If you’ve taken any courses on modes, you’ve probably noticed that most of the time, the primary focus is on improvisation. You learn a lot of scale patterns, study chord progressions, confuse yourself with a bit of music theory and the cycle goes round and round. This course, by contrast, is focused on songwriting. We’re going to use songwriting and arranging to explore many melody possibilities using the modes. We’re also going to use modes to enhance our creativity while songwriting. There are two courses on JamPlay that I’ve created before arriving at the material in this course. They are both live archived courses and they are Fretboard Roadmap and Modes Made Easy. Both of these courses focus primarily on improvisation and patterns. These two journeys are fantastic ways to start hearing and implementing modal sounds and the knowledge contained in them will be helpful in getting the most out of this course. I’ll be reviewing key concepts from each course though so don’t feel like you can’t come, hang out and learn if you haven’t taken or fully absorbed those just yet. What makes Making Modal Melodies a great next step is that we make an important transition: we go from reacting to music that we hear to creating music. After we spend some time all getting on the same page modally, we’ll creatively pair modes together, work with scale tones and tap into our inner meanderings to make some modal music that is uniquely you!
Making Modal Melodies
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Date | Topic |
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Week 1 05/09/2018 at 8pm |
Classifying Modes and Key TonesLet’s all get on the same page. We’re going to cover, and in some cases review, the fundamental sound of each mode and then we’re going to discuss each mode’s key tones. We’re going to get the sound of each mode in our heads so that as we dissect them further we’ll be able to use what our ears are familiar with to make the music happen. |
Week 2 05/16/2018 at 8pm |
Dividing The ModesEach mode can be classified as basically major or basically minor, but we’re going to take it one step further. We will be dividing the scales in half using 4 note scales called “tetrachords” to further dig into use cases for each mode. Understanding half scales will help us better use our modes in different settings. It’ll also help us pair different modes together in easy ways. |
Week 3 05/23/2018 at 7pm |
Chord Progressions and StructureWe’re going to pour through many modal progressions in this session and continue our discussion of song form, flow and structure. Most songs have sections that borrow from different modes, and we’re going to put legs to this in our own creations. |
Week 4 05/30/2018 at 7pm |
Leading the ListenerNo matter what or how you are writing, a good melody must do the job of leading the listener. This means using rhythm and note choices together to provide intentional movement and resting points that create interest and variety but also channel emotions. Using recording, we’ll put several ideas down and analyze their effectiveness. We’ll also discuss the importance of leading the listener “home.” |
Week 5 06/13/2018 at 8pm |
Dorian and Mixolydian MedleyUsing the first of our rhythm grooves along with a couple more pre-recorded elements, we’re going to get a chance to develop and record a melody that goes in and out of both Dorian and Mixolydian modes. This is going to be a bluesy one! It’ll be fun to see and hear how the tetrachord concept is implemented here. I’ll show my stream of consciousness over this track and then, of course, you’ll have a chance as well! |
Week 6 06/20/2018 at 8pm |
Ionian and Lydian MedleyThis modal combination is going to sound smooth and freeing as we artistically move between the Ionian and Lydian mode. We’ll highlight the technique of a temporary modal shift over certain sections of the song. We don’t even need to change keys and our melody will help lead the listener into some blissful passages. |
Week 7 06/27/2018 at 8pm |
Dorian and Aeolian MedleyThese modes really play nicely with one another and in all likelihood, you’ve heard many songs that go in and out of these two modes. Making seamless transitions takes a good ear for melody, but also a strategic chord structure. We’ll also experience the role that song form plays in making room for modal movement. |
Week 8 07/11/2018 at 8pm |
Phrygian and Aeolian Medley and Locrian TooThese are the trickiest of modes to play nicely with. Using the same structure as the previous three weeks, we’ll create a melody that weaves its way through these mysterious sounding modes. |
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