What gives you your unique voice on the guitar? Well, there are a number of things that go into that equation. In this lesson, Dan takes a look at some of the key techniques that will go a long way in helping you find your voice!
Taught by Dan Sugarman in Sugarman's Shredding Revolution seriesLength: 18:01Difficulty: 3.0 of 5
Nuances - Make Your Guitar Sing
Moving forward to solidifying our 2 hand sync and getting comfortable with all things weird, I want to get into working on different ways to vocalize and emote your own lines as you create your own licks, riffs, and exercises.
In the previous lesson, we talked about some methods to get the most out of these lessons, and your practice sessions from here on out… Continuing on that, I want to add some spice into the pot. Consider that everything we’ve done before this is the meat of our dish, and this right here, is what is going to take it over the edge… Lets get spicy by adding some nuances to our playing to help emote our playing, and make our guitar sound more vocal, and our phrases more lyrical, and uniquely you.
So, how do we do that? Here’s a simple equation to help generate some cool and new ideas for you.
Note Choice + Technique + Nuance = Your Unique Phrasing = Feeling
We’re going to take a simple 3 string fragment from the D harmonic minor once again… Ascending up 5 7 8 on the A string, 5 7 8 on the D string, and 6 9 7 These are the notes I’ve chosen to work off of for now. The last line is a different pattern as a set up so that the downbeat ends on our root note, as well as forcing two different patterns within notes.
(From this point on, I’m going to take that same basic line, and just add a bunch of different nuances so you can see the ways that these ideas will change the overall sound, as well as lead to new creative ideas.)
(VIBRATO: Vibrato is all about the artist choice… you have a wide range of depths and rates of your vibrato… I like to play with what’s called meter vibrato. Which is basically playing against the rhythm of the music with varying meters in my rate…)
Key Notes and Reference
NUANCE & TECHNIQUE VARIABLES:
At this point, the notion of taking something simple and adding unique nuances to it should be clearly coming across… I want you to practice each little nuance and some of its usages as much as you want to. This is about finding YOUR native accent (nuance), in your languange (note choice) , in your country (genre). Make it what you want it to be!
Sugarman's Shredding Revolution is all about discovering and creating ways to develop a new and unique level of understanding of two-hand synchronization, which is one of the core foundations of clean playing.
Dan Sugarman gives us an introduction and preview to his series - Sugarman's Shredding Revolution.Length: 5:13 Difficulty: 0.0 FREE
Dan begins his series by revolutionizing the way we approach our instrument. In this lesson, Dan shares a concept he calls The Speed of "Light".Length: 10:27 Difficulty: 1.5 Members Only
Finding the "Goldilocks" zone is key to getting your hands in the best position possible to shred, by finding the right amount of pressure to apply to the strings. Dan helps us find the touch that's "just...Length: 12:21 Difficulty: 1.5 Members Only
In this lesson, we put into practice what we've talked about so far in this series. This exercise is designed to help you find your Goldilocks Zone, and practice it enough to put it on auto pilot!Length: 7:49 Difficulty: 2.0 Members Only
Contrary to what some say, good posture feeds into good technique, which feeds into great guitar playing. In this lesson Dan gives us examples of good posture for two different ways of holding the guitar.Length: 5:21 Difficulty: 1.0 Members Only
Distributing the right amount of pressure throughout your hand is a key foundation to achieving two hand sync. In this lesson, Dan analyzes this concept and helps to get us on the right track.Length: 12:11 Difficulty: 1.5 Members Only
This lesson is designed to work on the hand to brain connection during the string change, and to help you "fall" into position as opposed to "flail" into position.Length: 2:56 Difficulty: 1.5 Members Only
Now it's time to sprinkle some legato playing into the proceedings. Starting with hammer ons, Dan shows us how to use "weight" not "strength" to achieve this technique.Length: 6:56 Difficulty: 2.0 Members Only
Now Dan shows us the next element of legato playing: Pull Offs.Length: 3:30 Difficulty: 2.0 Members Only
Using hammer-ons and pull-offs that we learned in the previous lessons, Dan now gives us an introduction to true legato - using three note per string patterns.Length: 5:08 Difficulty: 2.0 Members Only
