing harmonics.

Length: 13:16 Difficulty: 3.0 Members Only
Lesson 25

Advanced Harmonics

Brad covers more advanced harmonic techniques such as harp harmonics, pinch harmonics and tap harmonics.

Length: 16:10 Difficulty: 3.0 Members Only
Lesson 26

The Dorian Mode

Brad moves on in his modal lesson series to explain the Dorian mode. This lesson includes 2 backing tracks.

Length: 22:00 Difficulty: 3.0 Members Only
Lesson 27

Phrygian Mode

Brad explains and demonstrates the Phrygian mode.

Length: 13:33 Difficulty: 3.0 Members Only
Lesson 28

The Lydian Mode

Brad continues his discussion of the modes. You will learn the Lydian mode in this lesson.

Length: 9:27 Difficulty: 3.0 Members Only
Lesson 29

Mixolydian Mode

Brad explains the Mixolydian mode and its practical applications.

Length: 10:00 Difficulty: 3.0 Members Only
Lesson 30

The Aeolian Mode

Continuing with his modal lessons, Brad Henecke teaches the Aeolian mode.

Length: 9:09 Difficulty: 3.0 Members Only
Lesson 31

The Locrian Mode

The final lesson in our modal series covers the Locrian mode.

Length: 9:00 Difficulty: 3.0 Members Only
Lesson 32

The Ace Zone

Brad teaches some licks inspired by Ace Frehley of KISS. Incorporate these licks into your own solos.

Length: 7:18 Difficulty: 3.0 Members Only
Lesson 33

Learn Licks

In this lesson Brad Henecke teaches you some fun licks that can be used in your own guitar solos.

Length: 10:00 Difficulty: 3.0 Members Only
Lesson 34

Blues Licks

Brad Henecke demonstrates some cool blues licks.

Length: 17:00 Difficulty: 3.0 Members Only
Lesson 35

Modes and Scales

Brad Henecke provides an alternate way of comparing modes and scales.

Length: 8:00 Difficulty: 3.0 Members Only
Lesson 36

A Different View

In the last lesson, Brad Henecke compared some scales that are major or dominant in quality. Now, he repeats this process with minor scales.

Length: 7:00 Difficulty: 3.0 Members Only
Lesson 37

One String Scales

This lesson is all about 1 string scales. Learning scales on 1 string is essential to your knowledge of the fretboard.

Length: 8:34 Difficulty: 3.0 Members Only
Lesson 38

One String Ionian Mode

Brad demonstrates a one string version of the Ionian mode. This lesson demonstrates the importance of horizontal scales.

Length: 7:27 Difficulty: 3.0 Members Only
Lesson 39

Aeolian Mode on One String

Brad continues his discussion of single string scales. He explains how to play the Aeolian mode across a single string.

Length: 4:11 Difficulty: 3.0 Members Only
Lesson 40

Octave Scales

Brad explains how to locate octaves within scale patterns. He demonstrates a cool lick that involves playing simultaneous octaves.

Length: 7:07 Difficulty: 3.0 Members Only
Lesson 41

Using Octaves

Brad explains how to use octaves in the context of an exercise. Octaves can also be used to build effective licks.

Length: 5:18 Difficulty: 3.0 Members Only
Lesson 42

Harmonic Minor Scale

Brad introduces the harmonic minor scale. He explains how it can be applied to the solo break in "Sweet Child O' Mine."

Length: 7:00 Difficulty: 3.0 Members Only
Lesson 43

Learning by Ear

Brad Henecke provides valuable tips regarding the process of learning songs by ear.

Length: 23:00 Difficulty: 3.5 Members Only
Lesson 44

Ear Training Game

Improve your ear training by playing "The Tone Is Right" with Brad Henecke.

Length: 29:00 Difficulty: 3.0 Members Only
Lesson 45

Diminished Arpeggio

Brad Henecke explains diminished chords and provides a fun diminished arpeggio exercise.

Length: 19:00 Difficulty: 3.0 Members Only
Lesson 46

Understanding Time Signatures

Brad Henecke addresses time signatures.

Length: 10:00 Difficulty: 2.5 Members Only
Lesson 47

Diminished Chords

Brad Henecke explains the construction of diminished seventh chords. He also provides a diminished chord exercise.

Length: 10:30 Difficulty: 2.5 Members Only
Lesson 48

Open G Tuning

Brad Henecke introduces open G tuning in this lesson.

Length: 23:50 Difficulty: 2.5 Members Only
Lesson 49

Drop D Tuning

Brad Henecke introduces drop D tuning in this lesson. He explains many advantages of this tuning.

Length: 12:57 Difficulty: 2.0 Members Only
Lesson 50

G Major Pentatonic

Brad Henecke teaches the G major pentatonic scale. He demonstrates all 5 patterns and explains how they can be transposed to any key.

Length: 22:50 Difficulty: 2.0 Members Only
Lesson 51

Changing Scales with Chords

In this lesson Brad Henecke talks about changing the pentatonic/blues scales with each chord in a chord progression.

Length: 11:08 Difficulty: 3.0 Members Only
Lesson 52

Mixolydian Scale and Chords

Brad will show how to use the Mixolydian scale with a blues chord progression.

Length: 6:56 Difficulty: 3.0 Members Only
Lesson 53

Gear and Effects

This lesson is all about gear and effects. Brad begins his discussion with power conditioning and removing hiss from your amplifier. He progresses to discuss a plethora of effects pedals. Brad explores...

Length: 52:48 Difficulty: 2.5 Members Only
Lesson 54

The Wah Pedal

In this lesson, Brad Henecke introduces the wah pedal and demonstrates its many applications.

Length: 15:53 Difficulty: 1.5 Members Only

About Brad Henecke View Full Biography Brad Henecke was born in Cedar Rapids, Iowa on May 5th of 1963. He has been a fan of music for as long as he & his family can remember. You could always find him running around the farm wailing on his cardboard guitar, pretending to be a member of the rock band KISS. Additional inspiration came during his first concert when he got the chance to see Boston & Sammy Hagar in the early 1970's.

This opened up a whole new world of rock and roll music for him; his parents noticed his growing interest in music and enrolled him into guitar lessons when he was 13.

From there he jumped into two years of lessons at a local music store in Cedar Rapids. After discovering Eddie Van Halen, Brad knew that the guitar would always be a part of his life. He took his love throughout the city as he played as a pit musician & jammed at parties for friends.

This made him thirsty for more. He enrolled classes at Kirkwood Community College & also took lessons from the one & only Craig-Erickson (www.craig-erickson.com).

His love for music landed him a gig opening for Molly Hatchet in Cedar Rapids with a band called "Slap & Tickle". He has also played in the Greeley Stampede show for quite a few years with "True North".

Brad is currently playing in Greeley, Colorado with a rock band titled "Ragged Doll". They play a wide variety of music with an emphasis on classic rock from the 60's to present, with Brad playing electric guitar in the five piece lineup.

He currently jams on his all-time favorite guitar: a Paul Reed Smith Custom 24. Beyond guitar, he plays also plays drums & bass guitar. He has also been known to thrash a banjo from time to time. He is still actively playing & passing his 31 years of playing experience on to others (you!).

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