Now that we've spent a good deal of time on the fretting hand, it's time to turn our attention to the picking hand. Dan starts with examining how to get the best tone from our instrument, using what he...Length: 11:43 Difficulty: 2.0 Members Only
In this lesson, Dan helps us apply some exercises to the home application that will help it become second nature in no time!Length: 8:59 Difficulty: 2.0 Members Only
A solid rhythmic foundation is a must when addressing the basics of good technique. In this lesson, Dan shows a very fresh and cool way to approach rhythm, with the ancient Indian method: Konokol.Length: 7:47 Difficulty: 2.0 Members Only
Now, Dan moves the Konokol rhythm system that we looked at in the last lesson to the guitar, exploring different rhythm configurations along the way.Length: 3:04 Difficulty: 2.0 Members Only
When it comes to complex rhythm, understanding the difference between polyrhythm and polymeter are very important. In this lesson, Dan gives us a crash course on how to tell the difference.Length: 3:08 Difficulty: 2.0 Members Only
Now it's time to put our hands together (so to speak). We're bringing what we've worked on for the left hand, and what we've worked on for the right hand together to get a firm grasp of our two hand sync....Length: 8:40 Difficulty: 2.5 Members Only
In this lesson, Dan continues to emphasize two hand sync, adding the new ideas of inside picking and outside picking.Length: 10:08 Difficulty: 3.0 Members Only
Now Dan introduces some 2 string patterns into our two hand sync exercises. In each lesson, he's ratcheting up the difficulty level!Length: 3:08 Difficulty: 3.0 Members Only
In this lesson, Dan explores more two string patterns, this time emphasizing odd two string patterns. Finger twisters and brain teasers for sure!Length: 8:03 Difficulty: 3.0 Members Only
Endurance is the name of the game in this lesson. Dan shows us one of his favorite techniques he calls "Phalange Laps".Length: 4:04 Difficulty: 3.0 Members Only
Subtle hand positioning can go a long way in determining the proper position for lead playing or rhythm playing. Here, Dan analyzes this concept in great detail, getting you on the right path and putting...Length: 4:30 Difficulty: 2.0 Members Only
Now we get to muting techniques. Starting off, Dan gives us all the details on muting techniques for the picking hand. These are a must if you want to truly reign in that beast of an instrument!Length: 12:49 Difficulty: 2.5 Members Only
Switching our muting attention to the fretting hand, Dan gives us the essential techniques we need to get the cleanest result.Length: 14:52 Difficulty: 2.5 Members Only
In this lesson, Dan teaches a great way to analyze our own playing, focusing in on our mistakes and how to correct them. It starts with quarantining our playing.Length: 9:19 Difficulty: 2.5 Members Only
What gives you your unique voice on the guitar? Well, there are a number of things that go into that equation. In this lesson, Dan takes a look at some of the key techniques that will go a long way in...Length: 18:01 Difficulty: 3.0 Members Only
Now Dan will help us focus on growing our weaknesses. First up is Rhythm vs. Lead Playing.Length: 5:28 Difficulty: 3.0 Members Only
Up next in working on strengths and weaknesses? Legato.Length: 3:49 Difficulty: 3.0 Members Only
Up next in the world of substrates - Alternate Picking.Length: 4:50 Difficulty: 3.0 Members Only
The last substrate Dan takes us through is Directional Picking.Length: 7:06 Difficulty: 3.0 Members Only
In the last lesson of the series, Dan gives us a musical, full band exercise that ties in all of the techniques that we've learned throughout the series.Length: 6:25 Difficulty: 3.5 Members Only
Who is Dan Sugarman? Get to know a little about Dan - his background, his music, and what drives him to excel at guitar in this JamPlay interview.Length: 8:44 Difficulty: 0.0 Members Only
About Dan Sugarman View Full Biography
Dan Sugarman is a 26 year old guitarist, producer, teacher and songwriter hailing from the South Bay of Los Angeles, CA. His tenacity and dedication to the art of music and guitar led him to the lead guitar position in the internationally touring band, As Blood Runs Black. Now as a solo artist, Dan continues to work on his original music being released through Patreon, and is currently producing and engineering other bands & artists at Sugartone Studios, and composing for film & television. He also maintains an ever-growing student body as a private guitar teacher, mentor, and educator in the crafts of songwriting, creativity, and modern day recording techniques.
Dan is currently working on his "living album", Inside Out - Part I, available on patreon.com and completing an album for his new group A Mind Made Me, featuring singer//actor Sarah J Bartholomew.
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